Showing 49–60 of 215 results
“Kiss Your Nerves Good-Bye…The Sequel To The Ultimate Experience In Grueling Terror !”
Incredibly rare and much sought after original 1987 UK quad film poster for Sam Raimi’s Evil Dead sequel…“Evil Dead II” (Dead By Dawn). The sequel, made six years later and technically a retcon sequel, was allotted a significantly larger budget than the first and is more of a black comedy than the original. Lead actor Bruce Campbell is put through a continually escalating series of horrific encounters that allow him to show the full extent of his talent for slapstick comedy. Palace Pictures bought the rights to distribute the second film and once again commissioned Graham Humphreys to design the quad and video artwork for it after his iconic design for the first film had proved so successful. Released in cinemas and on VHS almost simultaneously the modest outlay for the rights to distribute the film proved to be an excellent deal as it went on to see great box-office takings and thousands of tapes sold, but also resulted in making these theatrical posters a real rarity. Totally unrestored this originally ROLLED (as issued) British UK quad film poster is from first year of release, 1987 that displays & presents to excellent effect. A great looking piece of horror art that represents an exciting and scarce country unique British piece of original horror film movie memorabilia.
For Eddie Shannon’s superb & informative interview with the artist Graham Humphreys click here.
Trivia: Ranked #19 in Entertainment Weekly’s “Top 50 Cult Films of All-Time.”
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“Kiss Your Nerves Good-Bye…The Sequel To The Ultimate Experience In Grueling Terror !”
Incredibly rare and much sought 2015 alternative movie poster for Sam Raimi’s Evil Dead sequel…“Evil Dead II” (Dead By Dawn). What makes this super special is that has been reimagined by the same artist responsible for the original cinema poster from from 1987 – Graham Humphreys. Printed with the approval of Sam Raimi, Bruce Campbell and Rob Tapert it’s a stunning piece of horror artwork, as a much more experienced, Graham Humphreys is given the chance to go back and recreate his original design from twenty-eight years earlier. The composition and subject matter are perfectly suited to this landscape format and the colours just amazing as they pop from the paper. This limited edition is hand-numbered #48/250 and signed by the Humphreys. Immediately selling out when launched, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable horror movie memorabilia with a ‘modern’ twist.
For Eddie Shannon’s superb & informative interview with the artist Graham Humphreys click here.
Trivia: The large demonic head Ash battles in the climax of the film, which the crew nicknamed the “rotten applehead”, was too large and cumbersome for the crew to carry back to California, so it was left in North Carolina and soon disappeared. Its whereabouts were unknown for a number of years until it was found in a Halloween haunted house attraction just outside the original shooting location of Wadesboro, North Carolina.
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A masterclass in movie poster design by Tom Chantrell. Chantrell has created artwork that harks back to the B-movie horror film posters of the 1950’s. “Food of the Gods” clearly was set in this genre was loosely based on an H.G. Wells’ novel, telling the story of a strange substance that turns creatures into huge, giant man eating monsters. Showing his dedication to his art, Chantrell actually visited a farm in order to take photos of a cockerel to ensure that his illustration was accurate – giant rats were more evident in the film than the cockerel shown on the quad but Chantrell rightly deduced that images of large rats might deter the paying public. Nostalgic 70’s hokum that is complemented by a first rate film poster that’s a great example of horror artwork…including use of bold day-glo orange inks in the title. Originally folded (as issued) this UK quad from 1976 is presented in incredible unrestored condition (most likely unused) and is the best example of this poster I have ever offered for sale. In true investment grade condition, this genuinely rare cult classic represents an extremely desirable and collectable piece of cinematic movie memorabilia.
