Showing 13–24 of 191 results
One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. The worldwide marketing campaign is instantly recognisable by the (now) iconic alien ‘egg’ imagery designed by the creative agency Bemis Balkind. The poster campaign that was complemented by a series of lobby cards, usually a set of 8 measuring 10″ x 8″ or 11″ x 14″, but Italy offered something far superior, a set of 12 lobby cards (photobustas in Italian) that measure a huge 18″ x 26″ (46 x 66 cm). The size makes them particularly appealing to collectors as they are more like mini posters and in the case of this set, some incredible images from the movie with many only found on the Italian release. Offered in original flat and unfolded condition (as issued) they present very well with only minimal handling wear. Hugely collectable and a fantastic piece of cinematic movie memorabilia from a truly influential movie that changed the face of modern sci-fi horror forever.
Trivia: Director Sir Ridley Scott and writers Dan O’Bannon and Ronald Shusett wanted H.R. Giger to design the alien creatures based on drawings from his book ‘Necronomicon’, but they had some difficulties in convincing the studio. Executives were initially appalled by Giger’s dark and disturbing imagery, but Scott’s insistence finally won them over. Even so, Giger’s designs had to be changed several times because of their blatant sexuality.
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. The worldwide marketing campaign is instantly recognisable by the (now) iconic alien ‘egg’ imagery designed by the creative agency Bemis Balkind, and it is also one of the most licensed titles to commission for the alternative movie poster market with some incredible re-imagined imagery on offer, with this ‘Primordial Landscape Edition’ offering from Ise Ananphada one of the best in my opinion. In typical Ananphada style the artwork is intricate and beautifully detailed, featuring the titular Alien against a backdrop of key scenes and characters. A spot varnish finish has been applied to both the film’s title and the Alien which only emphasis what a stunning screen print this is. The photographs really don’t do justice to the print, this has to be seen in person to be appreciated. Hand-numbered #20/175 this presents and displays to excellent effect. Hugely collectable and a fantastic piece of cinematic movie memorabilia from a truly influential movie that changed the face of modern sci-fi horror forever.
Trivia: Director Sir Ridley Scott and writers Dan O’Bannon and Ronald Shusett wanted H.R. Giger to design the alien creatures based on drawings from his book ‘Necronomicon’, but they had some difficulties in convincing the studio. Executives were initially appalled by Giger’s dark and disturbing imagery, but Scott’s insistence finally won them over. Even so, Giger’s designs had to be changed several times because of their blatant sexuality.
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. Spawning numerous cinematic and TV sequels, with Fede Alvarez’ 2024 offering “Alien: Romulus” a personal favourite. The release was accompanied by an incredible series of high quality posters, but it was this offering here by Matt Ferguson that really stole the show, with artwork that is considered one of the best looking for the whole franchise. Printed in extremely limited numbers for use in cinemas of Ferguson’s choice, these UK quads have become hugely collectable and a must have poster for xenomorph fans. Offered rolled (as issued) and signed by Matt Ferguson this example presents and displays to excellent effect that represents a fantastic piece of cinematic movie memorabilia that is incredibly scarce.
Trivia: The film’s production design draws not only on the previous films in the series, but also the Alien: Isolation (2014) video game, including the “Emergency” communication stations which served as save points in the game. Fede Alvarez played the game around the time Don’t Breathe (2016) was released, and later said, “I was playing, and realising how terrifying Alien could be if you take it back to that tone.”
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. Spawning numerous cinematic and TV sequels, with Fede Alvarez’ 2024 offering “Alien: Romulus” a personal favourite. With “Alien” and “Aliens” two of the most licensed titles for private commission alternative movie posters it comes as no surprise that “Alien: Romulus” is starting to attract major attention from artists. This 2026 offering from Juan Carlos Ruiz Burgos is an incredible example using thirteen coloured inks that incorporates a glitter acid spot gloss varnish layer and is printed onto neenah pearl bright gold metallic paper – it really is spectacular. Printed in extremely limited numbers with this being #30 from a print run of 75. Hugely collectable and a must have poster for xenomorph fans, this example presents and displays to excellent effect that represents a fantastic piece of cinematic movie memorabilia art.
Trivia: The events of the film take place in the year 2142, exactly 20 years after Alien (1979) (situated in 2122), and 37 years before Aliens (1986) (2179).
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. Spawning numerous cinematic and TV sequels, with Fede Alvarez’ 2024 offering “Alien: Romulus” a personal favourite. The release was accompanied by an incredible series of high quality posters, but it was this offering here by Matt Ferguson that really stole the show, with artwork that is considered one of the best looking for the whole franchise. So it came as no surprise that Matt’s artwork was adapted to the portrait format and used as the cover art for the 4K, BluRay Steelbook issued by Vice Press. The first 250 of these steelbooks were accompanied by one of these limited edition posters, with the print offered here being #157. These prints have become hugely collectable and a must have poster for xenomorph fans. Offered rolled (as issued) and signed and hand-numbered by Matt Ferguson this example presents and displays to excellent effect that represents a fantastic piece of cinematic movie memorabilia.
Trivia: The film’s production design draws not only on the previous films in the series, but also the Alien: Isolation (2014) video game, including the “Emergency” communication stations which served as save points in the game. Fede Alvarez played the game around the time Don’t Breathe (2016) was released, and later said, “I was playing, and realising how terrifying Alien could be if you take it back to that tone.”
