Film
KRULL
1983
UK Quad / (30″ x 40″) / Single Sided / Printed in England by W.E.Berry Ltd. Bradford
UK / British
Near mint minus ; originally folded (as issued)
Peter Yates
Alun Armstrong, Bernard Bresslaw, Francesca Annis, Freddie Jones, Ken Marshall, Liam Neeson, Lysette Anthony, Robbie Coltrane
Largely due to the “Star Wars” effect and the huge global popularity of the “Dungeons & Dragons” role playing game, the 1980’s truly was the decade of the mystical sword and sorcery fantasy. Filmed at Pinewood Studios, largely using the same staff and crew that had previously worked on James Bond and Star Wars, Peter Yates’ “KRULL” has stood the test of time well and is fondly remembered. Boasting some of the best fantasy art seen on a movie poster by Josh Kirby this original 1983 UK quad for “KRULL” certainly impresses. Scarce and hard to find in this high grade condition, this originally folded (as issued) example looks fantastic and presents in exceptional condition that represents a fine piece of hugely collectable original 80’s sci-fi fantasy movie memorabilia.
Trivia: A hand that could physically transform into a “Changeling Claw” was developed for the movie, but due to time constraints could not be developed in time and was not used in the film. The piece later was completed for Tobe Hooper‘s movie Lifeforce (1985).
…more detailVintage Movie Posters Grading Criteria... read more +
In the wake of “Star Wars”, fantasy films about brave heroes trying to rescue kidnapped princesses were suddenly in demand. “Krull“ was one such film to jump aboard the band-wagon. There are also elements here of Robin Hood (the costumes look like they’ve been borrowed from natives of Sherwood Forest, and the hero is aided by a rogue’s gallery of “merry men”) and Perseus and Andromeda (the hero has to complete several mini-tasks before he can get on with his main quest).
Prince Colwyn (Ken Marshall) has just married the beautiful Princess Lyssa (Lysette Anthony) when their city is raided and the princess is kidnapped. She is taken away to a heavily defended citadel. Colwyn sets off to rescue her, and during the course of his quest he picks up additional companions, including a bumbling magician (David Battley), a courageous cyclops (Bernard Bresslaw), and a gang of honourable bandits (which includes Alun Armstrong, Liam Neeson and Robbie Coltrane).
“Krull“is highly derivative, but reasonably entertaining. The special effects are decent for the time, but probably look a little primitive to over-spoilt modern eyes. Marshall’s leading performance is extraordinarily bland, but his unashamed earnestness actually becomes part of the fun once you get used to the fact that he’s trying desperately to play it seriously (without a shred of success!) The supporting characters are more interesting and are fairly well-played (despite the hopelessly hokey dialogue they have to contend with). In general, “Krull“is a likable movie which tries to keep up its lively pace, and manages to provide a fair number of thrills for youngsters and sci-fi afficianados.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
