Film
Sleepy Hollow
1999
US One Sheet (27" x 40") Double Sided
United States (USA)
Near mint minus; originally rolled (as issued)
Tim Burton
Christopher Lee, Casper Van Dien, Christina Ricci, Christopher Walken, Ian McDiarmid, Jeffrey Jones, Johnny Depp, Michael Gambon, Michael Gough, Miranda Richardson, Richard Griffiths
“Heads Will Roll”
A true ‘Burtonesque’ classic. Tim Burton seems like the only film maker on the planet who could come up with characters such as the ones found in “Sleepy Hollow.” With a host of regular Burton collaborators and some familiar new faces (if you are a fan of classic horror you’ll be delighted) his stylish adaptation is based on the story by Washington Irving called “The Legend of Sleepy Hollow”, where he captures the slumbering, creepy village of Sleepy Hollow with vivid details and imaginative description. The way everything is presented, the trees look like something out of a fairy tale and the scenery represents deception in a mysterious wonderland, and makes this production a captivating and magical film experiences which is beautifully represented in this US one-sheet designed by BLT and Associates from first year of release, 1999. Presented rolled (as issued) it displays to excellent effect and represents a fantastic piece of original movie memorabilia for an innovative and popular film maker.
Trivia: Director Tim Burton says the film was inspired by the Gothic horror films of Mario Bava and Hammer Film Productions. Burton brought Hammer veteran Michael Gough out of retirement for a small role, and recruited Sir Christopher Lee, a veteran of both Hammer and Bava’s films, for a cameo.
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“The curse of The Headless Horseman (Christopher Walken) is the legacy of the small town of Sleepy Hollow. Spearheaded by the eager Constable Ichabod Crane (Johnny Depp) and his new-world ways into the quagmire of secrets and murder, secrets once laid to rest, best forgotten, and now reawakened, and he too, holding a dark secret of a past once gone.”
Johnny Depp as Ichabod Crane was a good choice as the lead character in Tim Burton’s dark, supernatural horror “Sleepy Hollow”, and he was able to play a character who is odd and quirky, yet not stupid or insane. It’s a much more subtle version of some of the Johnny Depp characters we’ve seen in the past decade. Most of the supporting cast was pretty good too, especially Christopher Walken as the Head-waving Horseman and gorgeous Christina Ricci is his beau. The look and feel of the film was one of the highlights, as Burton was able to make everything look authentic, yet give the feeling of unease. Lots of scenes, if not all of them, were filmed with blue-tinted filters that gave everything a cold and detached look.
Gothic fantasy movies just don’t come more lush than Tim Burton’s efforts, and in this thinly disguised slasher film, based on the novel by Washington Irving, a legendary headless horseman lops off the noggins of the inhabitants of the small north eastern town of Sleepy Hollow in 1799. Everything you’d expect from a gored-up Tim Burton flick.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
