Scum – Long Good Friday



Scum – Long Good Friday

Additional information




UK Quad / Single Sided / (30" x 40")

Country of Origin

UK / British


Very Fine – Very Fine plus / Originally Rolled (as issued)


Alan Clarke, John MacKenzie


Bob Hoskins, Helen Mirren, Julian Firth, Mick Ford, Paul Freeman, Phil Daniels, Ray Winstone

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“Two searing glimpses into the underworld of crime !”

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Not a typical ‘date-night’ trip to the cinema, you would have needed a strong stomach to sit through this gritty and brutal British double bill. Released in 1981 this country of origin double feature UK quad for “Scum – The Long Good Friday” presents to very good effect, being originally rolled (as issued). Combining imagery previously used for the standalone quad designs plus the addition of some bold, strong colours this really is a striking example of film poster artwork. Colours are bright and the black areas unfaded. Without a doubt this film sums up British cinema of the 70’s and 80’s perfectly that makes for a very collectable piece movie memorabilia.

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Film Description

Scum – Long Good Friday Movie Poster

“An uncompromising story of life in a British juvenile offender institution in the 1970’s.”

“I’m the Daddy now !”…This is probably one of the most notorious films to have emerged from Britain. It’s become almost a cult film now with it’s mixture of brutal violence and memorable quotes. Scum was originally produced for the BBC in 1977 was banned, so writer Roy Minton and director Alan Clarke re-made it as a cinema film. The film takes place entirely inside a British “Borstal”and details the experiences of three new inmates, notably the violent Carlin, memorably played by Ray Winstone in his first starring role. The frequent violence (dealt out by both inmates and guards) is brutal and uncompromising, there are a couple of graphic suicides and, in the most notorious scene in the film, a horrifying rape. This is a very powerful film that has not lost it’s power to shock. Worth watching but only if you’ve got strong nerves and a strong stomach.

“What should have been the greatest day of Harold’s life suddenly becomes the longest.”

I am often a bit wary of British Gangster films I have to admit. Whilst I genuinely think people in this country often undervalue the wealth of film directing and acting talent we have produced I do often feel that in recent years “gritty” British films have almost hit self parody and are full of mockney clichés. However over the years there have been some truly brilliant British gangster films (this, Get Carter and Sexy Beast are my favourites) and as much as I worship Scorsese etc it is sometimes refreshing to watch something closer to home. The Long Good Friday is one of the best portrayals I have ever seen of a mans world falling apart around him. Bob Hoskins plays Harold Shand an old school East End villain at the point where his long built up empire is collapsing and his stubborn refusal to accept this leads to ever more desperate and violent attempts to stem the inevitable which perfectly portrayed making this a must see for anybody who is a fan of gritty, powerful and sometimes violent gangster films.

Vintage Movie Posters Grading Criteria

A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.


30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

27 X 40″, printed on paper. Very rarely used size.


13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.