Showing 25–36 of 37 results
Printed on Mirri Rainbow Foil art paper, Matt Ferguson’s artwork for this Vice Press 2023 release for “Star Trek: The Motion Picture” is truly impressive. Literally changing colour depending on the light and viewing angle with imagery depicting key scenes from the movie and of course, center-stage the iconic USS Enterprise. The Japanese typeface adds an air of the exotic and adds to the overall appeal in what is a fitting visual tribute for the first big screen cinematic outing for Captain Kirk & the crew of the starship Enterprise. Released as a limited edition of 175 this has been hand-numbered #28 that displays superbly and represents a fine piece of artwork and a very collectable alternative poster movie from Gene Roddenberry’s much loved TV and Movie series.
Trivia: William Shatner, (Captain Kirk) who saw the completed movie for the first time at the world premiere, was struck by the overall sluggishness of the movie, and was convinced that the Star Trek franchise died there and then. He reminisced, “Well, that’s it. We gave it our best shot, it wasn’t good, and it will never happen again.” But, having recalled his reaction fifteen years later, he has added, “Shows you what I know.”
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The third instalment of George Lucas’ original Star Wars trilogy “Return of the Jedi” contains a number of incredible set pieces right from the opening scene in Bobba Fett’s lair, Han’s rescue by Luke, the reveal of a larger more deadly Death Star, the Ewoks and their home planet – the Forest Moon of Endor. And it the Forest of Endor that acts as the setting to one of the most exciting and adventurous scenes in the movie as Luke and Princess Leia battle the Imperial forces on their speeder bikes. That scene is perfectly captured here by Jason Raish for his 2025 alternative movie poster, as a stormtrooper is chased through the Endor Forest, by Luke on their speeder bikes, blasters blazing. It truly is spectacular. Presented here in original rolled (as issued) condition this fantastic example has deep unfaded vibrant colour tones and displays to excellent effect. With an extremely limited release of only 150 this hand-numbered #21 is a truly scarce poster and highly sought after. Already firmly established as a fans favourite, this impressive art print represents a fine addition for any collector of movie posters or Star Wars fan memorabilia.
Trivia: A reason for filming under the guise of non-descript horror movie title, “Blue Harvest” was partly to put off any snoopers, and also because the production found out that if they mentioned they were working on the next Star Wars movie, suppliers would automatically ramp up their prices, assuming that money was no object for Lucasfilm.
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A beautiful alternative movie poster by Paul Mann for Roland Emmerich’s sci-fi actioner with an Egyptian mythology twist “Stargate”. Superb artwork for this highly enjoyable romp, resulting in one of the best looking alternative movie posters for the title. Printed in 2023 by Mad Duck this ‘Black’ edition is hand-numbered #25 from a run of 250. Mann’s beautifully detailed artwork and outstanding characterisations, combines with a beautiful colour palette to create an art print that certainly impresses. Presented in excellent (as issued) condition it represents a fine example of desirable and highly collectable cinematic movie memorabilia.
Trivia: The stargate is a system designed to open a wormhole. A wormhole is a hypothetical way of space travel called an “Einstein-Rosen bridge”, named after scientists Nathan Rosen and Albert Einstein. According to them, the wormhole should be capable to unite two distant points in the universe, altering space-time laws to cross from a point to another in a brief period of time. The name “wormhole” compares the universe to an apple, with a worm boring through it to reach a point on the other side instead of crawling the long way around on the outside.
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“Taxi Driver” has become a multi award winning pop culture cult phenomenon. Offered here is an absolutely stunning alternative movie poster by Krzysztof Domaradzki for Martin Scorsese’s classic. A clever design with full colour key character and scene imagery incorporated into the ‘TAXI’ of the title set against a bright yellow (the colour of a New York taxi-cab) background. Originally rolled (as issued) this Red Light Variant screen print is hand-numbered #135/145. Printed on Fedrigoni Sirio Colour Limone Paper using ten (10) different coloured inks it presents and displays to excellent effect. Hugely desirable and a must have addition for the serious collector or Taxi Driver fan it represents an extremely collectable item of movie memorabilia from a film that is rightly regarded as one of the finest ever made.
Trivia: The scene where Travis Bickle is talking to himself in the mirror was completely ad-libbed by Robert De Niro. The screenplay details just said, “Travis looks in the mirror.” Martin Scorsese claims that he got the inspiration for the scene from Marlon Brando mouthing words in front of a mirror in Reflections in a Golden Eye.
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Hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’.
