Film
Conor McGregor: Notorious
2017
UK Quad / Double Sided (30" x 40")
UK / British
Near mint minus; originally rolled (as issued)
Gavin Fitzgerald
Arnold Schwarzenegger, Conor McGregor, Dana White, Dillon Danis, José Aldo, Nate Diaz, Tom Egan
Featuring unprecedented access, never before seen moments and explosive fight footage, “Conor McGregor: Notorious” is the ultimate behind-the-scenes look at a sporting icon and his spectacular rise and a fascinating documentary that inspires, motivates & above all celebrates the rags-to-riches journey of the most charismatic MMA fighter to ever step into the octagon. Released in 2017 with a very limited cinematic release the UK quad that accompanied the screenings features a great shot of McGregor and is very scarce. Very collectable & genuinely hard to come by this represents a fantastic piece of original memorabilia that will appeal to the sports or movie poster collector for one of the most lauded, famous and recognised sportsmen on the planet.
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“Filmed over the course of 4 years, is a gripping access-all- areas account of McGregor’s personal and professional journey from claiming benefits and living in his mum’s spare room with his girlfriend to claiming multiple championship belts and 9-figure pay packets. Featuring exclusive interviews, unprecedented access and fight footage, this is the ultimate behind-the- scenes look at a sporting icon and his meteoric rise.”
Whether you’re a fan of Conor McGregor or not, it’s great insight to a fighters mindset. “Conor McGregor: Notorious” is a great story of coming from nothing and being a double world champion. Very inspiring and its own right. Yes, not exclusive to McGregor but it is his story after all. He was very intuitive to capitalize on his notoriety and his brand. That has put him in the stratosphere of fighters. That is the real story here. Even in spite of his losses, he has set himself up for the rest of his life financially. Most fighters only dream of that type of success, and most never reach it. Intuitively, he knew that entertainment is equally as important as being a great fighter. He was able to capture peoples attention, good, or bad, and capitalize on it. Whether intentionally or unintentionally, nonetheless, it did happen, and he gained a greater platform because of it. It also seems like right, when you thought public opinion was going to turn against him, he would end up doing something proper and redeem himself. He is now matured and comes across as a man, but he certainly comes across as someone with that competitiveness to him. Gotta give him credit where it’s due. He came in and did exactly what he said he was going to do and became double champion in the face of an entire international organization. Yes, I agree with other posters, hear that these sport documentaries can be self-serving, but I think he has shown enough of himself, especially with the old clips of who he was then and the road he has traveled to the present day. I will say his best days are behind him. Reminds me of one of the movies in the rocky series. The champ become wealthy, soft, and it’s very hard to get that fire that drive back when you have it all.
Trade Address:
Vintage Movie Posters (UK) Limited
The Malthouse
The Broadway
Old Amersham
HP7 0HL
© 2024 Vintage Movie Posters
Registered Office Address: Vintage Movie Posters (UK) Limited, Aston House, Cornwall Avenue, London N3 1LF GB
Registered Company No: 07664517
Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
