Film
Monty Python and the Holy Grail
1975
UK Quad / Single Sided / (30" x 40"), Printed in England by W.E. Berry Ltd. Bradford
UK / British
Very Fine – Very Fine plus / Folded (as issued)
Terry Gilliam, Terry Jones
Connie Booth, Carol Cleveland, Eric Idle, Graham Chapman, John Cleese, Michael Palin, Terence Bayler, Terry Gilliam, Terry Jones
“And now ! At Last ! Another film completely different from some of the other films which aren’t quite the same as this one is.”
The ultimate madcap British comedy movie “Monty Python and the Holy Grail”– A true comedic cult classic featuring the antics and escapades of the Monty Python team. This country of origin UK quad film poster is from the first year of release, 1975 featuring typical cartoonish pythonesque artwork. Immediately recognisable as a ‘Python’ design and hugely sought after by the film’s hardcore and loyal fan base. Genuinely very scarce, this originally folded (as issued) this superb example presents and displays to excellent effect & represents a really fine piece of original British movie memorabilia for the film that “makes Ben Hur look like an epic”.
Trivia: The famous depiction of galloping horses by using coconut shells (a traditional radio-show sound effect) came about from the purely practical reason that the production simply could not afford real horses.
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“History is turned on its comic head when, in tenth-century England, King Arthur travels the countryside to find knights who will join him at the Round Table in Camelot. Gathering up the men is a tale in itself but after a bit of a party at Camelot, many decide to leave only to be stopped by God, who sends them on a quest: to find the Holy Grail. After a series of individual adventures, the knights are reunited but must face a wizard named Tim the Enchanter, killer rabbits and lessons in the use of holy hand grenades. Their quest comes to an end however when the Police intervene – just what you would expect in a Monty Python movie.”
Being brought up on Python going to see this movie on its original release was one of the highlights of my movie going childhood. For many years I thought “Monty Python and the Holy Grail“ was the funniest comedy movie ever made. Now over twenty five years later repetition and familiarity may not have ruined the movie completely but they have spoiled my enjoyment somewhat. Even so it’s still a comedy classic and I envy anyone who is watching it for the first time. Python (John Cleese, Graham Chapman, Michael Palin, Terry Jones, Eric Idle and Terry Gilliam) were on top form throughout, and apart from one or two less successful bits it’s hilarious stuff, and arguably their most consistent movie. (I still think their TV work was their best, the non-linear sketch format suiting their style more than extended pieces). Python bores can quote this verbatim but don’t let them put you off. This is one wacked out romp full of fun and surprises, and still has more laughs than 90% of today’s so-called comedies.
Trivia: Led Zeppelin, Pink Floyd, and Genesis all contributed to this funding and getting this movie made.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
