Film
Dracula’s Daughter
1936, 2000 – S2 Art Group Recreation
US One Sheet / (27" x 41") / Single Sided
United States (USA)
Near Mint minus – Very Fine plus / Rolled (as issued)
Lambert Hillyer
Edward Van Sloan, Gilbert Emery, Gloria Holden, Halliwell Hobbes, Marguerite Churchill, Otto Kruger
“Clawing Monster From A Lost Age strikes from the Amazon’s forbidden depths !”
This elusive one sheet’s greatness lies in its impressive design with only the neon green and yellow eyes of the title character (Countess Marya Zaleska) “Dracula’s Daughter” projecting through the ominously onyx black background, as the title “drips” in the same garish colours just below. The Daughter of Dracula, is played with true mystique by Gloria Holden in a spectacular sequel to Universal’s sensational “Dracula” (1931). Original 1936 paper from this early horror classic is extremely scarce, with only one known example of the one-sheet ever being publicly offered to the market. With an original one-sheet costing tens of thousands of pounds this S2 Art Group recreation is a fine, high quality and genuinely rare alternative, produced to an extremely high standard and printed on to heavy duty fine art paper. S2 bought 100-year-old lithograph presses, completely refurbished them, and created stone slabs that allowed them to make nearly perfect replicas of this classic movie poster. They were printed in exactly the same way the posters were originally printed, re-creating them down to the finest detail within the art, and even including the tiny writing from the bottom of the poster. Printed in 2000 in very limited numbers (hand written #91), each has the name of the person who prepared the plates and the date of the printing in the bottom border of the art. It is a super high quality stone litho print that measures the same as a regular one-sheet 27″ x 41″ (69 x 104 cm). This really is a beautiful print and represents an incredible looking item of movie memorabilia.
Trivia: Gloria Holden repeats Bela Lugosi’s famous line, “I never drink…wine” during Lady Hammond’s party.
…more detailVintage Movie Posters Grading Criteria... read more +
“Prof. Van Helsing is in danger of prosecution for the murder of Dracula…until a hypnotic woman steals the Count’s body and cremates it. Bloodless corpses start appearing in London again, and Hungarian countess Marya Zaleska seeks the aid of Jeffrey Garth, psychiatrist, in freeing herself of a mysterious evil influence. The scene changes from foggy London back to that eerie road to the Borgo Pass.”
“Dracula’s Daughter” begins right where Tod Browning‘s “Dracula“ left off, and ironically sees vampire slayer, Van Helsing (Edward Van Sloan) in trouble with the law for the murder of Count Dracula. This follow up doesn’t have the same quality feel about it that the original had, and it seems clear that this was always meant to be very much a ‘B’ movie picture. But at the same time, its lots of fun to watch; and the fact that it begins straight after the ending of the Bela Lugosi film ensures that it’s credible as far as Universal’s series is concerned, and that fact will also give many fans of the original film a good reason to see it. The plot starts properly when a young woman turns up at the police station, wanting to know if Count Dracula really is dead. We then follow her as she tries to undo her family curse, aided by psychiatrist Dr. Jeffrey Garth (Otto Kruger). However, around the same time that this is going on; corpses begin appearing around London, and jailed Van Helsing is convinced that vampires are roaming the streets of London again.
Unfortunately, this follow up doesn’t feature the bloodsucking demon of the first film, and as the title suggests; follows his daughter instead. Gloria Holden excels in the title role as the daughter of Dracula. She’s seductively sexy and has a definite air of understated evil about her at the same time. The rest of the support cast back her up excellently, and while nobody other than the title character is a real standout; the ensemble comes together nicely. Atmosphere is obviously a big thing here, and director Lambert Hillyer does a great job of photographing the locations, and ensures that the film benefits from a malevolent aura at all times. The story is obviously nowhere near as great as the original, which was based on the novel by Bram Stoker; but it’s good enough. Writing a follow-up to “Dracula” can’t be easy, and while the plot isn’t too engaging, it’s always at least interesting. There’s an underscore of black humour hanging around just behind the central plot, and overall I would say this is a worthy sequel.
Time has left this film unappreciated, but there is a lot in there to praise, and while nowhere near the best of the Classic Universal Horror films, “Dracula’s Daughter” is better than many of the films of its time, and an essential viewing for any fan of Gothic horror.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
