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X The Man With X-Ray Eyes

£325.00

Film

X The Man With X-Ray Eyes

Additional information

Year

1963

Size/Type

US One Sheet / (27" x 41") / Single Sided, NSS # 63/285 & Copyright 63-1596

Country of Origin

United States (USA)

Condition

Very Fine Plus / Originally Folded (as issued) – now Conservation Linen Backed

Director

Roger Corman

Actor/Actress

Diana van der Vlis, Don Rickles, Harold J. Stone, John Hoyt, Ray Milland

SOLD - this item is sold. Please browse our currently available stock

“HE STRIPPED SOULS AS BARE AS BODIES !”

A stunning country of origin US One Sheet movie poster for Roger Corman’s 1963 Science Fiction “B” Movie “X The Man With X Ray Eyes”. Considered by many Corman’s best ‘pure’ sci-fi thriller and one of Milland’s best performances, this magnificent example displays incredible graphics and artwork with a chilling image of Ray Milland using his powers dominating the piece. With minimal restoration & excellent professional linen backing this originally folded (as issued) US one sheet presents superbly. Desirable and very collectable, this scarce example represents a fantastic piece of original film movie memorabilia from one of the genres most admired and respected film-maker’s.

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Vintage Movie Posters Grading Criteria... read more +

Film Description

X The Man With X-Ray Eyes Movie Poster

“Dr. James Xavier is a world renowned scientist experimenting with human eyesight. He devises a drug, that when applied to the eyes, enables the user to see beyond the normal realm of our sight (ultraviolet rays etc.) it also gives the user the power to see through objects. Xavier tests this drug on himself, when his funding is cut off. As he continues to test the drug on himself, Xavier begins to see, not only through walls and clothes, but through the very fabric of reality !”

Roger Corman is often passed over as merely a B-movie director, but films like this one really show his brilliance. X The Man with X-Ray Eyes is chilling, ingenious and highly original; and this becomes even more impressive when you consider that the film was shot on a shoestring budget of just $300,000. Because of this, Corman doesn’t go overboard with the special effects, and as such; the film concentrates on the implications of the lead character’s predicament. This actually helps the film, as the idea behind what is happening is far more chilling than how it has actually happened. The plot follows a doctor doing research into the eye. After discovering a new drug that can give its taker X-ray vision, he decides to test it on himself due to lack of funds. Before long, he finds that he is able to see through people’s clothes (surely a useful ability), as well as walls and other surfaces. However, this new capability soon takes its toll on the good doctor, as he loses the ability to shut out the light, and after a tragic event; he has to find a new way to make a living.

Ray Milland, who worked with Corman previously on the Poe adaptation ‘Premature Burial’, takes the lead and gives a great portrayal of the doctor at the centre of the story. Milland is great at portraying a strain on a character, and that ability is put to best use in this film. The story is frightening because, as is said at one moment in the film, we only get one pair of eyes and therefore that pair is precious. The idea of not being able to cut out the light is frightening also, as while many people would see X-ray vision as an asset, this film does well in disputing that. The way that Corman portrays the ‘X-ray vision’ makes best use of the budget available and actually works rather well, as we get treated to seeing the world through the eyes of the lead character. The way that the story pans out isn’t particularly original, but it works in that it’s believable and provides a good backdrop for the major focus of the film. Overall, The Man with X-Ray Vision is proof that a film can work in spite of a limited budget, and while Corman may not be the best director of all time; he certainly knows how to make B-movies!

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.