Showing 37–48 of 105 results
“The incredible true story of how the world’s greatest Street Art movie was never made…”
“Exit Through the Giftshop” is an Oscar nominated documentary of how an eccentric French amateur film maker attempted to locate and befriend the anonymous British graffiti/street artist Banksy. The documentary also featured other giants of the street art movement, including Shepard Fairey, Invader, Sweet Toof, Cyclops, Swoon, Ron English, and Buff Monster. The finished movie is a remarkable piece of film-making. The UK quad offered here represents a Banksy designed piece that is often referred to as the ‘Mona Lisa in a shopping trolley’ style. Printed in remarkably small numbers for release in art-house cinemas, this is a marvellous opportunity to own an affordable example of Banksy’s artwork and a piece of original cinematic memorabilia presented in excellent condition.
Trivia: The film had its unofficial UK premiere in an abandoned rail tunnel underneath London’s Waterloo station, an area devoted to graffiti and street art. Tickets for this sold out in a minute. A red carpet was spraypainted on the ground especially for the occasion, while spectators were all presented with tins of spray paint as they left the screening.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Matthew Peak is no stranger to horror icons as it was his Freddy Krueger artwork that adorned the first Nightmare on Elm Street (1984) US One-Sheet and has now has created an award-winning “Frankenstein Monster” print for the 2018 exhibition Mondo Presents “Universal Studio Monsters”. This limited-edition example has been hand-numbered #6 from a print run of 325. In 2018, the leading and most respected alternative movie poster forum expressobeans.com made this print their “Cinema Poster of the Year”. Incredibly rare and highly collectible, an excellent example of modern cinematic movie memorabilia.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Issued by Nakatomi Inc in 2013 as a series of high-quality silk-screen prints scanned directly from Berni Wrightson’s original pen and ink drawings used in the 25th-anniversary edition of his ‘Frankenstein’ book. This amazingly detailed and intricate illustration, titled ‘A Filthy Process’ shows Frankenstein working to bring his ‘creature’ to life in his laboratory. Printed onto 130lb Cougar Natural Cover paper, this print has been signed with a full ‘Bernie Wrightson’ signature and hand-numbered #45/100. Presented in excellent condition with minimal handling wear this incredibly rare and highly collectible screen print, is an excellent example of modern cinematic movie memorabilia. Note: A page of Wrightson’s original Frankenstein art for the comics adaptation (same series as this) sold at auction in 2019 for a world record price of $1.2 million.
About Bernie Wrightson: Bernard Albert Wrightson was an American artist, among his career high points were co-creating the Swamp Thing character for DC Comics, his unique illustrated interpretation of the novel Frankenstein and adapting classic horror tales for Warren Publications, which feature his trademark intricate pen and brushwork.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“On Friday The 13th, They Began To Die Horribly, One……By One”
Distinctive Alex Ebel artwork makes this original 1980 country of original US one sheet movie poster for Sean S. Cunningham’s slasher masterpiece “Friday the 13th” extremely sought after by collector’s of the horror genre. Introducing Jason Voorhees as one of the triumvirate of 80’s slasher horror icons that includes Wes Craven’s Freddy Kruger & John Carpenter’s Michael Myers. A multitude of sequels, match ups and remakes have been released since this premiered but none match this genre defining classic. Originally folded (as issued) this unrestored example displays and presents to excellent effect with only minimal age and handling wear with bright & unfaded colours. It represents a fine piece of sought after cinema memorabilia from one of the defining ‘slasher’ flick Film’s.
Trivia: The filmmakers never intended to make this the launching pad for the franchise that followed. According to Victor Miller, Jason Voorhees was only meant as a plot device, and not intended to continue on his mother’s grisly work.
