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After the acclaim artist Graham Humphreys’ earned after his outstanding work on the British marketing campaign for Wes Craven’s “A Nightmare on Elm Street” it came as no surprise that he was commissioned once again for the sequel “A Nightmare on Elm Street: Part 2 – Freddy’s Revenge”. With the success of the character Freddy is no longer a horror character to keep hidden on the advertising material and Humphreys certainly doesn’t hold back as Krueger’s fire scarred visage takes up nearly all of the poster with his (now familiar) battered fedora and razor bladed glove included in the imagery. Setting a high bench mark for modern horror artwork Humphreys’ imagery was only used for the UK quad design and is one of the most sought after film posters of the 80’s and the horror genre. Graham Humpreys has been dubbed England’s greatest living horror artist and it’s not hard to see why when you see this beautiful film poster from first year of release 1985. Totally original and unrestored, this rolled (as issued) example is presented in excellent condition with, unusually for a horror poster some incredibly bright colours. Extremely scarce and a must have for the serious collector it represents a fantastic item of horror movie memorabilia. The best I have ever offered for sale or seen – it really is exceptional and perfect for investment or to just enjoy.
Trivia: The original glove from A Nightmare on Elm Street (1984) was used in this movie and was also seen hanging on the wall of the work shed in Evil Dead II (1987). This was in response to the use of The Evil Dead (1981) on a television screen in A Nightmare on Elm Street (1984), and part of a continued banter between directors Wes Craven and Sam Raimi. However, when Wes Craven loaned the glove to the A Nightmare on Elm Street 3: Dream Warriors (1987) set, it was lost but eventually found by a Freddy fan, Mike Becker, at an auction in 2009.
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After the acclaim artist Graham Humphreys’ earned after his outstanding work on the British marketing campaign for Wes Craven’s “A Nightmare on Elm Street” it came as no surprise that he was commissioned once again for the sequel “A Nightmare on Elm Street: Part 2 – Freddy’s Revenge”. With the success of the character Freddy is no longer a horror character to keep hidden on the advertising material and Humphreys certainly doesn’t hold back as Krueger’s fire scarred visage takes up nearly all of the poster with his (now familiar) battered fedora and razor bladed glove included in the imagery. Setting a high bench mark for modern horror artwork Humphreys’ imagery was only used for the UK quad design and is one of the most sought after film posters of the 80’s and the horror genre. Graham Humpreys has been dubbed England’s greatest living horror artist and it’s not hard to see why when you see this beautiful film poster from first year of release 1985. Totally original and unrestored, this rolled (as issued) example is presented in excellent condition and has been signed by Freddy Krueger himself – ROBERT ENGLUND; a beautiful clear signature that includes his character name – FREDDY K, written in a white paint pen that contrasts incredibly strongly against the black background of his trademark fedora and perfectly complements the white of the blades in his glove. Signed at the Horrified 2 event held in March 2026. Extremely scarce and a must have for the serious collector it represents a fantastic item of horror movie memorabilia – it really is exceptional and perfect for investment or to just enjoy, with the signature elevating it to a genuine WOW piece.
Trivia: The original glove from A Nightmare on Elm Street (1984) was used in this movie and was also seen hanging on the wall of the work shed in Evil Dead II (1987). This was in response to the use of The Evil Dead (1981) on a television screen in A Nightmare on Elm Street (1984), and part of a continued banter between directors Wes Craven and Sam Raimi. However, when Wes Craven loaned the glove to the A Nightmare on Elm Street 3: Dream Warriors (1987) set, it was lost but eventually found by a Freddy fan, Mike Becker, at an auction in 2009.
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Artist Graham Humphreys created the design for all five UK “A Nightmare on Elm Street” releases each individual and quite stunning in their own right, with this second sequel – “Dream Warriors” the only one to be photo-shopped. Now most poster aficionados turn their noses up at photo-shopped designs, but this is different; It’s a great, full of menace Freddy image offset against a plain misty effect background with bright blood red credits and title. Setting a high bench mark for modern horror artwork Humphreys’ imagery was only used for the British campaign, for both cinematic and video releases. Graham Humpreys has been dubbed England’s greatest living horror artist and it’s not hard to see why when you see this beautiful film poster from first year of release 1987. Totally original and unrestored, this rolled (as issued) example is presented in excellent condition. Extremely scarce in this high grade condition and a must have for the serious collector it represents a fantastic item of horror movie memorabilia. The best I have ever offered for sale or seen – it really is exceptional and perfect for investment or to just enjoy.
