£595.00
Film
Batman 1966
1966, 2014
36″ x 24″ (91 x 61 cm) Single Sided, Limited Edition, Hand-Numbered (#4/375) Mondo Screen Print by Martin Ansin
United States (USA)
Near Mint / Flat & Unfolded (as issued)
Leslie H Martinson
Adam West, Alan Napier, Burgess Meredith, Burt Ward, Cesar Romero, Frank Gorshin, Julie Newmar, Lee Merriwether, Neil Hamilton, William Dozier, Yvonne Craig
SOLD - this item is sold. Please browse our currently available stock
“MEN DIE! WOMEN SIGH! Beneath that Batcape – he’s all man!”
Long before Tim Burton re-invented him and Chris Chris Nolan re-imagined him there was “Batman” 1960’s style, as the decade’s most popular TV show was bat-ransported to the big screen. Such a gloriously camp, cheesy movie deserves a special poster and this original Limited Edition Martin Ansin lithograph doesn’t disappoint. Produced by Mondo Galleries for the “75 Years of Batman” anniversary these specially commissioned posters sold out immediately on release to the public. Featuring Batman, Robin and a gallery of all their nefarious villains it certainly is a WOW factor poster; unrestored with deep rich colours and beautiful graphics, this originally rolled example is numbered #4 from a print run of only 375 and a very cool looking poster…I am a huge Batman fan (all incarnations) and this is one of my favourite Batman posters…A rare chance to purchase one of the scarcest Batman posters ever produced and a magnificent item of collectable movie memorabilia from an icon of modern pop culture.
“Robin, hand down the shark-repellent Batspray !”
Trivia: Adam West has often referred to Batman as one of the three big “B”s to have made an impact during the 1960s, the other two being The Beatles and Bond, James Bond.
…more detailVintage Movie Posters Grading Criteria... read more +
“The arch-villains of the United Underworld – the Joker, the Penguin, the Riddler and the Catwoman – combine forces to dispose of Batman and Robin as they launch their fantastic plot to control the entire world. From his submarine, Penguin and his cohorts hijack a yacht containing a dehydrator, which can extract all moisture from humans and reduce them to particles of dust. The evildoers turn the nine Security Council members in the United World Building into nine vials of multicolored crystals! Batman and Robin track the villains in their Batboat and use Batcharge missiles to force the submarine to surface.”
This is not the Tim Burton, Michael Keaton “Batman“ or even the Christopher Nolan, Christian Bale “Batman“. This is pure West, Adam West that is, playing “Batman“ only the way he knows how, pure camp. Is the acting over the top? Yes. Is the story silly? Yes. Is there Bat-shark Repellant? Yes. Did I enjoy the movie? Very Much Yes. If you are looking for a movie to play it straight, be the dark, super-hero movie that Tim Burton produced in the late 1980s, you’ll be in for a bitter disappointment. The story, for what it’s worth, has all of the Batman villains coming together to dream up a plan to take over the world. The plan? It’s not important, but if you must know, it involves dehydrating the members of the United World Nations, or whatever the UN is called in the movie, then running the world from the Penguin’s submarine. It’s pure camp, silly, but heartily entertaining.
An official screen printed poster for the 1966 Batman TV show and movie, starring Adam West and Burt Ward. Adam West and Julie Newmar gave special approval for the use of their likenesses in the poster.
Presented at the 2014 San Diego Comic Con, the posters were featured at the Mondo Gallery’s “75 years of Batman” exhibit. Each version has a different supporting cast, with the standard showing Julie Newmar (as offered here) as Catwoman versus Eartha Kitt in the variant, among others.
Mr. West’s and Mrs. Newmar’s approval of their likenesses in the poster.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.