Film
The Terminator
1984 (1990 – First Czechoslovakian Release)
Czech Flyer (Horizontal Style) – 8 1/4″ x 11 1/2″ (21 x 29 cm)
Czechoslovakia
Near Mint minus – Flat/Unfolded
James Cameron
Arnold Schwarzenegger, Bess Motta, Bill Paxton, Earl Boen, Lance Henriksen, Linda Hamilton, Michael Biehn, Paul Winfield, Rick Rossovich
“In the Year of Darkness, 2029, the rulers of this planet devised the ultimate plan. They would reshape the Future by changing the Past. The plan required something that felt no pity. No pain. No fear. Something unstoppable. They created THE TERMINATOR”
Extremely rare, “The Terminator” original Czech Flyer (horizontal) movie poster from first year of release in Czechoslovakia 1990. Featuring Terminator Arnold Schwarzenegger wielding his laser sighted handgun from the famous ‘Tech Noir’ disco scene. Originally flat/unfolded this displays to excellent effect and would make for a fantastic addition to any collection or as a one-off display piece. Truly impressive eye catching design and a fine piece of country unique artwork that represents highly collectible movie poster memorabilia for one of cinema’s greatest movies of all time and a pop culture phenomenon that blasted then new comer’s Arnold Schwarzenegger‘s career into orbit and made James Cameron a Hollywood name.
Trivia: Shots through the Terminator’s vision shows a dump of the ROM assembler code for the Apple II operating system. If you own an Apple II, enter at the basic prompt: ] call -151 * p This will give you the terminator view. Other code visible is written in COBOL.
…more detailVintage Movie Posters Grading Criteria... read more +
“A cyborg is sent from the future on a deadly mission. He has to kill Sarah Connor, a young woman whose life will have a great significance in years to come. Sarah has only one protector – Kyle Reese – also sent from the future. The Terminator uses his exceptional intelligence and strength to find Sarah, but is there any way to stop the seemingly indestructible cyborg ?”
“The Terminator” is one of those films that no matter if you’ve seen it or not, you’ve heard of it, heck you know at least one or two lines without seeing it ! This is the movie that blasted then new comer’s Arnold Schwarzenegger‘s career, made James Cameron a name in Hollywood, and gave new meaning to a possible dark future that gave us nightmares. I remember the first time I saw this movie, this wasn’t just an action movie, though it is one of the best, it had a story. To think this was all based upon just a quick nightmare that James Cameron had, he didn’t have much money, but he had a good script, a great crew on his side to make one of cinema’s greatest movies of all time.
Trivia: In the film, the name of the night club where the Terminator first targets Sarah was named Tech Noir after a film genre which James Cameron coined himself in describing what category this film falls under after dismissing the notions that it was a mere horror or slasher film. Tech Noir films like Blade Runner (1982) and this film combine the old style grittiness of noir films with the futuristic elements of a sci-fi thriller. Cameron himself had the club built specifically for the film and had to turn away local club goers who thought Tech Noir was a real night club. The building still exists but is now a jewelry store.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