Perhaps one of the most defining images in cinematic history and certainly up there with Karloff’s Frankenstein monster as the most memorable of the horror genre – Linda Blair as the possessed Regan. This alternative movie poster by horror artist supreme, Graham Humphreys for William Friedkin’s Oscar winning horror masterpiece “The Exorcist” is a striking example of horror artwork, featuring some incredible characterisations and an amazing colour palette – from orange to sickly green/grey. The limited edition fine art print offered here has been signed by the artist, Humphreys and hand-numbered #9 from a print run of only 59 and in addition hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’. All of Blair’s handwriting has been written in silver ink pen again a dark background and absolutely pops from the imagery. The poster was signed by Blair at Horrorfied 2, Crawley, Surrey on March 28th. Hugely oversubscribed, this scarce print was sold out prior to release and presents and displays to excellent effect. Originally flat and unfolded (as issued) this beautiful example represents a hard to find piece of cinematic horror memorabilia for this much revered and hugely influential Oscar winning horror movie.
Trivia: When Regan projectile vomits at Father Karras, the vomit was intended to hit Jason Miller in the chest, but the plastic tubing misfired, hitting him in the face. His reaction of shock and disgust while wiping away the vomit is genuine, and Miller admitted in interviews that he was very angered by this mistake.
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Hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’.
Perhaps one of the most defining images in cinematic history and certainly up there with Karloff’s Frankenstein monster as the most memorable of the horror genre – Linda Blair as the possessed Regan. This alternative movie poster by horror artist, Andrew Rowland for William Friedkin’s Oscar winning horror masterpiece “The Exorcist” is an impressive example of horror artwork, featuring an amazing image of the possessed Regan and a homage to the more familiar poster design as Father Merrin (Max von Sydow) is bathed in the street light outside the Georgetown townhouse. Finished in a beautiful sepia toned colour palette, the limited edition fine art print offered here has been hand-numbered #2/5 from the the artist’s own edition PP. In addition it has been hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’. All of Blair’s handwriting has been written in silver ink pen against a dark background and absolutely pops from the imagery. The poster was signed by Blair at Horrorfied 2, Crawley, Surrey on March 28th. Hugely oversubscribed, this scarce print was sold out prior to release and presents and displays to excellent effect. Originally flat and unfolded (as issued) this beautiful example represents a hard to find piece of cinematic horror memorabilia for this much revered and hugely influential Oscar winning horror movie.
Trivia: When Regan projectile vomits at Father Karras, the vomit was intended to hit Jason Miller in the chest, but the plastic tubing misfired, hitting him in the face. His reaction of shock and disgust while wiping away the vomit is genuine, and Miller admitted in interviews that he was very angered by this mistake.
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“…when Johnny was first starting out, he was signed to a personal services contract with this big-band leader. And as his career got better and better, he wanted to get out of it. But the band leader wouldn’t let him. Now, Johnny is my father’s godson. So my father went to see this bandleader and offered him $10,000 to let Johnny go, but the bandleader said no. So the next day, my father went back, only this time with Luca Brasi. Within an hour, he had a signed release for a certified check of $1000.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Yvan Quinet, one of the best ever produced for this crime classic. Quinet’s portrait of Marlon Brando wearing a tuxedo adorned with a single red rose is breath taking, and needs to be seen in person to fully appreciate the quality of the artwork and the print. The title border with gold ink detailing against a black background is a very nice finishing touch. This Artist Proof screen print has been signed by Yvan Quinet and hand-numbered #8 from an edition of only 8 and displays to excellent effect. A truly outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: Marlon Brando wanted to make Don Corleone “look like a bulldog,” so he stuffed his cheeks with cotton wool for the audition. For the actual filming, he wore a mouthpiece made by Dick Smith. This appliance is on display in the American Museum of the Academy Museum of Motion Pictures in Los Angeles in a special Godfather exhibition
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“The Life Aquatic with Steve Zissou” was a cult success on its release with Wes Anderson’s loyal fanbase hailing another solid cinematic offering, it is most certainly an unusual film. It’s something of a collage of colorful imagery, fragmented shots, quirky music, strange characters, bizarre situations, and amusing montages – it perfectly suits the artistic style of one of my favourite alternative movie poster artists – Ise Ananphada, with this limited edition (a print run of only 175), hand-numbered screen print for “The Life Aquatic with Steve Zissou” one of the best (if not the best) for the title and has been created using fifteen (15) different coloured inks. Originally rolled (as issued) this art print from 2020 is a real eye-catcher that looks and displays to excellent effect and represents an extremely hard to find, modern original collectable movie memorabilia from a truly exceptional writer/director and a supremely talented artist.
Trivia: The red woollen caps worn by the characters are a reference to Jacques-Yves Cousteau, famed underwater film-maker and co-inventor of the modern aqualung.
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“It seems that you’ve been living two lives. One life, you’re Thomas A. Anderson, program writer for a respectable software company. You have a social security number, pay your taxes, and you… help your landlady carry out her garbage. The other life is lived in computers, where you go by the hacker alias “Neo” and are guilty of virtually every computer crime we have a law for. One of these lives has a future, and one of them does not.”
