Showing 157–168 of 189 results
“Bolt Your Doors. Lock Your Windows. There’s something in The Fog !”
After the huge success of Halloween John Carpenter quickly followed up with the equally creepy horror The Fog. Taking creepy imagery from the movie the US one-sheet features silhouetted zombie pirates in a ‘fog’ filed room. The original movie poster offered here is from first year of release, 1980 and displays to excellent effect. Originally folded (as issued) it is presented in unrestored condition with only minimal handling wear. Great horror imagery on a genuinely rare cult classic from the Carpenter archives that represents extremely desirable and collectable movie memorabilia.
Trivia: Although this was essentially a low budget independent movie, John Carpenter chose to shoot the movie in anamorphic widescreen Panavision. This decision gave the movie a grander feel for the viewer so this didn’t seem like a low budget horror movie.
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“Bolt Your Doors. Lock Your Windows. There’s something in The Fog !”
After the huge success of “Halloween” John Carpenter quickly followed up with the equally memorable horror “The Fog” – a guilty pleasure film of mine as I love how well Carpenter develops the tension and tells the story with great cinematography, sound, and use of locations. Carpenter always a well regarded and popular film maker has enjoyed a huge renaissance in more recent years so it was no surprise that this title was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “They Live”, “Escape From New York” and “Prince of Darkness”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 224. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: Although this was essentially a low budget independent movie, John Carpenter chose to shoot the movie in anamorphic widescreen Panavision. This decision gave the movie a grander feel for the viewer so this didn’t seem like a low budget horror movie.
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“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
Artist Casey Booth is back from a trip to Santa Carla with a stunning giclee print that bites for Joel Schumacher’s “The Lost Boys”. This 2026 hand-numbered (#25/75) limited edition release is a proper horror poster as leader of The Lost Boys – David (Kiefer Sutherland) is the main focus with the would be vampire hunters blended into the background and printed using an incredible colour palette of blood reds inks. Presented in excellent condition this rolled, flat and unfolded (as issued) example displays superbly and is an impressive piece of artwork and a hugely desirable alternative movie poster. This is THE teenage angst vampire movie with this high grade poster showcasing the teen vampires in all their undead glory…“Something I never could stomach about Santa Carla, all the damn vampires!”
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
Striking alternative movie poster for Joel Schumacher’s cult 1987 vampire classic “The Lost Boys”, featuring artwork by celebrated British illustrator Graham Humphreys.
Humphreys is one of Britain’s most recognisable horror film illustrators, with a career spanning more than four decades. He became closely associated with the genre during the 1980s through his work for Palace Pictures, creating memorable British poster artwork for films including “The Evil Dead”, “Evil Dead II” and “A Nightmare on Elm Street”. Influenced by horror cinema and the visual energy of the British punk scene, Humphreys developed a distinctive painted style that has become particularly associated with the golden age of 1980s horror. Remarkably, he continues to produce his artwork using traditional paint on paper rather than digital illustration.
For “The Lost Boys”, Humphreys’ wonderfully atmospheric composition brings together the film’s principal characters, with Kiefer Sutherland as David dominating the artwork in full vampire form, surrounded by Corey Haim, Jami Gertz and members of the vampire gang. The dark blue and blood-red palette perfectly captures the stylish gothic horror of the film, while the famous tagline, “Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”, appears across the top.
This beautiful poster measures 24 x 36 inches and is hand-numbered 33/87 from the limited edition. It is rolled (as issued) and presented in excellent condition.
A fantastic combination of one of the defining vampire films of the 1980s and the work of an artist whose imagery has become synonymous with British horror poster design…“Something I never could stomach about Santa Carla, all the damn vampires!”
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
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“She Loved Men… To Death.”
A glorious looking film poster full of colour, designed by Fred Davis with beautiful finished artwork of the ‘love witch’ Samantha Robinson by the extremely talented illustrator Michael Koelsch. Anna Biller’s dark horror comedy was very well received, critically & commercially on its 2016 release and is regarded as a classy ‘modern’ homage to the cheesy ‘B’ movie horror films that prospered during the 1970’s. This country of origin US one-sheet movie poster is from first year of release 2016 and hugely sought after by the film’s hardcore and loyal fan base and horror fans alike. Having a a very limited release, primarily in a small number of ‘art-house’ & ‘specialist’ cinemas combined with a low key advertising campaign the movie poster that accompanied the release is truly scarce. Originally rolled (as issued) this superb unrestored example presents and displays to excellent effect & represents a really exceptional piece of original ‘cult’ film movie memorabilia.
Click on the title to watch ‘The Love Witch’ Trailer.
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“The Most Terrifying Ride You Will Ever Take”…Very, very rare original Advance UK Quad for the 2008 horror express ride that is “The Midnight Meat Train”….A very limited UK release means these New Wave Creative designed posters are in extremely short supply. Very creepy image.You can still tell it’s Vinnie though behind the smoked glass !
