Showing 61–72 of 170 results
“A family comedy without the family.”
“Home Alone” was a massive blockbuster hit when released in 1990 launching the career of child star – Macaulay Culkin and it has gone on to attain cult status, as one of the greatest and best-loved Christmas movies and is one of the highest grossing box office comedy’s of all time. This original UK quad is from the 1991 re-release and features Culkin’s character Kevin MacCallister in ‘Holy Cow’ posse and his adversaries the ‘Wet Bandits’ – Joe Pesci and Daniel Stern. Rolled (as issued) this example presents to excellent effect with deep blue unfaded background and crisp colours on the character images. It represents a fine example of rare, collectable cinematic movie memorabilia.
Trivia: Joe Pesci was used to adding profanity to most of his scripts, and kept forgetting that he was filming a family movie during his character’s on-screen outbursts, so director Chris Columbus advised him to say “fridge” instead of the “f” word. A lot of Pesci’s unintelligible pained mutterings were his way to avoid cursing.
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A very cool, stylish film poster from the mid 1960’s that perfectly typifies the period and the style of the artist; Bob Peak. A beautiful UK quad film poster for Gordon Douglas’ 1967 super-spy, James Bond parody sequel “In Like Flint”. This really is a fantastic looking poster ‘of the time’ – focusing on the star; James Coburn in his role as the super suave secret agent Derek Flint with colourful ‘swinging sixties’ stylised artwork. Peak’s similar film posters (“Modesty Blaise”, “Gambit”, “Our Man Flint” share this common style and concentrate on the stars all colourfully delineated then offset against a pale background. It is a style that works well and certainly impresses. Because of the white background (which marks easily & highlights the slightest defect) this poster is hard to find in high grade condition. The originally folded (as issued) unrestored example offered here has some very minimal handling & age wear but colours are bright and unfaded and the background a true bright white with no shading/ghosting to the fold lines. A fine investment grade piece that represents a very collectable piece of desirable original movie memorabilia.
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“For generations the Mafia preyed on the innocent. Tonight someone is preying on them.”
John Landis turns his horror talents from werewolves to vampires in this dark comedy, horror actioner “Innocent Blood”. This original 1992 UK quad film poster is stunning; great artwork by Renato Casaro as we see Marie (Anne Parillaud) in full vampire mode offset against a stained glass window. A lovely blue colour palette is used throughout which perfectly highlights the use of red in her eyes. In excellent original, unrestored condition this rolled (as issued) example displays to superb effect and represents a great item of original horror movie memorabilia from a director who has made this genre very much his own.
Trivia: Although this entire movie is about vampires, the word “vampire” itself is never actually used.
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“Agents, Villains and The Babes”
Commissioned in 1998 as one of a series of poster designs intended to promote the James Bond Exhibition held at the Roemer – Und Pelizaeus – Museum, Hildesheim Germany. Titled “Agents, Villains and The Babes” the stunning 007 artwork by regular Bond poster artist Robert McGinnis, features a highly detailed all-action montage from Bond’s previous adventures. However the border artwork is made up of beautiful, largely naked or scantily clad women which after consultation with the Museum Board was considered too risqué to use in publicising the Exhibition so only a small number of the initial print run were all that was printed. The example offered here is from this first print run and should not be confused with the later Limited Edition lithograph issued by McGinnis himself which has the censored artwork which was also used for the cover of the Sunday Times November 7th 1999 edition (photo for reference). Originally flat and unfolded (as issued) this amazing example displays and presents to excellent effect. Guaranteed original this represents a highly desirable piece of original James Bond memorabilia with impressive unmistakably Robert McGinnis 007 artwork.
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“The name’s Bond … James Bond”
Issued in 1998 as one of a series of poster designs to promote the James Bond Exhibition held at the Roemer – Und Pelizaeus – Museum, Hildesheim Germany. The striking imagery by Johann Zambryski features an abstract pop-art rendition of Sean Connery and is the rarest of the designs with only 50 being printed and exclusively issued to Museum Staff and never offered for sale to the general public. Originally rolled (as issued) this stunning example displays and presents to excellent effect and was likely unused. Guaranteed original this represents a highly desirable piece of original James Bond memorabilia with impressive unmistakably Bond, Sean Connery artwork.