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Martin Scorsese’s “Goodfellas” is an iconic motion picture and a giant of the gangster genre that will stand the test of time for years and years to come. Designed by Territory Studios advertising agency the movie poster imagery that accompanied the 2016 BFI release was equally as memorable. The imagery of the three stars (De Niro, Pesci & Liotta) accompanied by one of their key scenes makes for a stylish design with the red filter particularly effective. The BFI are renowned for producing excellent and ‘fresh’ poster designs for their limited run releases and this is considered one of the best. As with all BFI screenings they are very limited (sometimes only a single showing) with an incredibly small print run. making the posters very hard to come by. This originally rolled (as issued) example displays & presents to fine effect. Hugely desirable and a must have title for the serious poster collector or Goodfellas fan it represents a premium piece of quality collectable movie memorabilia.
Trivia: The “How am I funny?” scene is based on something that actually happened to Joe Pesci. While working in a restaurant, a young Pesci apparently told a mobster that he was funny, a compliment that was met with a less-than-enthusiastic response. Pesci relayed the anecdote to Martin Scorsese, who decided to include it in the film. Scorsese didn’t include the scene in the shooting script, so that Pesci and Ray Liotta‘s interactions would elicit genuinely surprised reactions from the supporting cast.
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Martin Scorsese’s “Goodfellas” is an iconic motion picture and a giant of the gangster genre that will stand the test of time for years and years to come. The movie poster imagery that accompanied the 1990 release featured the three main stars – De Niro, Pesci & Liotta. And it’s those actors who take centre stage on this 2022 alternative movie poster by Nick Runge. In addition to the main characters, Runge has incorporated several key scenes and supporting characters into the artwork including one of the most memorable scenes from the movie as they get set to bury Billy Batts in the forest. A truly eye-catching design this originally rolled (as issued) example displays & presents to excellent effect with beautiful colour tones with a red that pops from the paper. Being giclee the finish appears painted and it is absolutely stunning in hand, with the photo not doing it justice. Hugely desirable and a must have title for the serious poster collector or Goodfellas fan it represents a premium piece of quality collectable movie memorabilia.
Trivia: The “How am I funny?” scene is based on something that actually happened to Joe Pesci. While working in a restaurant, a young Pesci apparently told a mobster that he was funny, a compliment that was met with a less-than-enthusiastic response. Pesci relayed the anecdote to Martin Scorsese, who decided to include it in the film. Scorsese didn’t include the scene in the shooting script, so that Pesci and Ray Liotta‘s interactions would elicit genuinely surprised reactions from the supporting cast.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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Nautilus Art Prints released this Laurent Durieux variant as a limited run of 200 in 2017. In this poster, Durieux creates a bright and colourful retro summer aesthetic as he illustrates the memorable scuba-suit pool scene from Mark Nichols’ 1967 comedy-drama-romance “The Graduate”. This scene was very symbolic in displaying Ben’s (Dustin Hoffman) lack of control over his future whilst he was still trapped under hs parents control. The 12-colour screen print is signed by Durieux and hand-numbered #36/200. Having a very limited release these alternative movie posters are incredibly rare. Unrestored, this rolled (as issued) poster presents and displays to exceptional effect and represents a superb example of genuinely scarce modern film memorabilia featuring one of Hollywood’s greatest romantic comedy’s…classic and very COOL!
Trivia: In the famous promotional still and original poster for this film, Dustin Hoffman is seen in the background framed by Mrs. Robinson’s shapely leg. The leg in that photo didn’t belong to Anne Bancroft, however; it belonged to a then-unknown model, Linda Gray, who later played Mrs. Robinson in a London stage musical of The Graduate & Sue Ellen Ewing in the TV show Dallas.
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“The Trick Was To Stay Alive”
John Carpenter’s masterpiece of modern horror “Halloween” was the first and by far the best of this enduring film franchise which acted as the definitive slasher flick. The artwork for any of the film poster produced are all extremely collectable and strikingly individual in design; from the ‘Jack O’Lantern’ US one sheet to the UK quad film poster featuring a screaming Jamie Lee Curtis as Michael Myers’ hand appears at the car window; all seen through an icy blue haze. Offered here is one of the best of the more modern alternative movie poster designs by the artist Paul Mann. Mann’s stunning imagery and use of bold colour tones makes for a truly eye-catching piece as a menacing Michael Myers takes centre stage against a backdrop of a flaming halloween pumpkin. Released in 2024 as a limited edition of only 70 (this is hand-numbered #12). Originally rolled, flat-unfolded (as issued) the example offered displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia.