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
Designed by Tom Jung this advance teaser for Richard Donner’s 1976 horror classic “The Omen” is a stunning example of horror art. The ominous wording YOU HAVE BEEN WARNED and the film’s title (the 666 featured in the O of OMEN is a great touch) are prominent when placed upon the deep black background with Damien illustrated in silhouette with his shadow depicted as that of a jackal. It’s such a simple design but so, so clever and perfectly suited to the portrait format offered here. From first year of release, 1976 this US one sheet presents to excellent effect, benefitting from conservation linen backing, with the original fold lines touched in to give a rolled impression. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
Featuring a country uniques design, this combination of photographic images and artwork (Tom Jung) for Richard Donner’s 1976 horror classic “The Omen” is a stunning example of horror art. The film is famous for its grisly deaths, and many of those are highlighted here – Father Brennan (Patrick Troughton) speared through in the churchyard and the journalist Jennings (David Warner) decapitated by a sheet of plate glass. If you didn’t want to know too much about the plot then you would have been well advised to avoid this particular poster in 1976. This originally folded (as issued) Japanese B2 presents very well. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
With a design by Tom Jung this Australian waybill for Richard Donner’s 1976 horror classic “The Omen” is an impressive example of horror art that also benefits from being signed by the Anti-Christ himself – HARVEY STEPHENS; a beautiful clear signature that includes his character name – DAMIEN where he has cleverly incorporated the number of the Beast 666 into the capital letter D of his name. All written in a silver pen that contrasts incredibly strongly against the black background. The ominous wording and the film’s title are written in the distinctive style synonymous with this now classic horror. It’s such a simple text based design but so, so clever and perfectly suited to the portrait format offered here. From first year of release, 1976 this tri-folded (as issued) example presents to very good effect. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre that carries the mark of the Devil’s son himself.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
With artwork by Timothy Pittides this limited edition alternative movie poster for Richard Donner’s 1976 horror classic “The Omen” is an impressive example of horror art that truly evokes the mystique and symbolism surrounding the movie with the artist having this to say about the commission – “When Rob Jones first approached me about THE OMEN, my brain went in a million different directions. Any time I consider a licensed property, my first thought is ‘How do I do this in a way that is unique in concept, and to me? The film is littered with memorable visuals, many of which propel it beyond its genre, and into the realm of pop culture consciousness. Ultimately, rather than recreating a literal scene, I wanted to portray something that occurs outside the frames of the film. Something sinister in nature with a hint of macabre beauty: Damien’s entrance into our world. This idea felt as natural as it did disturbing. Inking this beast of an image took close to 175 hours, and includes 55 colour layers done by hand. The artwork was rendered larger than I normally do to make sure all the dotwork stayed within correct proportions when elevated to poster size. It was tedious, but well worth it in the end”. From 2020 this hand-numbered example is #2 from a print run of only 100 and is presented rolled, flat and unfolded (as issued) and displays to excellent effect. A horror classic and a personal favourite movie with this art print an impressive item of cinematic movie memorabilia from one of the defining movie’s of the genre.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
With an iconic design by Tom Jung this advance UK quad for Richard Donner’s 1976 horror classic “The Omen” is an impressive example of horror art that also benefits from being signed by the Anti-Christ himself – HARVEY STEPHENS; a beautiful clear signature that includes his character name – DAMIEN where he has cleverly incorporated the number of the Beast 666 into the capital letter D of his name. All written in a silver pen that contrasts incredibly strongly against the black background. The ominous wording YOU HAVE BEEN WARNED and the film’s title (blood red lettering) are written in the distinctive style synonymous with this now classic horror. It’s such a simple text based design but so, so clever and perfectly suited to the landscape format of the British quad offered here. From first year of release, 1976 this folded (as issued) example presents to very good effect. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre that carries the mark of the Devil’s son himself.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Give yourself over to absolute pleasure. Swim the warm waters of sins of the flesh – erotic nightmares beyond any measure, and sensual daydreams to treasure forever. Can’t you just see it? Don’t dream it, be it.”
“Lets do the Time warp again”..the signature song and dance for the most successful audience participation movie of all time. A true horror, sci-fi, musical cult classic (& you don’t get to say that to often). Reimagined artwork by Julian Totino Tedesco this alternative poster is a 2021 release featuring Tim Curry in his signature role as Dr. Frank-N-Furter. Immediately recognisable imagery and hugely sought after by the film’s hardcore and loyal worldwide fan base. Originally rolled (as issued) this superb limited edition six-colour screenprint is printed on Domtar Lynx Opaque 100# cover paper and hand-numbered #8/170. It presents and displays to excellent effect & represents a really fine item of film movie art from a defining, true cult classic movie.
Trivia: Oakley Court, Dr. Frank N. Furter’s “castle”, was used in numerous Hammer horror films made at adjacent Bray Studios (where the lab and ballroom scenes were shot), including The House in Nightmare Park (1973), The Reptile (1966) and The Brides of Dracula (1960)
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