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Local Hero

£195.00

Film

Local Hero

Additional information

Year

1983

Size/Type

British One-Sheet – 27″ x 40″ / Single Sided

Country of Origin

UK / British

Condition

Near mint minus – Rolled (as issued)

Director

Bill Forsyth

Actor/Actress

Peter Capaldi, Burt Lancaster, Denis Lawson, Fulton Mackay, Jenny Seagrove, John Gordon Sinclair, Peter Riegert

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A British one-sheet film poster for Bill Forsyth’s 1983 feel good comedy “Local Hero” starring Burt Lancaster as the oil billionaire Felix Hopper and  Peter Riegert as Mac, the executive sent in to seal the deal. And it’s both leads who feature on this beautiful one-sheet. The artwork is really quite stunning and sadly unattributed.This romantic comedy has gained a certain cult following over the years and has withstood the test of time very well. Genuinely heart warming and as a poster a rare find. Originally rolled (as issued) this unrestored example displays and presents to excellent effect. Hugely popular with a large and loving fan-base the original film poster offered here represents a a very collectable piece of British (well Scottish) movie memorabilia.

Trivia: First film score composed by Mark Knopfler. Knopfler provided not only the main score, mostly consisting of classical guitar (which would become his cinematic trademark for The Princess Bride (1987)), but filled the fast-fingered country guitar licks during the KNOX radio station announcement while Mac is driving in the film’s opening. The film’s soundtrack scored by former Dire Straits member, Mark Knopfler, sold better than the movie itself helped launch Knopfler’s career as a film composer.

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Film Description

Local Hero Movie Poster

“Oil billionaire Happer sends Mac to a remote Scottish village to secure the property rights for an oil refinery they want to build. Mac teams up with Danny and starts the negotiations, the locals are keen to get their hands on the ‘Silver Dollar’ and can’t believe their luck. However, a local hermit and beach scavenger, Ben Knox, lives in a shack on the crucial beach which he also owns. Happer is more interested in the Northern Lights and Danny in a surreal girl with webbed feet, Marina. Mac is used to a Houston office with fax machines but is forced to negotiate on Bens terms”

“Local Hero” is a slice of Scottish whimsy with a touch of magical realism. It has a stirring soundtrack by Mark Knopfler of Dire Straits.

American oil tycoon and keen astronomer Felix Happer (Burt Lancaster) wants to buy an entire Scottish fishing village in Ferness Bay so he can build an oil refinery.

Mac (Peter Riegert) is sent over to negotiate the deal with the villagers because he has a Scots sounding name.

When he arrives, Mac liaises with a local rep Danny (Peter Capaldi). Both meet Marina (Jenny Seagrove) who is a marine biologist working for the Scottish branch of the oil company. She thinks that the company are going to build a marine sanctuary.

The locals are happy to sell as they eye riches and the chance to leave their hard life. To them Mac is the local hero who will give them lots of cash.

Gordon Urquhart (Denis Lawson) is the local accountant, hotelier and village taxi driver who is handling the negotiations on behalf of the villagers. The more time Mac spends in the village, the more he gets to like to pace of life and wonderful night sky such as the Northern lights.

Mac is later told that an old man who lives in a hut on the beach, Ben Knox (Fulton Mackay) actually owns the beach that is important to the deal. It leads Happer to come to Scotland to negotiate personally with Ben.

Director Bill Forsyth has gone for a small scale charming film. It has some surrealism. Is Marina actually a mermaid as she managed to swim to Ferness Bay and she has webbed feet. Also, who is the father of that crying baby.

It is a world where a corporation boss is not evil but just eccentric. Happer is harassed by his own therapist. Mac wants to trade in his Porsche and live a simple life in the village knowing he has come to destroy it and its way of life.

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.