Trivia: Wes Craven‘s original premise of the film involved Freddy invading the real world and haunting the actors and crew responsible for the “A Nightmare on Elm Street” films. This idea was inspired by Return to Horror High (1987), which was another meta-horror movie at the time. However, it was rejected by the studio for being too ambitious, though Craven was later able to use it for Wes Craven’s New Nightmare (1994).
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Graham Humphreys has once again produced a stunning piece of artwork for the fourth film in the iconic horror series “A Nightmare on Elm Street: Part 4 – The Dream Master”. The now instantly recognisable Freddy Krueger once again appears in silhouette (as the original British marketing campaign by Graham) and is a testament to how familiar the fanbase were with his character – the clawed glove, fedora and pose are now his trademark. His defining outline is offset against an amazingly colourful background with the ominous blood red tagline – Greetings From Hell. Setting a high bench mark for modern horror artwork Humphreys’ imagery was only used for the UK quad design and is one of the most sought after film posters of the 80’s and the horror genre. Graham Humpreys has been dubbed England’s greatest living horror artist and it’s not hard to see why when you see this beautiful film poster from first year of release 1988. Totally original and unrestored, this rolled (as issued) example is presented in excellent condition with only minimal handling wear with, unusually for a horror poster some incredibly bright colours. Extremely scarce and a must have for the serious collector it represents a fantastic item of horror movie memorabilia.
Trivia: The name of the diner where Alice works is called the “Crave Inn”, a reference to franchise creator Wes Craven.
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Graham Humphreys has once again produced a stunning piece of artwork for the fifth film in the iconic horror series “A Nightmare on Elm Street: Part 5 – The Dream Child”. The now instantly recognisable Freddy Krueger is depicted with his razor bladed glove clawing his way out of the poster, his red, fire-scarred visage contrasted against the mid-blue background of the poster’s background. Each instalment has its own unique tagline with this one a perfectly in tune to the movie’s storyline – Freddie’s Giving Birth to a Brand New Nightmare. Setting a high bench mark for modern horror artwork Humphreys’ imagery was only used for the UK quad design and is one of the most sought after film posters of the 80’s and the horror genre. Graham Humpreys has been dubbed England’s greatest living horror artist and it’s not hard to see why when you see this beautiful film poster from first year of release 1989. Totally original and unrestored, this rolled (as issued) example is presented in excellent condition. Extremely scarce and a must have for the serious collector it represents a fantastic item of horror movie memorabilia.
Trivia: Before the script was written, author Stephen King was approached to write the screenplay for this film but declined. This film is heavily referenced in IT (2017), an adaptation based off of one of King’s well known novels.
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Zombies, Nazis, stranded holiday makers and Peter Cushing…if this sounds like your kind of fun then you probably are a fan of Ken Wiederhorn’s enjoyable horror romp “Almost Human” (AKA Shock Waves). Nostalgic 70’s hokum that is complemented by a first rate film poster as the SS ‘Death Corps’ take centre stage in a great example of horror artwork…good use of bold day-glo colours in the title and striking well balanced design. Certainly a rare find and even more so in such excellent high grade condition. Originally rolled (as issued) this 1977 UK quad film poster is offered in superb unrestored condition and presents and displays to excellent effect and represents a rare piece of hugely collectable original 70’s horror movie memorabilia.
Trivia: The zombies weren’t originally supposed to be wearing goggles but when extra Max Trumpton returned from recent glaucoma surgery in protective eyewear the director liked the ‘look’ so much he instructed the wardrobe department to make a pair for each zombie.
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“One person can change your life forever.”
Despite being caught in her imaginative world, Amelie (Audrey Tautou), a young waitress, decides to help people find happiness. Her quest to spread joy leads her on a journey where she finds true love. Jean-Pierre Jeunet’s is a truly heart warming cinematic experience, with the casting of Audrey Tautou as the titular Amelie or to give its full title Le Fabuleux Destin d’Amelie Poulain a masterstroke. Artist Javi Aznarez has created the definitive visual tribute to celebrate its 25th anniversary for the UK theatrical re-release. Commissioned by Curzon Film, Javi’s poster is an intricate, hand-drawn map of Montmartre that captures the whimsical soul of the 2001 classic. The poster serves as a meticulous “Ligne Claire” tapestry, weaving together the film’s many subplots and eccentricities into a singular, cohesive artwork. Javi’s focus on the fine details mirrors the film’s own obsession with life’s small treasures:
The Roster of Characters: From the patrons of the Café des Deux Moulins to the quiet intensity of Nino, every face is a character study in itself.
The Iconography: The traveling garden gnome, the photo booth reconstructions, and the warm, red-hued interiors of Amélie’s apartment are all present.
