Showing 1–12 of 14 results
Exploitation of the James Bond phenomenon took many forms. Commercial tie-ins became popular, and films were often re-packaged as double bills for subsequent re-releases. Here, however, we have a British cinema UK quad promoting a “A Season of James Bond 007” films. Believed to date from 1972, participating cinemas would have used this poster to advertise special screenings of earlier Sean Connery Bond films, choosing from “Dr. No, From Russia With Love, Goldfinger, Thunderball, You Only Live Twice” and “Diamonds Are Forever”. A simple yet striking design, the “trademark” gun barrell opening credits imagery was considered so recognisable, that it would be sufficient to draw paying audiences. These don’t turn up that often especially in this excellent unrestored, originally folded (as issued) condition; the black background is rich and unfaded. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maurice Binder designed the gun barrel opening at the last minute, by pointing a pinhole camera through a real gun barrel. The actor in the sequence is not Sir Sean Connery, but stuntman Bob Simmons. Connery didn’t film the sequence until Thunderball (1965).
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“From Roger Moore With Love” is a 2024 documentary charting the life and screen success of Roger Moore using a lot of unseen footage taken by Moore himself, at home and on set and cleverly uses the accomplished actor and comedian, Steve Coogan – doing a near perfect impression of Moore narrating the story with additional input from a number of close friends and Bond co-stars – Joan Collins, Jane Seymour, Michael Caine, Pierce Brosnan and Frank Sinatra. An approach that works really well. Receiving a very limited number of cinematic screenings in a marketing campaign that coincided with the Blu Ray release, these country of origin UK quad posters are incredibly rare and don’t turn up very often especially in this excellent unrestored, originally rolled (as issued) high grade condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond related movie memorabilia.
Trivia: In his review for The Guardian, Peter Bradshaw gave the documentary four stars out of five, but criticized the failure to mention Sir Roger Moore‘s performance in The Man Who Haunted Himself (1970) (which was also Moore’s favorite movie role).
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Roger Moore’s final outing as 007 sees Bond artistic maestro Daniel Goozee produce a truly stunning series of posters for John Glen’s “A View To A Kill”. And it is his advance teaser design featuring Roger Moore as 007 and Grace Jones as Zorin’s henchwoman May Day that has been adapted for this Japanese video release B1 poster – the likenesses of both Moore and Jones are incredible. Very rare in this larger Japanese format with a design unique to Japan as key scenes have been added the left and right borders. These don’t turn up very often especially in this excellent unrestored, originally rolled (as issued) high grade condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maud Adams: As a woman in the crowd at Fisherman’s Wharf. Adams happened to be visiting San Francisco when the film was in production there. Sir Roger Moore got her to appear as an uncredited extra in a crowd scene, making her the only actress to appear in three Bond movies (excluding actresses in recurring roles), after The Man with the Golden Gun (1974) and Octopussy (1983).
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Roger Moore’s final outing as 007 sees Bond artistic maestro Daniel Goozee produce a truly stunning series of posters for John Glen’s “A View To A Kill”. This original Country of Origin (UK quad) film poster from 1985 is the final release style combining elements of both Goozee’s advance teaser featuring Moore and adversary Mayday (Grace Jones) and his Style A “Golden Gate” design, so pivotal to the film’s climax. These don’t turn up that often especially in this excellent unrestored, originally rolled (as issued) condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maud Adams: As a woman in the crowd at Fisherman’s Wharf. Adams happened to be visiting San Francisco when the film was in production there. Sir Roger Moore got her to appear as an uncredited extra in a crowd scene, making her the only actress to appear in three Bond movies (excluding actresses in recurring roles), after The Man with the Golden Gun (1974) and Octopussy (1983).
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“Mr. Bond. I’m so glad I caught you. Your office called. They’re sending a helicopter to pick you up. Some sort of emergency.”
A rare find in investment grade rolled condition for Roger Moore’s fifth outing as Agent 007. After the excesses of the previous movie “Moonraker” this is more of return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. This is a country of origin film poster from first year of release 1981 featuring stunning artwork that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s beautifully detailed finished all-action artwork. The original 1981 British UK quad movie poster offered here is presented in exceptional unrestored, rolled (as issued) unfolded condition and perfectly suited to the landscape style for which it was designed for. Colours are bright and unfaded, the black background a deep black and the white areas truly bright. This example is easily the best I have had the pleasure to have ever offered for sale. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia #1: after much debate the infamous “legs” belong to New York model Joyce Bartle.
