Film
Frankenhooker
1991
Japanese B2 – 20.25″ x 28.5″ (51 x 73 cm) / Single Sided
Japan
Near mint minus; originally flat/unfolded (as issued)
Frank Henenlotter
C.K. Steefel, James Lorinz, Joanne Ritchie, Joseph Gonzalez, Judy Grafe, Louise Lasser, Patty Mullen, Shirl Bernheim
“A Terrifying Tale Of Sluts And Bolts.”
An absolutely stunning Japanese B2 film poster for one of the greatest cult horror movies ever made…Frank Henenlotter‘s “Frankenhooker”. Featuring incredible country unique artwork, this really is one of the best examples created for this cult horror-comedy title. Any paper for this title is extremely sought after and also ultra scarce, with this being the first time we have ever offered something for sale – and we are delighted that it is this Japanese B2, which has always been a personal favourite of mine. The finish is superb with neon, pink, green and blues popping from the paper (this day-glo effect is further enhanced by the high gloss finish – this does make it hard to photograph) Originally rolled (as issued) this displays to excellent effect and represents scarce cinematic movie memorabilia for a film that has become one of the most desirable titles of the genre…“She’s hot. She’s sexy. And she’s sutured to please.”
Trivia: Elizabeth has the last name of Shelley. This is an homage to Mary Shelley, the author of the original “Frankenstein”.
…more detailVintage Movie Posters Grading Criteria... read more +
“A medical school dropout loses his fiancée in a tragic lawnmower incident, and decides to bring her back. Unfortunately, he was only able to save her head, so he goes to the red light district in the city and lures prostitutes into a hotel room so he can get parts for his girlfriend.”
In New Jersey, Jeffrey (James Lorinz) is a talented inventor in love with his bride-to-be Elizabeth (Patty Mullen). During a barbecue to celebrate the birthday of Elizabeth’s father (J.J. Clark), she activates a remote controlled lawnmower that Jeffrey built for his father-in-law. However she stays in front of the device and her body is cut into pieces. Jeffrey studies how to bring Elizabeth back to life and realizes that he will need body parts. He drives to New York to get the necessary parts from prostitutes but his experiment loses control and he blows-up several women with an exploding crack he had developed. Now he has the necessary parts to build his fiancée back, but when Elizabeth flees from his laboratory, Jeffrey has problems with the pimp Zorro (Joseph Gonzalez) that lost his girls.
The cult “Frankenhooker” is one of the best black horror-comedies ever made. The plot is a grotesque joke with “Frankenstein”, but the result is hilarious. James Lorinz and Patty Mullen steal the film with cynical and lovely performances.
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HP7 0HL
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
