Showing 49–60 of 168 results
“Scream as your nightmares come true”
Sam Raimi’s “The Evil Dead” is one of the best horror comedy movies ever made, full of dark humour and gory thrills. As most people know, this is one of the greatest performing films, dollar for dollar in cinematic history. One of the most popular film titles for alternative movie posters artists, this 2018 hand-numbered (#18/100) print by Paul Mann is a standout piece and a proper horror poster as a chainsaw wielding Ash (Bruce Campbell) accompanied by his demonically possessed supporting cast and as Mann has cleverly illustrated here includes the haunted cabin and the iconic yellow 1973 Oldsmobile Delta. Presented in excellent condition this rolled (as issued) example displays superbly that represents an impressive piece of horror artwork and is a hugely desirable alternative movie poster. “I know now that my wife has become host to a Kandarian demon. I fear that the only way to stop those possessed by the spirits of the book is through the act of… bodily dismemberment.”
Trivia: Over his years as a director, Raimi’s 1973 Oldsmobile Delta 88 (originally bought by Raimi’s father for the family when Sam was 14) has “played” Ash’s car in the Evil Dead movies, Uncle Ben and Aunt May’s car in the Spider-Man movies, Annie’s car in The Gift (2000), and Mrs. Ganoush’s car in Drag Me to Hell (2009), and has made cameos in nearly all of his other movies.
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“Kiss Your Nerves Good-Bye…The Sequel To The Ultimate Experience In Grueling Terror !”
Incredibly rare and much sought after original 1987 UK quad film poster for Sam Raimi’s Evil Dead sequel…“Evil Dead II” (Dead By Dawn). The sequel, made six years later and technically a retcon sequel, was allotted a significantly larger budget than the first and is more of a black comedy than the original. Lead actor Bruce Campbell is put through a continually escalating series of horrific encounters that allow him to show the full extent of his talent for slapstick comedy. Palace Pictures bought the rights to distribute the second film and once again commissioned Graham Humphreys to design the quad and video artwork for it after his iconic design for the first film had proved so successful. Released in cinemas and on VHS almost simultaneously the modest outlay for the rights to distribute the film proved to be an excellent deal as it went on to see great box-office takings and thousands of tapes sold, but also resulted in making these theatrical posters a real rarity. Totally unrestored this originally ROLLED (as issued) British UK quad film poster is from first year of release, 1987 that displays & presents to excellent effect. A great looking piece of horror art that represents an exciting and scarce country unique British piece of original horror film movie memorabilia.
For Eddie Shannon’s superb & informative interview with the artist Graham Humphreys click here.
Trivia: Ranked #19 in Entertainment Weekly’s “Top 50 Cult Films of All-Time.”
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“Kiss Your Nerves Good-Bye…The Sequel To The Ultimate Experience In Grueling Terror !”
Incredibly rare and much sought 2015 alternative movie poster for Sam Raimi’s Evil Dead sequel…“Evil Dead II” (Dead By Dawn). What makes this super special is that has been reimagined by the same artist responsible for the original cinema poster from from 1987 – Graham Humphreys. Printed with the approval of Sam Raimi, Bruce Campbell and Rob Tapert it’s a stunning piece of horror artwork, as a much more experienced, Graham Humphreys is given the chance to go back and recreate his original design from twenty-eight years earlier. The composition and subject matter are perfectly suited to this landscape format and the colours just amazing as they pop from the paper. This limited edition is hand-numbered #48/250 and signed by the Humphreys. Immediately selling out when launched, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable horror movie memorabilia with a ‘modern’ twist.
For Eddie Shannon’s superb & informative interview with the artist Graham Humphreys click here.
Trivia: The large demonic head Ash battles in the climax of the film, which the crew nicknamed the “rotten applehead”, was too large and cumbersome for the crew to carry back to California, so it was left in North Carolina and soon disappeared. Its whereabouts were unknown for a number of years until it was found in a Halloween haunted house attraction just outside the original shooting location of Wadesboro, North Carolina.
