UK Quad (30" x 40") Single Sided
UK (Great Britain)
Near mint minus; originally rolled (as issued)
James Spader, Jeremy Davies, Lesley Ann Warren, Maggie Gyllenhaal
Steven Shainberg’s multi award winning and controversial film “Secretary” certainly caused a few eyebrows to be raised when released in 2002 dealing with a master/slave relationship of an unlikely couple played by James Spader and Maggie Gyllenhaal. Both of the said stars feature prominently on the original UK quad film poster offered here. Presented in excellent rolled (as issued) condition it appears almost faultless and represents an investment grade example of a very rare, desirable and collectable film movie memorabilia for a much talked talked about film…“Assume the position”…more detail
Vintage Movie Posters Grading Criteria... read more +
“Secretary“ is an odd little sadomasochistic fantasy in which a lawyer and his secretary establish a kind of master/slave relationship in the office.
Lee Halloway is a deeply disturbed young woman who has just been released from a mental institution where she has been recuperating from a nervous breakdown. Lee copes with her severely dysfunctional family – her father is an alcoholic who beats his wife, while her mother is a passive victim of abuse who overprotects her daughter – by cutting, gashing and burning herself regularly. Now, back on the outside, Lee finds employment as secretary to a paralegal, E. Edward Grey, an equally neurotic man who turns out to be a full-blown `dominator’ behind closed doors. Together the two forge a bizarre sexual alliance so all-consuming in its nature that one wonders how this small office ever gets any work done at all.
Writer Erin Cressida Wilson and director Steven Shainberg have fun with the many ironies and paradoxes inherent in the offbeat world they are exploring. For instance, Grey, by restricting Lee’s freedom of choice, is actually liberating her by getting her to channel her self-abusive tendencies and desire for pain into a `healthier,’ more `productive’ direction. Lee also discovers that men with unconventional sexual tastes may be no more willing to `settle down’ and `commit’ with a likeminded partner than many a man with more traditional sexual proclivities.
In many ways, `Secretary‘ turns out to be almost a recruiting poster for the sadomasochistic lifestyle. The S&M scenes are kept relatively tame in tone and the film displays a wickedly funny sense of humor for most of its duration. Moreover, the decidedly upbeat ending of the film could easily have garnished any Doris Day-Rock Hudson romantic comedy – had standards 40 years ago allowed them to explore this type of topic, that is.
As Lee and Grey, Maggie Gyllenhaal and James Spader turn in terrific performances. They manage to capture the quirky nature of their respective characters without ever making them appear off-putting or grotesque. Their performances go a long way towards purging the material of the kind of sleaziness and smarminess one might expect to find here.
The early scenes in the film may be a bit disturbing for some in the audience, mainly because we feel a bit like voyeurs peering in on the couple, almost as if they were zoo animals or subjects in some sort of psycho-sexual experiment. But then, as we get to know the characters and come to like them, we become absorbed in their story and find ourselves actually cheering them on and wanting them to find some measure of meaning and happiness in their relationship and lives.
The makers of `Secretary‘ have taken a potentially `touchy’ subject and injected it with warmth, humanity and insight.
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
27 X 40″, printed on paper. Very rarely used size.
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.