Showing 61–72 of 181 results
“A Terrifying Tale Of Sluts And Bolts.”
An absolutely stunning Japanese B2 film poster for one of the greatest cult horror movies ever made…Frank Henenlotter‘s “Frankenhooker”. Featuring incredible country unique artwork, this really is one of the best examples created for this cult horror-comedy title. Any paper for this title is extremely sought after and also ultra scarce, with this being the first time we have ever offered something for sale – and we are delighted that it is this Japanese B2, which has always been a personal favourite of mine. The finish is superb with neon, pink, green and blues popping from the paper (this day-glo effect is further enhanced by the high gloss finish – this does make it hard to photograph) Originally rolled (as issued) this displays to excellent effect and represents scarce cinematic movie memorabilia for a film that has become one of the most desirable titles of the genre…“She’s hot. She’s sexy. And she’s sutured to please.”
Trivia: Elizabeth has the last name of Shelley. This is an homage to Mary Shelley, the author of the original “Frankenstein”.
…more detail
“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Matthew Peak is no stranger to horror icons as it was his Freddy Krueger artwork that adorned the first Nightmare on Elm Street (1984) US One-Sheet and has now has created an award-winning “Frankenstein Monster” print for the 2018 exhibition Mondo Presents “Universal Studio Monsters”. This limited-edition example has been hand-numbered #6 from a print run of 325. In 2018, the leading and most respected alternative movie poster forum expressobeans.com made this print their “Cinema Poster of the Year”. Incredibly rare and highly collectible, an excellent example of modern cinematic movie memorabilia.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
…more detail
“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Issued by Nakatomi Inc in 2013 as a series of high-quality silk-screen prints scanned directly from Berni Wrightson’s original pen and ink drawings used in the 25th-anniversary edition of his ‘Frankenstein’ book. This amazingly detailed and intricate illustration, titled ‘A Filthy Process’ shows Frankenstein working to bring his ‘creature’ to life in his laboratory. Printed onto 130lb Cougar Natural Cover paper, this print has been signed with a full ‘Bernie Wrightson’ signature and hand-numbered #45/100. Presented in excellent condition with minimal handling wear this incredibly rare and highly collectible screen print, is an excellent example of modern cinematic movie memorabilia. Note: A page of Wrightson’s original Frankenstein art for the comics adaptation (same series as this) sold at auction in 2019 for a world record price of $1.2 million.
About Bernie Wrightson: Bernard Albert Wrightson was an American artist, among his career high points were co-creating the Swamp Thing character for DC Comics, his unique illustrated interpretation of the novel Frankenstein and adapting classic horror tales for Warren Publications, which feature his trademark intricate pen and brushwork.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
…more detail
“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Tyler Stout is no stranger to horror icons and has now has created an award-winning “Frankenstein Monster” print for the 2025 Universal Monsters Art Show, held simultaneously at the Canopy Gallery, in Austin, Texas and Universal CityWalk in Los Angeles during October in 2025. Stout’s giant-sized tribute to Frankenstein is as bold and electrifying as the creature himself. It certainly isn’t your average print, and instead of sticking to standard alternative movie poster dimensions (24″ x 36″ – 61 x 91.5 cm), Stout went huge, and this piece stretches to an impressive 24″ x 72″ (61 x 193 cm) and is printed in two sections, echoing the towering presence of the Monster. Beautifully printed by DL Screenprinting on exclusive copper paper with copper-coloured title treatment and accents. This is a limited edition poster print set signed and dated by Stout from his personal AP (Artists Proof) edition of #125 with this being #82. Highly collectible, and an excellent example of movie art memorabilia.
Commissioned by Rob Jones, he had this to say about the project and Tyler Stout – “The work of Tyler Stout undoubtedly popularized the notion of alternate film posters more than other artists in the field. His work spoke to people with active relationships to cinema. Tyler hoped to evoke a pop culture icon that beckoned from the back pages of his childhood comic books: the Jack Davis ‘Life Size Frankenstein’ poster. To make that happen feasibly as a screenprint, he divided the image across two 24 x 36-inch sheets. Results are unlike any other AMP made for Frankenstein. I adore the result and perhaps overly identify with Henry Frankenstein, so consumed with personal pursuit that Tyler shows him living within the confines of his own work, i.e., the monster.”
