Film
Where Eagles Dare
Very Fine – Originally folded in three sections and now presented conservation linen-backed with light restoration.
Brian G Hutton
Clint Eastwood, Donald Houston, Mary Ure, Michael Hordern, Patrick Wymark, Peter Barkworth, Richard Burton, Robert Beatty, William Squire
1968, 1969 First release in India
Indian Three-Sheet – 40″ x 85.5″ (102 x 217 cm)
An exceptionally rare Indian Three-Sheet from 1969 (the first year of release in India) for Brian G. Hutton’s action packed World War II thriller “Where Eagles Dare” features artwork by C. Mohan based on the original design by Frank McCarthy. The cable car scene is one of the best remembered and most famous scenes from the film and all of the elements are the same, from Eastwood on the cable car to the Castle of The Eagle engulfed in flames in the background. Fans of Bollywood will know at least one of C. Mohan’s pieces as he designed the title for “Sholay”, which is widely considered the greatest Bollywood movie of all time. One of the most collected British action adventure war films ever produced, with the originally folded (as issued) example offered here being presented conservation linen-backed – it displays to excellent with colours that pop, thanks to the stone litho printing process. Of all the action / adventure films I deal with there is no doubt that “Where Eagles Dare” appears to have an incredible fan base and this superb poster represents a fine piece of original movie memorabilia.
Trivia: The driving force behind this movie was Richard Burton‘s stepson, who wanted to see his stepfather in a good old-fashioned adventure movie. Burton approached producer Elliott Kastner for ideas, who asked Alistair MacLean. At that time, most of MacLean’s novels had either been made into movies, or were in the process of being filmed. Kastner persuaded MacLean to write a new story. Six weeks later, MacLean delivered the script.
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Take Alistair MacLean‘s “Guns of Navarone“ and “Ice Station Zebra“ then you have the recipe for “Where Eagles Dare“. Clint Eastwood and Richard Burton are sent on an Alpine spy/sabotage mission behind enemy lines aimed at confusing and delaying the Germans. It’s interesting to see Eastwood take seconds to Burton’s acting in this picture. Eastwood was just coming off his major success with the Italian westerns and was an international star, but wasn’t an American leading man. This film marks the last time he wasn’t in the star/leading man part.
Dotted throughout the movie are wonderful actors who turn in solid performances. Accomplished thespians Patrick Wymark, Donald Houston and Derren Nesbitt, to name a few, are faces many will recognize from UK television roles. An interesting point made in the film is the ordinary German soldier’s sometime disdain for the fanatic Nazi SS or Gestapo trooper. This is shown through one German officer’s unwillingness to comply with the local Gestapo major. It’s rare to see that kind of “layer” added to the German side of a plot in an American picture. Generally, they are always just treated as bad guys to be dispatched in hails of lead or burning explosions. The film holds up well over time, and there’s little to date it to 1968, save for the youthful faces of many of the actors. It certainly beats the current crop of “big gasoline driven explosion” movies that have no plot. It is heavy on action and plot, but it has a running time of 155 minutes, giving it plenty of time to develop plot and action. “Where Eagles Dare“ continues to be entertaining and a blueprint for the rip roaring adventure movie.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
