Showing 25–33 of 33 results
“Can’t you just be a friendly neighbourhood Spider-Man ?”
An advance ‘July 7’ British UK quad film poster for the Marvel Studios release “Spider-Man: Homecoming” with a design by BOND in collaboration with photographer Michael Muller. This original 2017 poster is offered in excellent rolled (as issued) condition and shows Spider-Man (Tom Holland in his first big screen standalone “Spider-Man” role) in typical ‘wall-crawler’ pose ‘stuck’ to the side of Avengers Tower as he surveys New York City. The landscape format of the quad is the perfect way to highlight this stunning city-scape. Very cool and very collectable this exceptional looking piece represents a fantastic item of ‘modern’ super-hero movie memorabilia.
Trivia: Aunt May’s car number plate is AMF-1562. AMF is Amazing Fantasy, 15 is the issue number, and 62 is 1962, the year Spider-Man first appeared.
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One of the most recognisable and sought after of all the “Star Wars: Episode IV – A New Hope” alternative movie and it comes from Tyler Stout – one of the most collectable and influential artists currently working. Stout has created an incredible looking poster and one of my personal favourites for the movie. This hand-numbered #676/850 screen print is a perfect example of Stout’s unique detailed linear style. It truly is a stunning piece that has captured the actors’ likenesses with real accuracy and a perfect composition that incorporates many of the recognisable scenes and spacecraft, so familiar to sci fi fans. Released in 2010 to coincide with an Alamo Drafthouse screening and immediately selling out on release. Flat and unfolded (as issued) this beautiful example presents to excellent effect with only minimal handling wear that represents a scarce and desirable piece of Star Wars cinematic movie memorabilia from what has become one of the most collectable and popular modern movie franchises.
Trivia: George Lucas‘ decision to accept a lower salary on the movie in exchange for full merchandising rights was considered a fool’s gamble on his part. Although some movie-toy combinations had done moderate retail returns at the time, they had never been major money-earners because of the long gap between when a movie would go through its theatrical run and when any products based on it would be available. This movie, however, was such a phenomenon that it reached the holiday 1977 sales period in full swing, and changed the way how movies were merchandised forever.
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition alternative movie poster by the artist Jeff Kleinsmith, a truly memorable and eye-catching design for this crime classic. Kleinsmith’s artwork and use of bold colour is very clever with more than a nod to the Eastern European school of poster design. Full of classic Godfather symbolism – the severed horse’s head, oranges from the Don’s garden and a blood splatter that features all of the Corleone Family – subtly stating that the Family has blood in its history. Commissioned for a limited screening at the Alamo Drafthouse theatre in 2009, this fine example has been hand-numbered #253 from a print run of only 285. It displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“The bounty hunter. The Hangman. The Confederate. The Sheriff. The Mexican. The little man. The cow puncher. The prisoner…Eight strangers. One deadly connection.”
Quentin Tarantino’s 8th Film…“The Hateful Eight” is a bloody, brutal, who dun-it epic. Released in 2015 it proved a huge commercial & critical success and in keeping with previous Tarantino movie merchandising offerings the film posters have became very collectible. Officially licensed by Tarantino who worked closely with artist, Jason Edmiston and Mondo’s team to create an image that represented the films iconic and titular “eight,” while also wanting to pay special attention to the lush, vast snowy landscapes captured in glorious 70mm. Edmiston has truly achieved what I feel to be among his best and certainly most technically proficient screen prints ever. The artist had this to say about the project…”Quentin Tarantino is my favorite contemporary director, and Mondo thrilled me with the offer to attack an official poster for his latest movie, THE HATEFUL EIGHT. Enthralled by the film, I accepted the challenge. The eight titular characters are as equally important to the plot of the movie as the super wide, glorious 70 millimeter Panavision presentation. I wanted to feature both the diverse personalities and the beautiful, expansive landscape during a raging snow storm that reflects the energy inside the Haberdashery. Stylistically, Italian western posters of the 60s and 70s influenced my approach since this production shares many of those films’ typical characters and plot cues. I also wanted to maintain as much of my painted style as possible within the limitations of screen printing. I maximized the three-dimensional quality by purposefully layering my background, middle-ground and foreground elements to tell a story. Starting with a full value, black and white traditional painting, I then finalized it digitally. Comprised of 10 layers, created one at a time, the completed work combines a mix of opaque and transparent inks to emulate a full color watercolor painting. The entire process from concept to final poster took nearly 6 weeks. It was a labor of love and perhaps my proudest accomplishment to date”…Totally unrestored this originally rolled unfolded (as issued) example (#424/2975) displays to excellent effect with only minimal handling wear. Perfect, bright colours this is a truly outstanding and extremely rare film poster that represents a key item of highly sought after modern Quentin Tarantino movie memorabilia.
Trivia: Takes place in the same universe as Quentin Tarantino‘s previous film, Django Unchained(2012), even though it is not a sequel. Ironically, Samuel L. Jackson and Walton Goggins play villains in that movie, and are the good guys in this one.