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“No Accidents. No Coincidences. No Escapes. You Can’t Cheat Death.”…New Wave Creative produced an excellent poster for James Wong’s 2000 horror hit “Final Destination”. This rolled original UK Quad movie poster displays very well with a great creepy cast image perfectly fitting in with the feel of the movie.
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A masterclass in movie poster design by Tom Chantrell. Chantrell has created artwork that harks back to the B-movie horror film posters of the 1950’s. “Food of the Gods” clearly was set in this genre was loosely based on an H.G. Wells’ novel, telling the story of a strange substance that turns creatures into huge, giant man eating monsters. Showing his dedication to his art, Chantrell actually visited a farm in order to take photos of a cockerel to ensure that his illustration was accurate – giant rats were more evident in the film than the cockerel shown on the quad but Chantrell rightly deduced that images of large rats might deter the paying public. Nostalgic 70’s hokum that is complemented by a first rate film poster that’s a great example of horror artwork…including use of bold day-glo orange inks in the title. Originally folded (as issued) this UK quad from 1976 is presented in incredible unrestored condition (most likely unused) and is the best example of this poster I have ever offered for sale. In true investment grade condition, this genuinely rare cult classic represents an extremely desirable and collectable piece of cinematic movie memorabilia.
Note: The image of the distressed lady (a la Fay Wray from “King Kong”) was a stock pose that Chantrell frequently used in his poster designs ie “Quatermass & The Pitt” (1967) and “Frankenstein Must Be Destroyed” (1969)
Trivia: One of the rat costumes would later be reused for “The Star Wars Holiday Special”.
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“She’s hot. She’s sexy. And she’s sutured to please.”
An incredible country of origin, US one-sheet poster for one of the greatest cult horror movies ever made…Frank Henenlotter‘s “Frankenhooker”. Featuring country unique artwork, this really is eye-catching imagery created for this cult horror-comedy title. Any paper for this title is extremely sought after and also ultra scarce, with this being the first time we have ever offered a one-sheet for sale – and we are delighted that it is a country of origin example, which has always been a personal favourite of mine. Originally folded (as issued) this displays very well and represents scarce cinematic movie memorabilia for a film that has become one of the most desirable titles of the genre…“A Terrifying Tale Of Sluts And Bolts.”
Trivia: Elizabeth has the last name of Shelley. This is an homage to Mary Shelley, the author of the original “Frankenstein”.
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“A Terrifying Tale Of Sluts And Bolts.”
An absolutely stunning Japanese B2 film poster for one of the greatest cult horror movies ever made…Frank Henenlotter‘s “Frankenhooker”. Featuring incredible country unique artwork, this really is one of the best examples created for this cult horror-comedy title. Any paper for this title is extremely sought after and also ultra scarce, with this being the first time we have ever offered something for sale – and we are delighted that it is this Japanese B2, which has always been a personal favourite of mine. The finish is superb with neon, pink, green and blues popping from the paper (this day-glo effect is further enhanced by the high gloss finish – this does make it hard to photograph) Originally rolled (as issued) this displays to excellent effect and represents scarce cinematic movie memorabilia for a film that has become one of the most desirable titles of the genre…“She’s hot. She’s sexy. And she’s sutured to please.”
Trivia: Elizabeth has the last name of Shelley. This is an homage to Mary Shelley, the author of the original “Frankenstein”.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Matthew Peak is no stranger to horror icons as it was his Freddy Krueger artwork that adorned the first Nightmare on Elm Street (1984) US One-Sheet and has now has created an award-winning “Frankenstein Monster” print for the 2018 exhibition Mondo Presents “Universal Studio Monsters”. This limited-edition example has been hand-numbered #6 from a print run of 325. In 2018, the leading and most respected alternative movie poster forum expressobeans.com made this print their “Cinema Poster of the Year”. Incredibly rare and highly collectible, an excellent example of modern cinematic movie memorabilia.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Issued by Nakatomi Inc in 2013 as a series of high-quality silk-screen prints scanned directly from Berni Wrightson’s original pen and ink drawings used in the 25th-anniversary edition of his ‘Frankenstein’ book. This amazingly detailed and intricate illustration, titled ‘A Filthy Process’ shows Frankenstein working to bring his ‘creature’ to life in his laboratory. Printed onto 130lb Cougar Natural Cover paper, this print has been signed with a full ‘Bernie Wrightson’ signature and hand-numbered #45/100. Presented in excellent condition with minimal handling wear this incredibly rare and highly collectible screen print, is an excellent example of modern cinematic movie memorabilia. Note: A page of Wrightson’s original Frankenstein art for the comics adaptation (same series as this) sold at auction in 2019 for a world record price of $1.2 million.