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
…more detail
A scarce original Japanese B2 film poster and one of Hammer’s best for Terence Fisher’s 1967 dark metaphysical horror “Frankenstein Created Woman”…The fourth entry in Hammer’s Frankenstein canon this stunning piece is a personal favourite and featured in Marcus Hearn’s excellent book “The Art of Hammer”. Originally rolled (as issued) and unrestored, it has some of the most memorable imagery of any Hammer poster…the image of Peter Cushing caressing a human skull and a bikini made of bandages are trademark Hammer. Presented in excellent high grade condition with minimal handling wear this represents a superb example of Hammer Horror cinema memorabilia.
Trivia: “Frankenstein Created Woman” was originally mooted as a follow-up to “The Revenge of Frankenstein” during its production in 1958, at a time when Roger Vadim’s Et Dieu créa la femme (And God Created Woman) was successful (in fact, the film’s original working title was “And Then Frankenstein Created Woman”). The film finally went into production at Bray Studios on 4 July 1966. It was Hammer’s penultimate production there.
…more detail
“On Friday The 13th, They Began To Die Horribly, One……By One”
Distinctive Alex Ebel artwork makes this original 1980 country of original US one sheet movie poster for Sean S. Cunningham’s slasher masterpiece “Friday the 13th” extremely sought after by collector’s of the horror genre. Introducing Jason Voorhees as one of the triumvirate of 80’s slasher horror icons that includes Wes Craven’s Freddy Kruger & John Carpenter’s Michael Myers. A multitude of sequels, match ups and remakes have been released since this premiered but none match this genre defining classic. Originally folded (as issued) this unrestored example displays and presents to excellent effect with only minimal age and handling wear with bright & unfaded colours. It represents a fine piece of sought after cinema memorabilia from one of the defining ‘slasher’ flick Film’s.
Trivia: The filmmakers never intended to make this the launching pad for the franchise that followed. According to Victor Miller, Jason Voorhees was only meant as a plot device, and not intended to continue on his mother’s grisly work.
Trivia:
…more detail
“We got a bunch of fucking vampires out there, trying to get in here and suck our fucking blood. And that’s it. Plain and simple. I don’t want to hear anything about “I don’t believe in vampires,” because I don’t fucking believe in vampires, but I believe in my own two eyes, and what I saw, is fucking vampires. Now, do we all agree that what we are dealing with is vampires?”
Robert Rodriguez’ “From Dusk till Dawn” combines vicious violence, Cheech Marin vampires, and some funny dark humour from the cast into one big collective film. More than a basic horror movie, it shows Rodriquez as a fine director and Quentin Tarantino as a tight screenwriter who bring to the screen shoot em up vampire fun for the Pulp Fiction/Evil Dead devotees. Pulse Advertising produced a cool looking poster (a mean looking, gun-toting George Clooney) for this grindhouse, horror-heist collaboration. Visual impact and design are key aspects of any Tarantino/Rodriguez production and this beautiful example perfectly illustrates that fact. This original, rolled (as issued) US One Sheet movie poster from 1996 displays and presents to excellent effect and represents a fine piece of cult movie memorabilia from one of the best collaborative duos working today.
Watch the Trailer HERE
Trivia: The band playing in the “Titty Twister” is Tito & Tarantula, featuring Robert Rodriguez. The line-up also featured Oingo Boingo drummer Johnny ‘Vatos’ Hernandez.
…more detail
“One night is all that stands between them and freedom. But it’s going to be a hell of a night.”
