Showing 121–132 of 300 results
Timothy Dalton’s second outing as 007 was a truly gritty tale of revenge and action with a great white shark being an unusual instrument of torture for one scene. Keith Hamshere (who made Dalton the ‘perfect’ Bond in The Living Daylights campaign ) was again retained as the Bond photographer on this 1989 country of origin British UK quad for “Licence to Kill” featuring a moody Timothy Dalton in close up. Genuinely scarce this rolled (as issued) example looks superb and is presented totally unrestored in high grade condition and represents a worthy addition for any poster collector or any collection of James Bond cinematic movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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At the time of its release in 1979 this “Star Wars” inspired Bond movie was the largest grossing 007 movie to date. Beautiful detailed Daniel Goozee artwork was the highlight of the “Moonraker” campaign and this original 1979 US Half Sheet film poster really does look spectacular. Featuring a suave Roger Moore in a shiny silver space suit, this is the only time on any official Bond poster campaign Moore was depicted wearing anything other than a black tuxedo. Presented flat and unfolded (as issued) in high grade condition this unrestored example is perfectly suited to the landscape style for which it was designed, with the light background and white border adding a crisp clean finish to the imagery and the perfect enhancement to the silver detailing in the artwork – colours are vibrant and unfaded. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is an impressive 007 film poster from the Roger Moore run in the series.
Trivia: Producer Albert R. Broccoli complained that Maurice Binder‘s title sequence cost more than the entire budget of Dr. No (1962).
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“James Bond has left active service. His peace is short-lived when Felix Leiter, an old friend from the CIA, turns up asking for help, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.”
After an extremely successful advertising campaign on “SKYFALL” & “SPECTRE” Empire Design have been retained by EON for the latest Bond spectacular “No Time To Die” & it’s fair to say they have hit the target again. This original “April 2020” advance one-sheet for Cary Joji Fukunaga‘s Bond film has a real exciting feel to it, with Bond (Daniel Craig) combat ready poised for action and offset by the familiar ‘007’ logo. These hard to find “April 2” advance posters are extremely sought after and collectable, not only because they look great but are now dated wrongly, with the release being postponed (due to Covid 19) until 2021. Originally rolled (as issued) this stunning example displays and presents to excellent effect with only the minimal of handling wear. Guaranteed original this represents a highly desirable piece of James Bond movie memorabilia for what is reported to be Craig’s last appearance as the spy with a ‘Licence to Kill’.
Trivia: First James Bond movie to feature all the characters of Q, Felix Leiter, Miss Moneypenny, and M since Licence to Kill (1989), which is an interval of about thirty-one years.
Watch the ” No Time To Die” Trailer HERE
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last fully drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. The advance teaser poster preceding this was a mixture of photograph and artwork created by Brian, the advertising agency Feref, Jeffrey Bacon & David Generic and is distinctive for the see-through negligee. However it is not Bond babe Maryam d’Abo in the shot but American model Kathy Stangel in this famous pose & beautifully photographed by Jim McCrary. The original 1987 UK (country of origin) movie poster offered here is presented in exceptional unrestored, rolled (as issued) unfolded condition with bright and unfaded colour tones and white areas that are truly bright. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia.
Trivia: Kara Milovy (Maryam d’Abo) is the last “main” Bond girl to be blonde until Spectre (2015). All leading Bond girls in the other films since have been brunettes or redheads.
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Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. This poster was produced for a 1986 London James Bond exhibition to announce that filming had begun on the latest Bond adventure, “The Living Daylights”, which was to be released the following year. The poster shows a close-up of the front grill from an Aston Martin DB4, which was the model used by the Goldfinger production team during preliminary testing shoots prior to getting the DB5. The original 1986 Advance teaser movie poster offered here is presented in excellent unrestored, rolled (as issued) unfolded condition with content perfectly suited to this landscape style with beautiful black and white photographic tones with a hint of metallic silver. Hugely desirable and very collectible, it would be a worthy addition to any collection of James Bond movie memorabilia.
For price comparison, in a recent London Auction Sale an example of this exact same poster sold for in excess of £2,000
Trivia: The casting of Frederick Warder and Glyn Baker as 004 and 002 was intentional, due to their resemblance to George Lazenby and Sir Roger Moore, respectively. For the movie’s opening scene, the writers wanted to toy with the audience’s expectations of which of the 00 agents was Bond.
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last artist drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. Bysouth has used the classic image of Bond viewed through the end of a gun barrel to fine effect and further embellished the finished design with great action scenes and marvellous renditions of the latest Bond-girl, Maryam d’Abo and of course the classic Aston Martin (in this case a V8 Vantage Volante). The original 1987 UK (country of origin) quad movie poster offered here is presented in high grade unrestored, rolled (as issued) condition and perfectly suited to the landscape style for which it was designed for. Colours are bright and unfaded, the black background a deep black and the white areas truly bright. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond cinematic movie memorabilia.
