Anita Pallenberg, Claude Dauphin, David Hemmings, Jane Fonda, John Phillip Law, Marcel Marceau, Milo O'Shea, Ugo Tognazzi, Veronique Vendell
British / UK
British Front of House Lobby Cards – Complete Set of 8
“Barbarella, an astronaut from the 41st century, sets out to find and stop the evil scientist Durand Durand, whose Positronic Ray threatens to bring evil back into the galaxy.”
In arguably the most famous role of her career, Jane Fonda stars as “Barbarella” in Roger Vadim’s, campy, sci-fi fantasy. Based on the hugely popular French comic strip by Jean-Claude Forest the film is considered one of the 1960s quintessential cult movies. Its stylish and colourful comic art layout scenes are truly unique for the period, and represent a nice homage to its comic book roots. These scenes are captured to great effect in a series of eight British front of house lobby cards with Fonda featured in all, including the iconic and super sexy ray-gun in hand pose. Originally flat-unfolded (as issued) this beautiful complete set of all eight cards display to excellent effect with only minimal handling wear, vibrant, unfaded colours and an incredible selection of key scenes. An impressive set of highly collectable cinematic memorabilia for a much admired sci-fi classic that rarely turns up complete.
Trivia: Jane Fonda is filmed at times, especially during the opening spacesuit striptease sequence, in the famous French director’s “Vadim Tease” directorial style.
Vintage Movie Posters Grading Criteria... read more +
“The year is 40,000. After peaceful floating in zero-gravity, astronaut Barbarella lands on the frozen planet Lythion and sets out to find renowned scientist Durand Durand in the City of Night, Sogo, where a new sin is invented every hour. There, she encounters such objects as the Excessive Machine, a genuine sex organ on which an expert artist of the keyboard, in this case, Durand Durand himself, can drive a victim to death by pleasure, a lesbian queen who can make her fantasies take form in her Chamber of Dreams, and a group of ladies smoking a giant hookah which dispenses Essence of Man through a poor victim struggling in its glass globe. You can not help but be impressed by the special effects crew and the various ways that were found to tear off what minimal clothes our heroine seemed to possess.”
If you’re looking for a cult classic, they don’t come much stranger than sexed-up and super-silly “Barbarella“, the peculiar tale of an intergalactic secret agent (Jane Fonda) sent to a rebel planet to find a mad scientist named Durand Durand (Milo O’Shea.) Directed by Fonda’s then-husband Roger Vadim, the film is less concerned with creating a coherent storyline than it is in finding inventive ways to strip Fonda of her already skimpy outfits.
In this it is remarkably successful, and Fonda actually has both enough sex appeal and round-eyed innocence to carry the thing off, emerging as something like a Barbie doll; John Phillip Law, strikes a similar note as the sexy but equally innocent “angel” Pygar. The designs are 1960’s psychedelic with as many Freudian twists as the film’s makers can come up with, and when all is said and done you can’t help but roll your eyes in amusement.
True enough, “Barbarella“ was probably much more entertaining back in the days LSD, and indeed one might read the entire thing as an acid trip time machine. No one in the cast takes the film very seriously, and neither should you; when all is said and done it has all the depth of a pancake, not so much funny as merely amusing and appealing to a very high-camp sensibility. But as cult movies go, it ranks right up at the top. Give a party and show it on a double bill with “Flesh Gordon“ !
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
27 X 40″, printed on paper. Very rarely used size.
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.