Note: The image of the distressed lady (a la Fay Wray from “King Kong”) was a stock pose that Chantrell frequently used in his poster designs ie “Quatermass & The Pitt” (1967) and “Frankenstein Must Be Destroyed” (1969)
Trivia: One of the rat costumes would later be reused for “The Star Wars Holiday Special”.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Matthew Peak is no stranger to horror icons as it was his Freddy Krueger artwork that adorned the first Nightmare on Elm Street (1984) US One-Sheet and has now has created an award-winning “Frankenstein Monster” print for the 2018 exhibition Mondo Presents “Universal Studio Monsters”. This limited-edition example has been hand-numbered #6 from a print run of 325. In 2018, the leading and most respected alternative movie poster forum expressobeans.com made this print their “Cinema Poster of the Year”. Incredibly rare and highly collectible, an excellent example of modern cinematic movie memorabilia.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Issued by Nakatomi Inc in 2013 as a series of high-quality silk-screen prints scanned directly from Berni Wrightson’s original pen and ink drawings used in the 25th-anniversary edition of his ‘Frankenstein’ book. This amazingly detailed and intricate illustration, titled ‘A Filthy Process’ shows Frankenstein working to bring his ‘creature’ to life in his laboratory. Printed onto 130lb Cougar Natural Cover paper, this print has been signed with a full ‘Bernie Wrightson’ signature and hand-numbered #45/100. Presented in excellent condition with minimal handling wear this incredibly rare and highly collectible screen print, is an excellent example of modern cinematic movie memorabilia. Note: A page of Wrightson’s original Frankenstein art for the comics adaptation (same series as this) sold at auction in 2019 for a world record price of $1.2 million.
About Bernie Wrightson: Bernard Albert Wrightson was an American artist, among his career high points were co-creating the Swamp Thing character for DC Comics, his unique illustrated interpretation of the novel Frankenstein and adapting classic horror tales for Warren Publications, which feature his trademark intricate pen and brushwork.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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Any paper for Keanu Reeves’ John Wick franchise is extremely desirable, even when it features the newest assassin on the block – Ana de Armas is perfectly cast as the revenge seeking Eve in Len Wiseman’s “From the World of John Wick: Ballerina”. This incredibly popular film series is always complemented by an equally incredible series of movie posters and for this release, the creative arts agency BOND have produced a teaser poster that’s pretty spectacular, with a close-up dark and moody image of de Armas. Offered here is the advance US one-sheet, eye-catching and distinctive with its bold use of purples, blues with a touch of neon. Originally rolled (as issued) this displays to excellent effect with only very minimal handling wear. A fantastic item of cinematic movie memorabilia from one of the best action franchises in recent memory that looks very very cool !
Trivia: In John Wick: Ch 3 – Parabellum, the ballerina’s back tattoo text, as portrayed by Unity Phelan, “Si Vis Pacem Para Bellum” means “If you want peace, prepare for war” is seen when John returns to the Ruska Roma, but in Ballerina, Eve’s back tattoo text, portrayed by Ana de Armas, changes to “Lux In Tenebris”, meaning “Light in Darkness”.
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Re-released by the BFI in 1999 this original UK quad for Mike Hodges’ iconic British gangster film “Get Carter” is very hard poster to find; stark and hard hitting design by Eureka Design consultants(very in keeping with the film) featuring a great image of Michael Caine in probably his most recognisable role. Being originally rolled it displays very well with only light handling wear to some edges (as to expected when handled for signing). As stylish and cool a poster as they come…“Frank wasn’t like that. I’m the villain in the family, remember?”
Trivia: Sir Michael Caine made subtle changes to Mike Hodges‘ depiction of Carter in the script, cut out pleasantries and gave him a cold, hard edge, closer to Ted Lewis‘ original envisioning of the character.
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This original publicity still is priced and supplied framed
Autographed with character name Anna by Britt Ekland at HorrorCon 2024 (Sunday 12th May). This original black & white publicity still features Ekland’s Anna (in one of the most memorable scenes from the movie) having phone sex with Caine’s Carter. Flat and unfolded (as issued), in exceptional condition, and offered in a custom made black frame finished with UV plexiglass. A movie that is highly regarded as a true classic of the genre and a hugely collectable piece of horror, sci-fi film memorabilia…“Frank wasn’t like that. I’m the villain in the family, remember?”
Trivia: Sir Michael Caine made subtle changes to Mike Hodges‘ depiction of Carter in the script, cut out pleasantries and gave him a cold, hard edge, closer to Ted Lewis‘ original envisioning of the character.
