£165.00

Film

Akira

Additional information

Year

1988, 2020 Release

Size/Type

UK Quad (30" x 40") Double Sided

Country of Origin

UK / British

Condition

Near mint minus; originally rolled (as issued)

Director

Katsuhiro Ôtomo

Actor/Actress

Hiroshi Ôtake, Kôichi Kitamura, Mami Koyama, Masaaki Ôkura, Mitsuo Iwata, Nozomu Sasaki, Tesshô Genda

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“The shadow of a man can never stand up and walk on its own.”

A panoramic, widescreen film poster for ‘s groundbreaking adult animation epic…“Akira”. An action packed, award winning, hugely influential offering as we visit a dystopian future society set in Neo Tokyo, Japan. Presented in original unrestored, rolled(as issued) condition this beautiful 2020 UK quad film poster is for the remastered 4K release and features striking anime imagery. A rare film poster and a truly great find due to the very limited cinematic release in art-house and small independent cinemas. Presented in excellent condition, colours (particularly the deep red background) are deep and unfaded with some truly stunning and memorable imagery. This fine example represents a fantastic piece of very collectable and desirable original movie memorabilia that will appeal to Anime/Manga fans or those just looking for something very special to hang on their wall.

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Trivia: The shot of Kaneda’s bike sliding to a stop away from the camera in the opening bike chase sequence is considered to be the most referenced shot in animation. Homages appear in such shows as Teen Titans, Genndy Tartakovsky’s Star Wars: Clone Wars, Samurai Jack, Batman: The Animated Series, Teenage Mutant Ninja Turtles, Adventure Time, The Simpsons, and even Pokémon.

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Vintage Movie Posters Grading Criteria... read more +

Film Description

Akira Movie Poster

“2019. Thirty one years after being destroyed during World War III, Tokyo (now ‘Neo-Tokyo’) has been rebuilt and is a thriving metropolis. Shotaro Kaneda is the leader of a biker gang. His friend Tetsuo Shima is injured in an accident and taken to a top-secret government facility. He develops telekinetic powers but decides to use them for evil rather than good. He has the same powers as Akira, the force that destroyed Tokyo in 1988, and now it appears that history will repeat itself.”

Without a doubt, “Akira” is the necessary injection of Manga culture Western audiences needed. Personal objections (or should I say appraisals) aside, “Akira” deconstructs the form of narrative and character development that we had all become accustomed to through Hollywood and produces a reasonably honest translation of Manga epic, with mass deletions of unnecessary characters and plot avenues. The story is complex enough to keep western audiences attention, yet simple enough to digest whilst taking in the wonderful animation and excellent soundtrack (a collection of traditional Japanese instruments and modern day synthesised electronica that allow for elements of cinema to establish themselves for the audience) The conflict between the two main characters, Tetsuo (Nozomu Sasaki) and Kaneda (Mitsuo Iwata) is ultimately superceded by the films namesake, the mystery of the boy Akira, and as with very few films Hollywood produces it leaves it’s more labour intensive thinking until the end. A delight to follow, with periods of intense action and thought provoking predictions of a neo society, one would like to think of the film as the pipe dream of one who predicted such tragic events as of September 11. Akira, whilst violent for the medium, is a lush metropolis of gang warfare, a psuedo examination into the possible, and a fantasy tale of elements long lost in modern cinema. A cool, entertaining piece littered with cult visions and awesome stylised bikes.

Trivia: The film is widely credited with breaking anime into mainstream Western audiences.

 

 

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.