All

ELVIS

£125.00

Film

ELVIS

Additional information

Year

2022

Size/Type

UK Quad (30" x 40") Double Sided

Country of Origin

UK / British

Condition

Near mint minus; originally rolled (as issued)

Director

Baz Luhrmann

Actor/Actress

Austin Butler, Helen Thomson, Kodi Smit-McPhee, Olivia DeJonge, Richard Roxburgh, Tom Hanks

SOLD - this item is sold. Please browse our currently available stock

There is no doubting the musical and cultural influence of Elvis Presley with Baz Luhrmann’s 2022 biopic “ELVIS” a truly fitting tribute to ‘The King’. Luhrmann’s unique take on the short life of Elvis Presley is incredibly watchable and compulsive viewing with high production values and design touches. The 2022 UK quad offered here, designed by creative agency Concept Arts is a truly stunning, a colourful and beautifully detailed poster full of Vegas glitz and dazzle dazzle. Originally rolled (as issued) this totally unrestored example presents and displays to excellent effect without a blemish of note and represents a hugely collectable and totally cool piece of movie memorabilia for a truly iconic star.

Read More +

Trivia: The film had a 12-minute standing ovation at the Cannes Film Festival after the screening was over.

 …more detail

Vintage Movie Posters Grading Criteria... read more +

Film Description

ELVIS Movie Poster

“The life of American music icon Elvis Presley, from his childhood to becoming a rock and movie star in the 1950s while maintaining a complex relationship with his manager, Colonel Tom Parker.

“Elvis” is told from the point of view of Colonel Tom Parker (Tom Hanks) who used to be Elvis’s manager. He tells the story of how he met Elvis (Austin Butler) and how the singer took the world by storm. The film covers the years of Elvis life as a young adult until his passing.

This is an incredible and exciting film. From the opening scene until the credits roll, the movie is a roller coaster of emotions. Austin’s performance as the king of Rock n Roll is revolutionary. It’s impossible to take your eyes off of him. He truly becomes Elvis with his mannerisms and dancing. Austin’s performance is Oscar-worthy, just like the rest of the film. The movie humanises Elvis, where audiences see him as more than just a performer. It’s heartbreaking to see how this larger-than-life legend never lived the life he wanted. The film unites both Elvis fans and non-enthusiasts by showing this icon in a never-before-seen profile. Following Elvis throughout his life and witnessing his love of music made me feel as if he’s been a friend of mine for years. Producer/Director/Writer, Baz Luhrmann delivers an incredible film and story here. It is completely engaging, has a perfect mix of modern music and Elvis classics, along with swapping between Elvis and the Colonel’s points of view. Archival elements such as newspaper headlines and comic book art are put to good use and the film ends with a video recording of Elvis last concert. The costumes are spectacular. The scene of Elvis Las Vegas residency wearing his iconic white suit is beautiful since it looks like the viewers are watching a live performance. This is one movie that you should watch in theaters to capture its greatness. The music blaring; Austin’s acting; and the cinematography should be experienced on the big screen.

Trivia: The Elvis Presley: Elvis ’68 Comeback Special (1968) was filmed during the summer and aired on December 3, 1968. Elvis watched at home and was unsure of the reaction the show would receive because he hadn’t been on television while making movies in Hollywood for several years. As soon as the show was over the phone started ringing with all positive acclaim from friends and family, which relieved Elvis. When the ratings came in, it was estimated that 42% of televisions tuned into the see the famed ’68 special which helped launch Elvis back into live performances in Vegas the year after.

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.