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Roger Moore’s final outing as 007 sees Bond artistic maestro Daniel Goozee produce a truly stunning series of posters for John Glen’s “A View To A Kill”. And it is his advance teaser design featuring Roger Moore as 007 and Grace Jones as Zorin’s henchwoman May Day that has been adapted for this Japanese video release B1 poster – the likenesses of both Moore and Jones are incredible. Very rare in this larger Japanese format with a design unique to Japan as key scenes have been added the left and right borders. These don’t turn up very often especially in this excellent unrestored, originally rolled (as issued) high grade condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maud Adams: As a woman in the crowd at Fisherman’s Wharf. Adams happened to be visiting San Francisco when the film was in production there. Sir Roger Moore got her to appear as an uncredited extra in a crowd scene, making her the only actress to appear in three Bond movies (excluding actresses in recurring roles), after The Man with the Golden Gun (1974) and Octopussy (1983).
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Roger Moore’s final outing as 007 sees Bond artistic maestro Daniel Goozee produce a truly stunning series of posters for John Glen’s “A View To A Kill”. This original Country of Origin (UK quad) film poster from 1985 is the final release style combining elements of both Goozee’s advance teaser featuring Moore and adversary Mayday (Grace Jones) and his Style A “Golden Gate” design, so pivotal to the film’s climax. These don’t turn up that often especially in this excellent unrestored, originally rolled (as issued) condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maud Adams: As a woman in the crowd at Fisherman’s Wharf. Adams happened to be visiting San Francisco when the film was in production there. Sir Roger Moore got her to appear as an uncredited extra in a crowd scene, making her the only actress to appear in three Bond movies (excluding actresses in recurring roles), after The Man with the Golden Gun (1974) and Octopussy (1983).
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After the ‘Star Wars’ style excesses of the previous movie “Moonraker” this is more of a return to a realistic spy thriller in John Glen’s “For Your Eyes Only” and it is director John Glen who has personally signed this poster – a lovely clear signature in black pen on the red background above the title. This original US one sheet is from first year of release 1981 featuring iconic artwork that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s finished artwork. There is no doubting that this originally folded (as issued) example displays very well and is probably the most recognisable of all the Roger Moore, Bond posters and represents an impressive example of original collectable James Bond movie memorabilia.
Trivia; after much debate the infamous “legs” belong to New York model Joyce Bartle.
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“Mr. Bond. I’m so glad I caught you. Your office called. They’re sending a helicopter to pick you up. Some sort of emergency.”
A rare find in investment grade rolled condition for Roger Moore’s fifth outing as Agent 007. After the excesses of the previous movie “Moonraker” this is more of return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. This is a country of origin film poster from first year of release 1981 featuring stunning artwork that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s beautifully detailed finished all-action artwork. The original 1981 British UK quad movie poster offered here is presented in exceptional unrestored, rolled (as issued) unfolded condition and perfectly suited to the landscape style for which it was designed for. Colours are bright and unfaded, the black background a deep black and the white areas truly bright. This example is easily the best I have had the pleasure to have ever offered for sale. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia #1: after much debate the infamous “legs” belong to New York model Joyce Bartle.
Trivia #2: singer Sheena Easton here is the only performer of a James Bond theme song who also appears in the iconographic opening credits.
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“Mr Bond. I’m so glad I caught you. Your office called. They’re sending a helicopter to pick you up. Some sort of emergency…It usually is. Thank you”
After the excesses of the previous movie “Moonraker” this is more of return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. This Australian daybill film poster from first year of release 1981 features the memorable worldwide artwork campaign that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s beautifully detailed finished all-action artwork. The original movie poster offered here is presented in exceptional unrestored, folded (as issued) condition and is perfectly suited to the thinner portrait style of the daybill. Colours are bright, vibrant and unfaded. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: after much debate the infamous “legs” belong to New York model Joyce Bartle.
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After the ‘Star Wars’ style excesses of the previous movie “Moonraker” this is more of a return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. This original, country of origin British one sheet is from first year of release 1981 featuring iconic artwork that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s marvellous detailed, all-action artwork which incorporates the Lotus Esprit protruding out of the border. This originally folded (as issued) example displays very well with lovely strong colours. Probably the most recognisable of all the Roger Moore, Bond posters and this example represents an impressive piece of original collectable James Bond cinematic movie memorabilia.
Trivia; after much debate the infamous “legs” belong to New York model Joyce Bartle.
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Timothy Dalton’s second outing as 007 was a truly gritty tale of revenge and action with a great white shark being an unusual instrument of torture for one scene. Keith Hamshere (who made Dalton the ‘perfect’ Bond in The Living Daylights campaign ) was again retained as the Bond photographer on this 1989 country of origin British UK quad for “Licence to Kill” featuring a moody Timothy Dalton in close up. Genuinely scarce this rolled (as issued) example looks superb and is presented totally unrestored in high grade condition and represents a worthy addition for any poster collector or any collection of James Bond cinematic movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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