Trade Address:
Vintage Movie Posters (UK) Limited
The Malthouse
The Broadway
Old Amersham
HP7 0HL
© 2024 Vintage Movie Posters
Registered Office Address: Vintage Movie Posters (UK) Limited, Aston House, Cornwall Avenue, London N3 1LF GB
Registered Company No: 07664517
Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
Dr. Strangelove
£275.00
Film
Dr. Strangelove
Additional information
UK Quad (30" x 40") Single Sided
UK / British
Near Mint minus -Very Fine plus; originally rolled (as issued)
Stanley Kubrick
George C. Scott, James Earl Jones, Keenan Wynn, Peter Sellers, Shane Rimmer, Slim Pickens, Sterling Hayden
SOLD - this item is sold. Please browse our currently available stock
“It is the stated position of the U.S. Air Force that their safeguards would prevent the occurrence of such events as are depicted in this film. Furthermore, it should be noted that none of the characters portrayed in this film are meant to represent any real persons living or dead.“
Stanley Kubrick’s “Dr. Strangelove” is possibly the scariest, thought provoking comedy ever made, only with one fact against it: it’s not very “comical”. The horrors of a nuclear holocaust caused by ‘human error’ materialise before us, directed with genuine skill & aplomb by the late master film-maker…Kubrick. Offered here is a striking British UK quad film poster for the 2019 Park Circus 4K Restoration release with a link to the ‘new’ 4K trailer below. As you would expect from anything Park Circus produce, the poster is first class & I’m sure Kubrick would have given his seal of approval with the black & white ‘War-Room’ imagery so key to the film perfectly integrated into this eye catching design. An incredibly rare modern film poster with a strictly limited number and issued in very low numbers to cinemas showing the film. Exact figures are not available but the rumoured print run is said to be less than 100. Totally original and unrestored in very good, rolled (as issued) condition…With its exceptional scarcity it represents a highly collectible item of Stanley Kubrick cinema movie memorabilia for one of the most original films ever made, by one of the greatest ever film-makers.
Read More +
Trivia: Dr. Strangelove’s glove is from Stanley Kubrick‘s personal collection. Peter Sellers had seen Kubrick wearing them to handle hot lights on the set, and thought they looked sinister. He wore one on his right hand (the one not under his control) to add to Strangelove’s eeriness.
Watch the newly restored 4K Trailer HERE
…more detailVintage Movie Posters Grading Criteria... read more +
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Dr. Strangelove Movie Poster
“U.S. Air Force General Jack Ripper goes completely and utterly mad, and sends his bomber wing to destroy the U.S.S.R. He suspects that the communists are conspiring to pollute the “precious bodily fluids” of the American people. The U.S. president meets with his advisors, where the Soviet ambassador tells him that if the U.S.S.R. is hit by nuclear weapons, it will trigger a “Doomsday Machine” which will destroy all plant and animal life on Earth. Peter Sellers portrays the three men who might avert this tragedy: British Group Captain Lionel Mandrake, the only person with access to the demented Gen. Ripper; U.S. President Merkin Muffley, whose best attempts to divert disaster depend on placating a drunken Soviet Premier and the former Nazi genius Dr. Strangelove, who concludes that “such a device would not be a practical deterrent for reasons which at this moment must be all too obvious”. Will the bombers be stopped in time, or will General Jack Ripper succeed in destroying the world ?”
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) is a BAFTA Award-winning (Best Film 1965) and Oscar® nominated dark comedy about a group of war-eager military men who plan a nuclear apocalypse. Through a series of military and political accidents, two psychotic generals – U.S. Air Force Commander Jack D. Ripper (Sterling Hayden) and Joint Chief of Staff “Buck” Turgidson (George C. Scott) – trigger an ingenious, irrevocable scheme to attack Russia’s strategic targets with nuclear bombs. The brains behind the scheme belong to Dr. Strangelove (Peter Sellers), a wheelchair-bound nuclear scientist who has bizarre ideas about man’s future. The President (also played by Sellers)is helpless to stop the bombers, as is Captain Mandrake (Sellers again), the only man who can stop them.