Trivia: This was the last James Bond film to use an original Ian Fleming title until Casino Royale (2006), a gap of almost twenty years.
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“As the countdown begins for the new millienum there is still one number you can always count on..007″….Pierce Brosnan’s third and highly succesful Bond film “The World Is Not Enough”. This original 1999 country of origin UK Quad is quite excetional featuring the photographic talents of Nigel Parry, Keith Hamshere and Jay Maidment with design by art director Brian Bysouth…The gloss finish only compliments what is already a really great poster.
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“Bond drives an Aston…naturally”
In 1965, Aston Martin released this tie-in advertisement poster featuring Bond’s DB5 in their dealer showrooms to promote their association with the James Bond franchise and the latest release “Thunderball”, at the time the highest grossing film series on record. Original, 1965 are extremely scarce and in some cases prohibitively expensive, but in 1999 Bond Producer’s EON authorised a limited edition licenced print run of only 400 posters. They were printed to approximately the same size as the originals (British double crown size – 20″ x 30″) and are identifiable by the unique limited edition hand written number on each one – in this case 384/400. Presented rolled in excellent condition this is hugely desirable and very collectable and would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: On October 27, 2010, the Aston Martin DB5 used in this movie and Goldfinger (1964) was sold, fully “loaded”, to American classic car collector Harry Yeaggy for a reported $4 million by London’s RM Auctions. The car had only one previous private owner, an American radio station owner named Jerry Lee, who purchased the car directly from the Aston Martin factory in 1969 for $12,000. Lee had kept the car at his Pennsylvania house for over forty years.
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“Bond drives an Aston…naturally”
“Thunderball” sees 007’s fourth screen outing as the action moves to the exotic Bahamas as the agent with a licence to kill tackles S.P.E.C.T.R.E’s Emilio Largo who is holding the world to ransom with two stolen nuclear warheads. This photo montage style Swiss one-sheet features striking mixture of key scenes and characters. I particularly like the large 007 logo with Connery silhouette which runs across the bottom. The design is exclusive to the 1970s Swiss re-release and not found anywhere else. Presented in excellent unrestored folded (as issued) condition this presents superbly with minimal handling wear and represents a fantastic piece of collectable James Bond cinematic memorabilia from the Sean Connery era.
Trivia: On October 27, 2010, the Aston Martin DB5 used in this movie and Goldfinger (1964) was sold, fully “loaded”, to American classic car collector Harry Yeaggy for a reported $4 million by London’s RM Auctions. The car had only one previous private owner, an American radio station owner named Jerry Lee, who purchased the car directly from the Aston Martin factory in 1969 for $12,000. Lee had kept the car at his Pennsylvania house for over forty years.
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“Tha Man. The Number. The License…are all back.”
Pierce Brosnan’s second and highly succesful Bond film “Tomorrow Never Dies”. This original 1997 country of origin UK Quad is quite excetional featuring the photographic talents of Keith Hamshere and George Whitear with design by art director Randi Braun…This is the very rare recalled version, although you would be hard pushed to see the difference between this version & the final release. Give up ? It’s Pierce’s stubble. The Producer’s felt that this semi unshaven look was not for their new re-inventing of the Bond franchise & ‘TOMMORROW’ is misspelt along the bottom border credits. Originally rolled (as issued) this scarce poster displays and presents to to very good effect and represents a fine example of collectible James Bond movie memorabilia.
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“You Only Live Twice…and “TWICE” is the only way to live!”
A series of three main general release poster designs were commissioned to promote Sean Connery’s fifth outing as 007 “You Only Live Twice” (1967) with artwork by both Robert McGinnis and Frank McCarthy used. Of the three different styles produced for the film, the “Style-C”– ‘Bath-Tub’ is the most difficult poster to find. Whereas “action” is the key selling point of the two Frank McCarthy designs, McGinnis focuses on Bond’s sex appeal with his poster design with risqué artwork featuring a Japanese ‘geisha’ girl with her hand washing below the waterline near to Bond’s groin area. The original 1967 Style C British UK quad movie poster offered here is presented in amazing unrestored, folded (as issued) condition and perfectly suited to the landscape style for which it McGinnis designed it for. Colours are strong and vibrant with the white background totally unfaded and bright. A true first release stating ‘Sean Connery IS James Bond’ – Connery was by now increasingly concerned of being typecast and insisted on this tagline to be changed to read AS instead of IS, with the later printings either having a glued snipe or reprinted AS. Measuring 30″ x 40″, NOT one of the slightly over-sized 31″ x 41″ posters that were printed a little bit later and used largely for provincial cinemas. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: This marks the fifth and final on-screen appearance together of Sir Sean Connery and Lois Maxwell. In Diamonds Are Forever (1971), the scene where the disguised Moneypenny gives Bond his travel documents at the port of Dover, Maxwell and Connery filmed their lines separately, and were not present together for the short scene.
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