Film
Twice Told Tales
1963
UK Quad (30" x 40") Single Sided, Printed by Progressive Publicity Ltd. London E.8.
UK / British
Very Fine minus ; originally folded (as issued)
Sidney Salkow
Brett Halsey, Joyce Taylor, Richard Denning, Sebastian Cabot, Vincent Price
“THE UNDEAD ! THE UNEARTHLY ! THE UNHOLY ! … A TRIO OF TERROR !”
Tony Tenser Films provided a serious rival to the established Hammer films during the 1960’s serving up a series of well produced and written horror tales. In 1963 they released the Sidney Salkow directed “Twice Told Tales” featuring horror favourite Vincent Price in not one but three starring roles. It is from this first year of release 1963 that this rare original UK quad film poster comes. Tom Chantrell provided some fantastic horror artwork (prior to becoming the ‘studio’ artist for Hammer) featuring a great image of Price, skeletons, bones, skulls, coffins, alligators and dark, spooky settings all presented in glorious dark colour tones. This scarce, unrestored, folded (as issued) example displays and presents very well and represents an extremely collectable piece of 1960’s horror cinema memorabilia.
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“Three horror stories based on the writings of Nathaniel Hawthorne. In the first story titled “Dr. Heidegger’s Experiment”, Heidegger attempts to restore the youth of himself, his fiancee and his best friend. In “Rappaccini’s Daughter”, Vincent Price plays a demented father inoculating his daughter with poison so she may never leave her garden of poisonous plants. In the final story “The House of the Seven Gables”, the Pyncheon family suffers from a hundred year old curse and the Pyncheon brother returns to his home to search for a hidden vault.”
Trio of horror stories based on works of Nathaniel Hawthorne. The first story is “Dr. Heidegger’s Experiment,” about two elderly friends, Dr. Carl Heidegger (Sebastian Cabot) and Alex Medbourne (Vincent Price) who discover magical water that they use to become young again. Heidegger decides to use the water on the corpse of his long-dead love Sylvia (Mari Blanchard), with surprising results. The second story is “Rappaccini’s Daughter.” Giovanni Guasconti (Brett Halsey) falls in love with beautiful Beatrice Rappaccini (Joyce Taylor) at first sight. Beatrice is the daughter of scientist Giacomo Rappaccini (Vincent Price) and, much to Giovanni’s horror, her father has injected her with plant toxins that make her deadly to touch. The third, and most famous, story is “The House of the Seven Gables.” Gerald Pyncheon (Vincent Price) returns to his ancestral home with his new bride (Beverly Garland). Ignoring warnings of a family curse he scours the house looking for a treasure reportedly buried somewhere inside.
All of these stories are loosely adapted from Nathaniel Hawthorne stories. The segments are of varying quality but they are all watchable and enjoyable enough. The first story is probably my favorite, helped in large part by Sebastian Cabot’s sensitive portrayal of Heidegger. The second is my least favorite and the third is OK. Vincent Price is in all three and, as usual, is excellent. “Twice-Told Tales“ is an enjoyable time-killer which Vincent Price fans will love it more than most.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