About Bernie Wrightson: Bernard Albert Wrightson was an American artist, among his career high points were co-creating the Swamp Thing character for DC Comics, his unique illustrated interpretation of the novel Frankenstein and adapting classic horror tales for Warren Publications, which feature his trademark intricate pen and brushwork.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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A scarce original Japanese B2 film poster and one of Hammer’s best for Terence Fisher’s 1967 dark metaphysical horror “Frankenstein Created Woman”…The fourth entry in Hammer’s Frankenstein canon this stunning piece is a personal favourite and featured in Marcus Hearn’s excellent book “The Art of Hammer”. Originally rolled (as issued) and unrestored, it has some of the most memorable imagery of any Hammer poster…the image of Peter Cushing caressing a human skull and a bikini made of bandages are trademark Hammer. Presented in excellent high grade condition with minimal handling wear this represents a superb example of Hammer Horror cinema memorabilia.
Trivia: “Frankenstein Created Woman” was originally mooted as a follow-up to “The Revenge of Frankenstein” during its production in 1958, at a time when Roger Vadim’s Et Dieu créa la femme (And God Created Woman) was successful (in fact, the film’s original working title was “And Then Frankenstein Created Woman”). The film finally went into production at Bray Studios on 4 July 1966. It was Hammer’s penultimate production there.
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“On Friday The 13th, They Began To Die Horribly, One……By One”
Distinctive Alex Ebel artwork makes this original 1980 country of original US one sheet movie poster for Sean S. Cunningham’s slasher masterpiece “Friday the 13th” extremely sought after by collector’s of the horror genre. Introducing Jason Voorhees as one of the triumvirate of 80’s slasher horror icons that includes Wes Craven’s Freddy Kruger & John Carpenter’s Michael Myers. A multitude of sequels, match ups and remakes have been released since this premiered but none match this genre defining classic. Originally folded (as issued) this unrestored example displays and presents to excellent effect with only minimal age and handling wear with bright & unfaded colours. It represents a fine piece of sought after cinema memorabilia from one of the defining ‘slasher’ flick Film’s.
Trivia: The filmmakers never intended to make this the launching pad for the franchise that followed. According to Victor Miller, Jason Voorhees was only meant as a plot device, and not intended to continue on his mother’s grisly work.
Trivia:
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“We got a bunch of fucking vampires out there, trying to get in here and suck our fucking blood. And that’s it. Plain and simple. I don’t want to hear anything about “I don’t believe in vampires,” because I don’t fucking believe in vampires, but I believe in my own two eyes, and what I saw, is fucking vampires. Now, do we all agree that what we are dealing with is vampires?”
Robert Rodriguez’ “From Dusk till Dawn” combines vicious violence, Cheech Marin vampires, and some funny dark humour from the cast into one big collective film. More than a basic horror movie, it shows Rodriquez as a fine director and Quentin Tarantino as a tight screenwriter who bring to the screen shoot em up vampire fun for the Pulp Fiction/Evil Dead devotees. Pulse Advertising produced a cool looking poster (a mean looking, gun-toting George Clooney) for this grindhouse, horror-heist collaboration. Visual impact and design are key aspects of any Tarantino/Rodriguez production and this beautiful example perfectly illustrates that fact. This original, rolled (as issued) US One Sheet movie poster from 1996 displays and presents to excellent effect and represents a fine piece of cult movie memorabilia from one of the best collaborative duos working today.
Watch the Trailer HERE
Trivia: The band playing in the “Titty Twister” is Tito & Tarantula, featuring Robert Rodriguez. The line-up also featured Oingo Boingo drummer Johnny ‘Vatos’ Hernandez.
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