Film
E.T. The Extra-Terrestrial
1982
UK Quad (30" x 40") Single Sided
British / UK
Near mint minus; originally rolled (as issued)
Steven Spielberg
C Thomas Howell, Dee Wallace, Drew Barrymore, Erika Eleniak, Henry Thomas, KC Martel, Peter Coyote, Robert MacNaughton, Sean Frye
“He is afraid. He is totally alone. He is 3 million light years from home.”
“E.T. The Extra-Terrestrial” is the film which Steven Spielberg says epitomises his career. A true classic for all ages. Spielberg chose a regular collaborator in the artist John Alvin to create the marketing poster, and it’s fair to say that he (along with design agency Intralink Film Graphic Design – taking inspiration from Michelangelo’s ‘Creation of Adam’ painting which adorns the ceiling in the Sistine Chapel) has produced one of the cinema’s classic, timeless posters, that is immediately recognisable as the finger tips of E.T. & Elliott touch to create that spark of friendship. Certainly the best example we have ever offered for sale and very hard to find in this outstanding rolled (as issued) condition and a marvellous item of truly collectable cinematic movie memorabilia.
Trivia: Richard Attenborough later said that he felt bad that his own film, Gandhi (1982), beat this film to the Best Picture Academy Award because he considered his friend Steven Spielberg‘s film more deserving of the award and was convinced before the ceremony that it would win. Attenborough described E.T. as “a quite extraordinary piece of cinema”.
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“After a gentle alien becomes stranded on Earth, he is discovered and befriended by a 10-year-old boy named Elliott. Bringing him into his suburban California house, Elliott introduces E.T., as he is dubbed, to his brother, Michael, and sister, Gertie, and they decide to keep his existence a secret. Soon, however, he falls ill, resulting in government intervention and a dire situation for both him and Elliott.
“E.T. The Extra-Terrestrial” was one of those films that everybody took for granted as a child in the 1980s. Everybody had seen it, everybody loved it, everybody could reference it with the other kids knowing what they were talking about. Finding myself less than impressed than Steven Spielberg‘s overt sentimentalism, I wondered how I’d find it as an adult.
Well, I needn’t have worried, because “E.T. The Extra-Terrestrial” still hits the mark. Yes, it’s mawkish and rather dated, but I think that’s all part of the fun. This is the classic kid’s film of the 1980s, in which the adults are portrayed as either out of touch or the enemy; it’s the kids who have to band together to fight for justice, and the template works very well here.
Inevitably, the character of E.T. himself is what makes this film. The Carlo Rambaldi special effects still stand the test of time and the voice mannerisms are just right. Henry Thomas as Elliott has a tough role, acting against an non-human for the most part, but he excels in the part and the frog scene is still excellent. Drew Barrymore is very effective too. E.T. is certainly a film that still manages to tug at the heartstrings with all of the increasing drama and that poignant ending.
Trivia: In the Halloween scene, where E.T. sees a child in a Yoda costume and seems to recognize him, This is an inside joke by Steven Spielberg on his good friend, Star Wars creator George Lucas. In Star Wars: Episode I – The Phantom Menace (1999), Lucas returns the joke in a scene that takes place in the galactic senate. In the shot of the various senators calling out, you can see E.T.’s species among the senate pods in the lower right corner.
Trade Address:
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Old Amersham
HP7 0HL
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