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“Johnny’s a Dull Boy” – Laurent Durieux’s “The Shining” art print is hand-signed and numbered #126/325 and comes from the Mondo Presents Exhibition “The Art of Laurent Durieux Part Two” in 2018, and in the same year it won the prestigious Cinema Poster of the Year Award. One of the biggest names in modern Alternative Movie Posters, Belgian illustrator Laurent Durieux shows his love and knowledge of popular cinema with his truly beautiful screen print designs full of colour and intricate (sometimes subtly hidden) detailing – REDRUM (MURDER) keys depressed on the typewriter keyboard, key fob for the infamous Room 237, an axe-head incorporated into the typewriter design. Presented in high grade excellent flat, unfolded (as issued) condition this stunning example displays and presents to excellent effect. A genuinely scarce and hard to find alternative movie poster and an impressive item of horror film cinema memorabilia for one of the most important and influential horror films ever made.“All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
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“Johnny’s a Dull Boy” – An early example of alternative movie poster (AMP) design and a perfect example of why this area has grown so quickly in the collectables market – it’s a an incredible image, which reminds me very much of the surrealistic poster designs that originated in Eastern Europe. David O’Daniel’s interpretation for “The Shining” art print is hand-signed and numbered #74/100 and comes from 2010 where it was used to advertise a limited screening of “The Shining” at the Castro Theatre, San Francisco. The Castro was one of the earliest exponents for showcasing AMPs, commissioning a number of ‘new’ artists to promote their upcoming screenings. Presented in rolled, unfolded (as issued) condition this stunning example displays and presents to excellent effect. A genuinely scarce and hard to find alternative movie poster and an impressive item of horror film cinema memorabilia for one of the most important and influential horror films ever made.“All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
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“Flesh to touch…Flesh to burn! Don’t keep the Wicker Man waiting !”
An outstanding modern reimagined example of a true British classic. A limited edition alternative movie poster by Laurent Durieux for Robin Hardy’s cult horror masterpiece “The Wicker Man”. One of the most sought after titles of the horror genre. The unmistakable style of Durieux makes for a truly outstanding art print. Hand-numbered 136 from a print run of 275, with a rich colour palette, this rolled (as issued) poster displays and presents to excellent effect and represents a super rare & sought item of British horror movie memorabilia…“Come…It is time to keep your appointment with the Wicker Man.”
Trivia: Many years after making this movie, Edward Woodward re-visited some of the locations and claimed that he found the makeshift cross (that Howie makes out of some pieces of wood) still intact where it was left in the original scene.
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Featuring a multitude of highly detailed character and scene shots, you would expect no less from the talented artist Tyler Stout. This limited edition alternative movie poster lithograph from 2018. for Tony Scott’s 1993 all-star crime actioner “True Romance”…Written by Quentin Tarantino to raise the funds for Reservoir Dogs this hugely under-rated ‘heist/car chase’ film retains a truly loyal cult following. Grey Matter Art are one of a handful of design/art studios currently creating limited edition prints for classic and contemporary films, representing the most creative and visually striking art the medium has to offer. Offered here is Tyler Stout’s eye-catching interpretation which is limited to only 750 Prints – this example is hand-numbered #117 and signed by the artist. Long sold out (like the vast majority of the best alternative ‘Mondo’ movie posters) this originally rolled, flat-unfolded (as issued) example displays to exceptional effect that represents a truly outstanding and extremely desirable item of collectable movie memorabilia with a ‘modern’ twist.
Trivia: Although this movie was not directed by Quentin Tarantino, it is still considered part of the Tarantino universe. The two key pieces of evidence, is Lee Donowitz being the grandson of Sergeant Donnie Donowitz from Inglourious Basterds (2009), this being confirmed by Tarantino. The second piece of evidence, is the fact that Mr. White from Reservoir Dogs(1992) mentioned working with a girl named “Alabama”.
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Featuring the two lead characters – Clarence (Christian Slater) and Alabama (Patricia Arquette), set against a colourful heart, action backed backdrop from the talented artist Matt Ryan Tobin. This limited edition alternative movie poster lithograph from 2022. for Tony Scott’s 1993 all-star crime actioner “True Romance”…Written by Quentin Tarantino to raise the funds for Reservoir Dogs this hugely under-rated ‘heist/car chase’ film retains a truly loyal cult following. Hero Complex Gallery are one of a handful of design/art studios currently creating limited edition prints for classic and contemporary films, representing the most creative and visually striking art the medium has to offer. Offered here is Matt Ryan Tobin’s eye-catching interpretation which is limited to only 165 Prints – this example is hand-numbered #70. Long sold out (like the vast majority of the best alternative movie posters) this originally rolled, flat-unfolded (as issued) example displays to exceptional effect that represents a truly outstanding and extremely desirable item of collectable movie memorabilia with a ‘modern’ twist.
Trivia: Although this movie was not directed by Quentin Tarantino, it is still considered part of the Tarantino universe. The two key pieces of evidence, is Lee Donowitz being the grandson of Sergeant Donnie Donowitz from Inglourious Basterds (2009), this being confirmed by Tarantino. The second piece of evidence, is the fact that Mr. White from Reservoir Dogs(1992) mentioned working with a girl named “Alabama”.
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