Trivia #2: singer Sheena Easton here is the only performer of a James Bond theme song who also appears in the iconographic opening credits.
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After the ‘Star Wars’ style excesses of the previous movie “Moonraker” this is more of a return to a realistic spy thriller in John Glen’s “For Your Eyes Only” and it is director John Glen who has personally signed this poster – a lovely clear signature in black pen on the red background above the title. This original US one sheet is from first year of release 1981 featuring iconic artwork that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s finished artwork. There is no doubting that this originally folded (as issued) example displays very well and is probably the most recognisable of all the Roger Moore, Bond posters and represents an impressive example of original collectable James Bond movie memorabilia.
Trivia; after much debate the infamous “legs” belong to New York model Joyce Bartle.
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“Mr Bond. I’m so glad I caught you. Your office called. They’re sending a helicopter to pick you up. Some sort of emergency…It usually is. Thank you”
After the excesses of the previous movie “Moonraker” this is more of return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. This Australian daybill film poster from first year of release 1981 features the memorable worldwide artwork campaign that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s beautifully detailed finished all-action artwork. The original movie poster offered here is presented in exceptional unrestored, folded (as issued) condition and is perfectly suited to the thinner portrait style of the daybill. Colours are bright, vibrant and unfaded. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: after much debate the infamous “legs” belong to New York model Joyce Bartle.
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After the ‘Star Wars’ style excesses of the previous movie “Moonraker” this is more of a return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. This original, country of origin British one sheet is from first year of release 1981 featuring iconic artwork that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s marvellous detailed, all-action artwork which incorporates the Lotus Esprit protruding out of the border. This originally folded (as issued) example displays very well with lovely strong colours. Probably the most recognisable of all the Roger Moore, Bond posters and this example represents an impressive piece of original collectable James Bond cinematic movie memorabilia.
Trivia; after much debate the infamous “legs” belong to New York model Joyce Bartle.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, this one-sheet style (portrait) hand-numbered (#81/145) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, with a much lower print run than the portrait version, this UK quad style (landscape) hand-numbered (#52/65) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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At the time of its release in 1979 this “Star Wars” inspired Bond movie was the largest grossing 007 movie to date. Beautiful detailed Daniel Goozee artwork was the highlight of the “Moonraker” campaign and this original 1979 US Half Sheet film poster really does look spectacular. Featuring a suave Roger Moore in a shiny silver space suit, this is the only time on any official Bond poster campaign Moore was depicted wearing anything other than a black tuxedo. Presented flat and unfolded (as issued) in high grade condition this unrestored example is perfectly suited to the landscape style for which it was designed, with the light background and white border adding a crisp clean finish to the imagery and the perfect enhancement to the silver detailing in the artwork – colours are vibrant and unfaded. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is an impressive 007 film poster from the Roger Moore run in the series.
Trivia: Producer Albert R. Broccoli complained that Maurice Binder‘s title sequence cost more than the entire budget of Dr. No (1962).
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“The world’s greatest villains have tried to kill James Bond…Now it’s Scaramanga’s turn to try !”
A truly exceptional complete set of all eight US lobby cards for the 1974 James Bond film “The Man With The Golden Gun”, produced for United Artists under the classic stewardship of Albert R. Broccoli and Harry Saltzman and director Guy Hamilton. Ian Fleming’s spy novel received the usual terrific treatment with the help of two beautiful Bond Girls, Britt Ekland and Maud Adams, and an incredibly dangerous villain, Scaramanga portrayed by Hammer Films “Dracula” star Christopher Lee. He is accompanied by one of the best Bond henchmen, diminutive Nick Nack as played by French actor Herve Villechaize. Stunning Far East location work in this effort includes Kowloon, Hong Kong, Macau, Thailand and throw in a bit of martial arts (popular due to the huge success of “Enter The Dragon”) then you have not just your typical action-packed Bond spectacle but also an incredible series of Bond images. Originally flat and unfolded (as issued) these lobby cards display and present to superb effect. No pinholes, tears, rips or paper loss, just the very minimal of handling wear, this beautiful set represents a fantastic item of highly desirable 007 movie memorabilia.
Trivia: Travelling to Los Angeles for the Johnny Carson show to promote the film, Sir Christopher Lee had his golden gun confiscated by U.S. Customs.
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