Film
Fantastic Voyage
1966
US One Sheet / (27" x 41") / Single Sided
United States (USA)
Very Fine minus ; originally folded (as issued)
Richard Fleischer
Arthur Kennedy, Arthur O'Connell, Donald Pleasence, Edmond O'Brien, Raquel Welch, Stephen Boyd, William Redield
A rare, original US one sheet movie poster from original year of release 1966 featuring some truly impressive artwork and design by the award winning Saul Bass. With a great use of bold primary colours and clever graphics (Bass’ trademark) this country of origin poster is certainly eye-catching and is particularly desirable as this imagery was only ever used for the the US release. One of the most inventive science fiction epics of the 1960s, Richard Fleischer directed Raquel Welch and the rest of the miniaturised cast on an adventure inside the human body. Totally original and unrestored and presented in very good originally folded (as issued) condition this scarce example represents a fine and very collectable item of original movie memorabilia.
…more detailVintage Movie Posters Grading Criteria... read more +
“Fantastic Voyage“ follows a surgical team of three scientists: Dr Peter Duval, the top brain surgeon in the country (Arthur Kennedy); Cora Peterson, his technical assistant (Raquel Welch); Dr Michaels, chief of the medical mission (Donald Pleasence), plus the skipper of the ship (William Redfield) and Grant (Stephen Boyd) the security agent for security purposes.
The sealed vessel—The Proteus—is reduced down by a secret branch called CMDF (Combined Miniature Deterrent Forces) and injected into one artery of a defecting Russian scientist who has suffered brain injury and he’s in a coma from an assassination attempt… The crew must navigate to the scientist’s brain (within exactly 60 minutes) where Dr Duval will attempt to dissolve the coagulum with a laser beam… After that everything starts growing back to its original size.
“Fantastic Voyage” is a film of authentic wonder: An ocean of life, the corpuscles, the heart, the lungs of the human body through which the crew move are exquisitely designed in great detail with artistic quality.
The plot creates unceasing moments of suspense as the ship and its crew are continually threatened by the scientist’s natural defenses: white corpuscles, reticular fibres, antibodies and other factors…Leonard Rosenman‘s futuristic score nicely complements the adventure on screen with the strange sound of the human blood rushing through arteries, veins, rhythmical muscular movements, and of course, the sabotage occurred on board.
With two Oscar Awards for Best Visual Effects and Best Art Direction,“Fantastic Voyage“ is certainly the most unusual journey into the human body, where the ‘medieval philosophers were right. Man is the centre of the universe. We stand in the middle of infinity, between outer and inner space. And there’s no limit to either.’
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