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“Ghost in the Shell” sees Scarlett Johansson star as Major Mira Killian, saved from a terrible crash, who is cyber-enhanced to be a perfect soldier in the American 2017 adaption of Shirow Masamune’s cult Japanese manga creation and anime movie. A colourful and action packed cyber-punk offering from director Rupert Sanders that is very much mirrored in the design of the original British UK quad film poster by creative arts agency LA offered here. Originally rolled (as issued) this looks and displays to excellent effect. Guaranteed original this represents a scarce item of modern original collectable movie memorabilia from a truly exciting and cool film.
Trivia: In an establishing shot of the city, a Pan Am advert can be seen in the top left. The bankrupt airlines inclusion is a reference to Blade Runner (1982) which also had an in-film advert for them.
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“Ghost in the Shell” sees Scarlett Johansson star as Major Mira Killian, saved from a terrible crash, who is cyber-enhanced to be a perfect soldier in the American 2017 adaption of Shirow Masamune’s cult Japanese manga creation and anime movie. A colourful and action packed cyber-punk offering from director Rupert Sanders that is very much mirrored in the design of the original US one-sheet movie poster by creative arts agency LA offered here. Originally rolled (as issued) this looks and displays to excellent effect; absolutely stunning with an almost neon colour palette. Guaranteed original this represents a scarce item of modern original collectable movie memorabilia from a truly exciting and cool film.
Trivia: The scene at the Yakuza bar where Batou drinks a beer served by a bartender with a mechanized arm is an homage to Ratz the bartender in “Neuromancer” by William Gibson who’s book is considered a heavy influence on cyberpunk.
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Martin Scorsese’s “Goodfellas” is an iconic motion picture and a giant of the crime genre that will stand the test of time for years and years to come. An absolutely beautiful complete set of all eight (8) US front of house lobby cards for one of the best gangster films ever made…Martin Scorsese’s “Goodfellas”. Featuring a series of eight fantastic full colour images with our highlight card – Robert De Niro, Joe Pesci and RayLiotta from the famous card playing scene where Tommy (Pesci) shoots Spider (Michael Imperioli). Originally flat and unfolded (as issued) all eight (8) appear unused and present to excellent effect. Hugely desirable and a must have title for the serious poster collector or Goodfellas fan it represents a premium piece of quality collectable movie memorabilia.
Trivia: The “How am I funny?” scene is based on something that actually happened to Joe Pesci. While working in a restaurant, a young Pesci apparently told a mobster that he was funny, a compliment that was met with a less-than-enthusiastic response. Pesci relayed the anecdote to Martin Scorsese, who decided to include it in the film. Scorsese didn’t include the scene in the shooting script, so that Pesci and Ray Liotta‘s interactions would elicit genuinely surprised reactions from the supporting cast.
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Martin Scorsese’s “Goodfellas” is an iconic motion picture and a giant of the gangster genre that will stand the test of time for years and years to come. Designed by Territory Studios advertising agency the movie poster imagery that accompanied the 2016 BFI release was equally as memorable. The imagery of the three stars (De Niro, Pesci & Liotta) accompanied by one of their key scenes makes for a stylish design with the red filter particularly effective. The BFI are renowned for producing excellent and ‘fresh’ poster designs for their limited run releases and this is considered one of the best. As with all BFI screenings they are very limited (sometimes only a single showing) with an incredibly small print run. making the posters very hard to come by. This originally rolled (as issued) example displays & presents to fine effect. Hugely desirable and a must have title for the serious poster collector or Goodfellas fan it represents a premium piece of quality collectable movie memorabilia.
Trivia: The “How am I funny?” scene is based on something that actually happened to Joe Pesci. While working in a restaurant, a young Pesci apparently told a mobster that he was funny, a compliment that was met with a less-than-enthusiastic response. Pesci relayed the anecdote to Martin Scorsese, who decided to include it in the film. Scorsese didn’t include the scene in the shooting script, so that Pesci and Ray Liotta‘s interactions would elicit genuinely surprised reactions from the supporting cast.
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