Kill Bill: Volume 2
Japanese B2 (20" x 28.5"), Single Sided
Near mint minus; originally rolled (as issued)
Bo Svenson, Daryl Hannah, David Carradine, Gordon Liu, Lucy Liu, Michael Madsen, Michael Parks, Samuel L Jackson, Sid Haig, Uma Thurman, Vivica A. Fox
“The Bride is back for the final cut…and She will Kill Bill”
The ‘Bride’ dressed as a bride for Quentin Tarantino’s “Kill Bill” sequel, the imaginatively titled “Kill Bill: Volume 2”. Uma Thurman is not your normal bride though as she is expertly wielding a Katana sword. This is a stylish looking 2004 Japanese B2 film poster with artwork unique to Japan. The black background with bright pink dayglo lettering makes for an interesting combination that really works. Offered in original rolled (as issued) condition, this fine example presents to excellent effect with minimal of handling wear and represents a very cool and eye-catching piece of Quentin Tarantino movie memorabilia.
Trivia: The boots Uma Thurman has on when she is buried alive are the same boots that Michael Madsen used in Reservoir Dogs (1992) when he cut off the police officer’s ear. The same straight razor is also used.
Vintage Movie Posters Grading Criteria... read more +
“The murderous Bride is back and she is still continuing her vengeance quest against her ex-boss, Bill, and taking aim at Bill’s younger brother Budd and Elle Driver, the only survivors from the squad of assassins who betrayed her four years earlier. It’s all leading up to the ultimate confrontation with Bill, the Bride’s former master and the man who ordered her execution”
“Kill Bill: Volume 2“ is the astonishing follow-up to perhaps 2003’s best film, “Kill Bill Volume 1“. Quentin Tarantino once again demonstrates a mastery of dialogue in this homage to the great western and kung fu movies that inspired him from his video clerk days.
Simply, this film is as entertaining as hell. Tarantino unabashedly takes the viewer for a joyride, and the end result is a movie with intense action, tempered with some of the best dialogue I have ever heard.
Some have pointed to this film as inferior to the first volume of Kill Bill: I disagree. Whereas Tarantino is a great action director (the scene in the first film with the crazy 88s is one of my top five favorite battle scenes of all time), he even surpasses this talent in his ability to write witty, intriguing dialogue: and this film really delivers it. One scene in particular, with David Carradine as Bill, near the end, speaking with Uma Thurman‘s The Bride while he makes a sandwich, is unforgettable and insightfully interesting. There are few points where the film drags, and the movie ultimately creates the impression of a visceral experience
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
27 X 40″, printed on paper. Very rarely used size.
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.