The Settings: The winding streets and hidden corners of Paris are brought to life through Javi’s signature hand-drawn Ligne Claire style.
.In a digital age, Javi’s work stands out for its craftsmanship and conceptual wit. By eschewing standard photographic layouts for a dense, illustrative narrative, he honours the artisanal spirit that made Amélie a global phenomenon.
Incredibly scarce as it was exclusive to Curzon cinemas, the UK quad offered here is presented in near perfect condition and represents one of the best looking film posters currently available and a future classic for collectors and fans of the movie – a visual delight.
Artist Javi Aznarez had this to say about the poster – “It was great fun drawing all the characters and settings from the film. I watched it loads of times when I was younger; I love @jeanpierrejeunet_officiel films, especially Delicatessen and Amélie. Thanks to @curzonfilm for the gift.“
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
A truly influential genre great…John Landis’ tongue in cheek werewolf horror romp “An American Werewolf in London”. This original 1981 UK quad film poster is stunning; great imagery as we see David before (very nude) and after (the best cinematic werewolf transformation ?) in incredible snarling wolf man mode. Very in your face and not at all as understated and restrained as the US one sheet version. With unique British design this is an extremely desirable, very rare poster from a “golden age” of physical movie special effects with Rick Baker winning the Oscar for Best Makeup. Presented in original, unrestored condition this folded (as issued) example displays very with only minor handling wear and represents a fantastic item of original horror movie memorabilia from a classic of the genre.…“I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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A beautiful British Quad for Terrence Malick’s cinematic debut “Badlands” starring Martin Sheen and Sissy Spacek as the young couple on a killing spree across the ‘badlands of Montana’. This 2008 BFI (British Film Institute) re-release offering sees the original 1973 British artwork adapted to a full bleed image with no white border. It really works, resulting in a particularly powerful silhouette imagery. Presented unrestored, in originally rolled (as issued) condition, this scarce British poster rarely comes to market and represents a fine piece of cinematic memorabilia for a cult classic movie.
Trivia: The film’s plot and lead characters are based on Charles Starkweather and Caril Fugate. In 1958, they embarked on a murder spree that horrified the country.
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Largely due to the “Star Wars” effect and the huge global popularity of the “Dungeons & Dragons” role playing game, the 1980’s truly was the decade of the mystical sword and sorcery fantasy. Don Coscarelli’s “Beastmaster” has stood the test of time well and is fondly remembered with a large and loyal fanbase. Boasting some of the best fantasy art seen on a movie poster by the advertising agency FEREF (Eddie Paul) with finished art byJosh Kirby this original 1982 UK quad for “Beastmaster” certainly impresses. Scarce and hard to find in this high grade condition, this originally folded (as issued) example looks fantastic and presents in exceptional condition that represents a fine piece of hugely collectable original 80’s sci-fi fantasy movie memorabilia.
Trivia: Director Don Coscarelli decided to set the story in a sort of Bronze Age milieu because he was a long time fan of Steve Reeves, Ray Harryhausen, and sword and sandal flicks.
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“A ravishing PSYCHO-FIEND with the diabolical power to turn into a GIANT DEATHSHEAD VAMPIRE feasts on the BLOOD of her Lovers before clawing them to death!”
Blood Beast Terror (1968) was a Tony Tensor, Tigon Films release – a British studio providing real competition t0 Hammer, for so long the leading horror film producer in the UK. The British poster campaign was represented by a stunningly colourful UK quad, a mixture of illustration and photo montage, with some truly gruesome imagery. Presented unrestored and in excellent original folded (as issued) condition. A personal favourite of mine and a scarce example of British horror cinematic memorabilia.
Trivia: The stage play shown in the film echoes the story of notorious grave-robbers Burke and Hare. They would be the subject of Vernon Sewell‘s next film the following year.
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Enzo G. Castellari’s New York City set, post apocalypse romp “Bronx Warriors” is rightly regarded as a true cult movie B-Movie. This original 1982 British quad certainly isn’t subtle, it’s all action, grabbing your attention immediately and is a fantastic example of how a talented artist can produce imagery that’s far superior to the movie you are going to be watching. The artist is Brian Bysouth, one of the most prolific artists of his generation and a true master when it comes to capturing the essence of what a movie poster should be. Coming from Bysouth’s personal archive, this has been hand signed by the artist to the bottom right area. Offered unrestored and presented in high grade (as issued) condition it displays and presents to excellent effect. This is a scarce film poster, that is genuinely hard to find that represents a fine piece cinema memorabilia for a much loved cult movie.
Trivia: The movie has been considered a cross between The Warriors (1979), Mad Max 2 (1981) and Escape from New York (1981).
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