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“This Time It’s War”
An alternative movie poster for James Cameron’s “Aliens”, that is unquestionably one of the best (if not the best) for the title. Adam Stothard’s limited edition (hand-numbered #65/85) art print could be accused of giving away much of the film’s climax but Ripley’s ‘get away from her you bitch’ is cinematic legend. This fine art giclee print is printed on Hahnemühle photo rag metallic paper and screen printed using a gloss enamel varnish Layer (over the Queen Mother & title) is absolutely stunning, focussing on the ferocious battle between Ripley (using the Power Loader) against the Xenomorph Queen. “Aliens” has gone on to become a benchmark for the sci-fi actioner. The alternative movie poster offered here is from 2023 and presents to excellent effect in original unrestored, rolled (as issued) condition that represents a fine piece of movie memorabilia and artwork from a truly influential movie that changed the face of the modern sci-fi action movie forever.
Trivia: Sigourney Weaver‘s Best Actress Academy Award nomination for this movie was the first ever for an actress in a role in an action and sci-fi movie.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“This Time It’s War”
An alternative movie poster for James Cameron’s “Aliens”, that is unquestionably one of the best for the title. Being one of the most popular subjects for alternative movie posters, artist Roger Motzkus has created an incredible looking poster and one of my personal favourites for the movie. His hand-numbered #42/100 giclee screenprint is truly a stunning piece that has captured the alien and the actors’ likenesses with real accuracy and being a giclee print the colours have an amazing, vibrant finish. Originally rolled (as issued) this looks and displays to excellent effect, absolutely beautiful and a desirable item of modern collectable movie memorabilia from a truly exciting film franchise.. “Aliens” has gone on to become a benchmark for the sci-fi actioner. The alternative movie poster offered here is from 2022 and presents to excellent effect in original unrestored, rolled (as issued) condition that represents a fine piece of movie memorabilia and artwork from a truly influential movie that changed the face of the modern sci-fi action movie forever.
Trivia: Sigourney Weaver‘s Best Actress Academy Award nomination for this movie was the first ever for an actress in a role in an action and sci-fi movie.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“This Time It’s War”
An alternative movie poster for James Cameron’s “Aliens”, that is unquestionably one of the highlights for the title. Being one of the most popular subjects for alternative movie posters, artist Paul Mann has created an incredible looking poster (his second for the franchise after his hugely well received Alien in 2021) and one of my personal favourites for the movie. His hand-numbered #52/75 screen print is truly a stunning piece that has captured the alien queen and the actors’ likenesses with real accuracy and colours that have an amazing, vibrancy. “Aliens” has gone on to become a benchmark for the sci-fi actioner. The alternative movie poster offered here is from 2025 and presents to excellent effect in original unrestored, rolled (as issued) condition that represents a fine piece of movie memorabilia and artwork from a truly influential movie that changed the face of the modern sci-fi action movie forever.
Trivia: Sigourney Weaver‘s Best Actress Academy Award nomination for this movie was the first ever for an actress in a role in an action and sci-fi movie.
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Zombies, Nazis, stranded holiday makers and Peter Cushing…if this sounds like your kind of fun then you probably are a fan of Ken Wiederhorn’s enjoyable horror romp “Almost Human” (AKA Shock Waves). Nostalgic 70’s hokum that is complemented by a first rate film poster as the SS ‘Death Corps’ take centre stage in a great example of horror artwork…good use of bold day-glo colours in the title and striking well balanced design. Certainly a rare find and even more so in such excellent high grade condition. Originally rolled (as issued) this 1977 UK quad film poster is offered in superb unrestored condition and presents and displays to excellent effect and represents a rare piece of hugely collectable original 70’s horror movie memorabilia.
Trivia: The zombies weren’t originally supposed to be wearing goggles but when extra Max Trumpton returned from recent glaucoma surgery in protective eyewear the director liked the ‘look’ so much he instructed the wardrobe department to make a pair for each zombie.
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A truly influential genre classic…John Landis’ tongue in cheek werewolf horror romp “An American Werewolf in London”. This original 1982 (first year of release in Japan) Japan B2 film poster is stunning; great horror imagery and often referred to as the “monster montage style” featuring all of creatures from the Film and even a bit of saucy Jenny Agutter nudity . Full on and very in your face and not at all understated and restrained as is the US one sheet version. With unique Japan design this is an extremely desirable, very rare poster from a “golden age” of physical movie special effects. In near faultless original, unrestored condition this rolled example presents in investment grade condition and represents an exciting piece of original horror film movie memorabilia…“Be rational, sure. I’m a fucking werewolf, for Christ’s sake!”
Trivia: John Landis wrote the screenplay for this film following an incident while shooting Kelly’s Heroes (1970) (while he was a go-fer) in the countryside of Yugoslavia. While driving along a country road with a colleague, Landis encountered a gypsy funeral. The body was being buried in a massively deep grave, feet first, while wrapped in garlic, so he would not rise from the dead.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
A truly influential genre great…John Landis’ tongue in cheek werewolf horror romp “An American Werewolf in London”. This original 1981 UK quad film poster is stunning; great imagery as we see David before (very nude) and after (the best cinematic werewolf transformation ?) in incredible snarling wolf man mode. Very in your face and not at all as understated and restrained as the US one sheet version. With unique British design this is an extremely desirable, very rare poster from a “golden age” of physical movie special effects with Rick Baker winning the Oscar for Best Makeup. Presented in original, unrestored condition this folded (as issued) example displays very with only minor handling wear and represents a fantastic item of original horror movie memorabilia from a classic of the genre.…“I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This ‘International’ style one-sheet, features totally different art than the ‘regular’ version, with imagery of a blood-red wolf against a black background – it is far more scarce and distinctive than the regular poster, and is far more desired by collectors. Presented in excellent condition this folded (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable piece of cinematic movie memorabilia.
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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