£195.00
Film
Batman: Return of the Caped Crusaders
2016
British One-Sheet – Double Sided – 27″ x 40″ (69 x 102 cm)
British / UK
Near mint minus; originally rolled (as issued)
Rick Morales
Adam West, Burt Ward, Jeff Bergman, Julie Newmar, Sirena Irwin, Steven Weber, Thomas Lennon, Wally Wingert, William Salyers
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“Batman and Robin of the 1960s live action series are back in action to take down their fiendish foes united once more against them.”
Long before Tim Burton re-invented him, Chris Chris Nolan re-imagined him and Ben Affleck played him as an older more mature Caped Crusader there was “BATMAN” 1960’s style, as the decade’s most popular TV show was bat-transported, once again to the big screen in 2016 with this hugely enjoyable animated adventure – “Batman: The Return of the Caped Crusaders” as Adam West (Batman), Burt Ward (Robin) and Julie Newmar (Catwoman) reprise their roles and add their voices to this glorious retro romp. Receiving a ‘one-night only release’ in cinemas on October 17 the poster that accompanied the screening is a marvellous, colourful feast for the eyes with Batman & Robin (rightly so) taking centre stage. Bright vibrant colours and beautiful graphics, this originally rolled (as issued) example is a great looking poster, that because of the very limited release is incredibly scarce. I am a huge Batman fan (all incarnations) and this is one just exudes fun…A rare chance to purchase one of the scarcest Batman posters ever produced and a magnificent item of collectable memorabilia from an icon of modern pop culture.
Trivia: The artwork The Joker steals is of a clown that is an obvious nod to the mask that Cesar Romero in the Batman 1960s series and Heath Ledger wear at the beginning of The Dark Knight (2008).
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“Batman and Robin spring into action when Gotham City is threatened by Penguin, The Joker, Riddler and Catwoman. This time, the four super villains have combined their wicked talents to hatch a plot so nefarious that the Dynamic Duo really have their hands full.”
This 2016 animated movie was actually a wonderful surprise, and it was indeed a much needed addition to the collection of animated Batman movies. Why? Well, because “Batman: Return of the Caped Crusaders“ really captured the essence and the spirit of the glorious Batman series from the mid-1960s.
The animation was really good, and the art style was great. They really managed to make it all look like the Batman TV series from the mid-1960s. It was uncanny how much that the drawn Batman/Bruce Wayne actually resembled Adam West. I thoroughly enjoyed the particular drawing style that they went with in “Batman: Return of the Caped Crusaders”, because it really was a unique style in a retro-kind of way.
But even more impressively was the cast to the animated movie. It was a pure joy to have familiar voices and talents to return to the screen here. And there really is a lot of great stuff for fans of the TV series from 1966.
The story in “Batman: Return of the Caped Crusaders” was just like an extended episode from the iconic TV series, complete with the hilarious dialogue and the exploding stars with various fight words when they were brawling on the screen, just like in the TV series.
As for the voice cast, well as I just said, then it was a pure treat to have so many talents return to the Batman universe and come together in this 2016 animated movie. And people were doing good jobs with their given roles in terms of voice acting. However, if you are not familiar with the 1966 TV series, then chances are very high that you will find the dialogue to be kind of weird, if not downright odd and bizarre.
“Batman: Return of the Caped Crusaders” is definitely aimed for the audience whom grew up watching the TV series on the television, such as myself. And it was delivered in a most pleasing manner. And it always cracks me up to see that every item in the bat-cave and in the arsenal of Batman and Robin has to be labeled with Bat-something.
If you are a fan of the Adam West era of Batman, then you should definitely not let “Batman: Return of the Caped Crusaders” slip by. This is, without a doubt, definitely worth sitting down and watching.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.