A personal favourite movie and alternative movie poster - Robert Rodriguez' "From Dusk till Dawn" combines vicious violence, Cheech Marin, vampires, and some funny dark humour from the cast into one big collective film. More than a basic horror movie, it shows Rodriquez as a fine director and Quentin Tarantino as a tight screenwriter who bring to the screen shoot em up vampire fun for the Pulp Fiction/Evil Dead devotees. A fantastic interpretation by Frank Frazetta for this grindhouse, horror-heist collaboration that perfectly captures the feel, look and attitude of the movie. Visual impact and artistic design are key aspects of any Tarantino/Rodriguez production and this beautiful example perfectly illustrates that fact, as a super-sexy Santanico Pandemonium (Salma Hayek) dominates the imagery. Legendary artist Frank Frazetta originally painted this art as a poster concept in 1996 after being personally (Rodriguez is a huge Frazetta fan) commissioned by Robert Rodriguez himself. Absolutely stunning, the photograph really doesn't do this example justice - being a giclee print (see below) with colour separations by Jason Edmiston the vibrant colours pop from the paper as this 2022 hand-numbered (#16/70) art print displays and presents to excellent effect and represents an amazing piece of cult cinematic movie memorabilia.
Watch the Trailer HERE
Trivia: Originally, Quentin Tarantino pitched this to John Travolta the same time as he was preparing to film Pulp Fiction (1994). Travolta was not interested in working on a vampire movie, and wanted to work on Pulp Fiction instead.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
…more detail
“Unzipped. Unwrapped. Unleashed !”
“Full Tilt Boogie” is a really good and informative feature length documentary on the making of “From Dusk Till Dawn”. It covers most aspects of the film making process. Interviews with all of the cast and crew, following them around during filming and off hours from start to finish. Having to deal with issues like unions, paparazzi, weather, long hours, and unexpected fires as the main set burns down…Hard work, yes, but there is real passion in their film-making as they all seem to love what they’re doing. Originally included as an extra on the “From Dusk Till Dawn“ Collectors Series DVD before receiving a limited theatrical release, this is a genuinely scarce film poster. Originally, rolled (as issued) US One Sheet movie poster from 1997 displays and presents to excellent effect and represents a fine piece of hard to find cinematic movie memorabilia.
Watch the Trailer HERE
…more detail
“The dead shall inherit the Earth.”…A return to a good old gore filled, flesh eating zombie fest for George A. Romero’s 2005 blood splattered offering “Land of the Dead”. This rolled original UK Quad movie poster designed by Shoolery Design is in exceptional (probably unused) condition. One of the best looking zombie posters for ages…”stay scared”
…more detail
An excellent example for one of the best comedy horror films ever made…“Gremlins”. Written by Chris Columbus (Harry Potter, The Goonies) and directed by Joe Dante it was a huge box office hit. Re-released by Warner Bros. in 2019, recognising the fact that the movie has now become a classic ‘Christmas’ movie with Gizmo dressed in a Santa hat set against a Snow White background with the landscape format of the British UK quad perfectly suited to his design. Originally rolled (as issued) this 2019 film poster presents and displays very well. Totally original and unrestored this hard to find modern re-release of an important 80’s movie is becoming more and more sought after and represents a great collectable piece of original film movie memorabilia.
Trivia: Zach Galligan recounted in an interview that when the movie was made, there was no CGI, so all of the Gremlins were animatronics, each costing between $30,000-40,000 ($60,000-$90,500 adjusted for 2024 inflation). When everyone left the lot for the day, security would have everyone open the trunks of their cars to make sure they weren’t stolen.
…more detail
“Here To Protect”…In 2004 legendary fantasy director Guillermo del Toro bought Mike Mignola’s cult comic book hero “Hellboy” to the big screen. In addition to the excellent campaign posters designed by Faction Creative, acclaimed movie poster artist Drew Struzan was commissioned to produce something special. This very rare original limited edition US one sheet is the result…A really fantastic piece of fantasy artwork by an artist at the top of his game. Printed onto heavy stock paper this originally rolled film poster looks incredible; one of the best modern posters I have seen…”Rotten eggs and the safety of mankind”
…more detail
Trade Address:
Vintage Movie Posters (UK) Limited
The Malthouse
The Broadway
Old Amersham
HP7 0HL
© 2026 Vintage Movie Posters
Registered Office Address: Vintage Movie Posters (UK) Limited, Aston House, Cornwall Avenue, London N3 1LF GB
Registered Company No: 07664517