Trivia: John Carpenter considered the hiring of Jamie Lee Curtis as the ultimate tribute to Sir Alfred Hitchcock who had given her mother, Janet Leigh, legendary status in Psycho (1960) (for the same reason, Dr. Sam Loomis was named after Sam Loomis from Psycho). During the same period, Universal studio producers and director Richard Franklin were trying to enroll Jamie Lee in the new production of Psycho II (1983).
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“The Trick Was To Stay Alive”
John Carpenter’s masterpiece of modern horror “Halloween” was the first and by far the best of this enduring film franchise which acted as the definitive slasher flick. The artwork for any of the film poster produced are all extremely collectable and strikingly individual in design; from the ‘Jack O’Lantern’ US one sheet to the UK quad film poster featuring a screaming Jamie Lee Curtis as Michael Myers’ hand appears at the car window; all seen through an icy blue haze. Offered here is one of the best of the more modern alternative movie poster designs by the artist Tyler Stout. Stout’s unique linear style and use of autumnal colour tones makes for a truly distinctive piece. Released in 2021 as a timed limited edition of only 2,170 (this is hand-numbered #1073) it immediately became a huge fan favourite. Originally rolled, flat-unfolded (as issued) the example offered displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia.
Trivia: John Carpenter considered the hiring of Jamie Lee Curtis as the ultimate tribute to Sir Alfred Hitchcock who had given her mother, Janet Leigh, legendary status in Psycho (1960) (for the same reason, Dr. Sam Loomis was named after Sam Loomis from Psycho). During the same period, Universal studio producers and director Richard Franklin were trying to enroll Jamie Lee in the new production of Psycho II (1983).
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“The Trick Was To Stay Alive”
John Carpenter’s masterpiece of modern horror “Halloween” was the first and by far the best of this enduring film franchise which acted as the definitive slasher flick. The artwork for any of the film poster produced are all extremely collectable and strikingly individual in design; from the ‘Jack O’Lantern’ US one sheet to the UK quad film poster featuring a screaming Jamie Lee Curtis as Michael Myers’ hand appears at the car window; all seen through an icy blue haze. Offered here is one of the best of the more modern alternative movie poster designs by the artist Rich Davies that has been signed by Michael Myers himself – NICK CASTLE with character name of The Shape (as he was credited at the time of release) in a blue pen to match the colours in the imagery. Davies’ stunning imagery and use of dark blue colour tones makes for a truly eye-catching piece. Released in 2018 for the 40th anniversary as a limited edition giclee print of 250, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia signed by The Shape – Nick castle.
Trivia: John Carpenter considered the hiring of Jamie Lee Curtis as the ultimate tribute to Sir Alfred Hitchcock who had given her mother, Janet Leigh, legendary status in Psycho (1960) (for the same reason, Dr. Sam Loomis was named after Sam Loomis from Psycho). During the same period, Universal studio producers and director Richard Franklin were trying to enroll Jamie Lee in the new production of Psycho II (1983).
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Witchcraft enters the computer age, and a different terror begins.”
John Carpenter’s masterpiece of modern horror “Halloween” spawned a multitude of sequels which included this 1982 offering “Halloween III: Season of the Witch”. A sequel in name only as it didn’t feature Michael Myers but took a new take on the mythos as ancient witchcraft meets modern technology in the form of Silver Shamrock masks. Who better then to take on the artistic duties than the modern maestro of horror artwork – Graham Humphreys. The content and characterisations are super realistic, layout and colours perfectly balanced and a near perfect example of a re-imagined poster. Released in 2024 as an exclusive Private Commission, this strictly limited Artist Proof edition is hand-numbered AP 11/15 and signed by the artist. Immediately selling out when launched, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable movie memorabilia with a ‘modern’ twist. Originally rolled, flat-unfolded (as issued) the example offered displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia.
Trivia: The tagline “The night no one comes home” is a play on the original Halloween movie’s tagline “The night HE came home.”
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