On its release at the dawn of a new Millenia the Wachowski Brother’s ground breaking science fiction blockbuster “The Matrix” influenced everything from fashion, technology, how movies are made and introducing us to…Bullet-Time. This 2025 alternative movie poster by Pablo Olivera is an outstanding re-design that takes you to the heart of the matrix with its wealth of lore and symbology from the mega-hit, Pablo’s print is a thrilling look back at the film’s imagery and themes – “You take the blue pill – the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill – you stay in Wonderland and I show you how deep the rabbit hole goes.”. It is a fine art giclee print where the colours literally pop from the paper and one of best examples I have seen that uses this printing process – the colours, in this case neon pinks, purples and blues are incredibly rich giving a true hand painted effect. This Purple Variant edition has been Hand-Numbered #11/75 that represents a cool looking film poster from a “game-changing” movie. A true modern classic that displays superbly and is presented in excellent rolled condition.
Trivia: All scenes that take place within the Matrix have a green tint, as if watching them through a computer monitor. Scenes in the real world have a blue tint. Blue was also used at a minimum within the Matrix, since the directors thought blue was more of a real-world color (despite, ironically, blue being often the least-occurring color in nature). The fight scene between Morpheus and Neo, which is neither in the real world, nor in the Matrix, is tinted yellow.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
With artwork by Timothy Pittides this limited edition alternative movie poster for Richard Donner’s 1976 horror classic “The Omen” is an impressive example of horror art that truly evokes the mystique and symbolism surrounding the movie with the artist having this to say about the commission – “When Rob Jones first approached me about THE OMEN, my brain went in a million different directions. Any time I consider a licensed property, my first thought is ‘How do I do this in a way that is unique in concept, and to me? The film is littered with memorable visuals, many of which propel it beyond its genre, and into the realm of pop culture consciousness. Ultimately, rather than recreating a literal scene, I wanted to portray something that occurs outside the frames of the film. Something sinister in nature with a hint of macabre beauty: Damien’s entrance into our world. This idea felt as natural as it did disturbing. Inking this beast of an image took close to 175 hours, and includes 55 colour layers done by hand. The artwork was rendered larger than I normally do to make sure all the dotwork stayed within correct proportions when elevated to poster size. It was tedious, but well worth it in the end”. From 2020 this hand-numbered example is #2 from a print run of only 100 and is presented rolled, flat and unfolded (as issued) and displays to excellent effect. A horror classic and a personal favourite movie with this art print an impressive item of cinematic movie memorabilia from one of the defining movie’s of the genre.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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One of the most defining cinematic images of the 20th century, Saul Bass’ spiral poster design for this classic 1958 Alfred Hitchcock thriller “Vertigo” has become synonymous with the film and as a poster design a hard act to follow. So it’s a tribute to artist Kevin Tong for creating imagery equally as memorable. Released in 2023 by Mad Duck this high quality limited edition art print is hand-numbered #46/250 and features an incredible blue/green colour palette. “Vertigo” was the the fourth and final time that James Stewart would work with Alfred Hitchcock, with both turning in career-defining performances and is a movie that consistently makes the shortlist for ‘Greatest Movie of All-Time’ with the influential movie magazine ‘Sight & Sound’ making it their Number One film of all time. Originally rolled (as issued) this looks and displays to excellent effect, absolutely stunning it represents an extremely desirable item of modern collectable movie memorabilia from a truly remarkable film.
Trivia: Ranked #1 on the American Film Institute’s list of the 10 greatest films in the genre “Mystery” in June 2008.
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The quintessential science fiction film; George Pal’s “War of the Worlds” – with original 1953 paper for the title some of the most sought after and expensive whenever it comes to market (that’s not very often). Re-released many times since its 1953 debut, and beautifully re-imagined here on this 2014 alternative movie poster by Stan and Vince. It’s a fantastic image using the ‘Flying Saucer’ artwork that was originally used on the 1953 Style B US half sheet poster as the Martian ‘Death Ray’ destroys the city. This hand-numbered (#5/150) fine art print has been printed using glow in the dark green inks for the title and flying saucer detailing. Originally rolled (as issued) it displays and presents to excellent effect. Immediately selling out on release in 2014 this is a very sought after and desirable item, that rarely comes to market and represents a fine example of rare and collectable sci-fi movie memorabilia from a true classic of the genre.
The artists Stan and Vince had this to say about the commission – “Byron Haskin’s War of the Worlds was released 62 years ago, and even though we weren’t around at the time, this movie was made for us. We KNOW it! Byron Haskin had to know that his movie was to be aired decades later in front of our 80s teenage eyes, printing powerful, everlasting images in our brains. We’re pretty sure he also knew that Mondo was going to ask us to work on a poster for this movie! To recapture the taste and flavor of H.G. Well’s story put in those glorious fifties frames and make people hear the sizzling sound of the saucers’ deadly death rays.
That’s the magic we wanted to have in this poster. We wanted to put viewers back in the theatre seats where they first saw the movie, in the frame with the hero as he watches the invaders coming into the city! We wanted this poster to feel the retro-style menace of the red planet.”
Trivia: The estate of H.G. Wells was so pleased with the final production that it offered George Pal his choice of any other of Wells’ properties. Pal chose The Time Machine (1960).
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