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“The bounty hunter. The Hangman. The Confederate. The Sheriff. The Mexican. The little man. The cow puncher. The prisoner…Eight strangers. One deadly connection.”
Quentin Tarantino’s 8th Film…“The Hateful Eight” is a bloody, brutal, who dun-it epic. Released in 2015 it proved a huge commercial & critical success and in keeping with previous Tarantino movie merchandising offerings the film posters have became very collectible. Officially licensed by Tarantino who worked closely with artist, Jason Edmiston and Mondo’s team to create an image that represented the films iconic and titular “eight,” while also wanting to pay special attention to the lush, vast snowy landscapes captured in glorious 70mm. Edmiston has truly achieved what I feel to be among his best and certainly most technically proficient screen prints ever. The artist had this to say about the project…”Quentin Tarantino is my favorite contemporary director, and Mondo thrilled me with the offer to attack an official poster for his latest movie, THE HATEFUL EIGHT. Enthralled by the film, I accepted the challenge. The eight titular characters are as equally important to the plot of the movie as the super wide, glorious 70 millimeter Panavision presentation. I wanted to feature both the diverse personalities and the beautiful, expansive landscape during a raging snow storm that reflects the energy inside the Haberdashery. Stylistically, Italian western posters of the 60s and 70s influenced my approach since this production shares many of those films’ typical characters and plot cues. I also wanted to maintain as much of my painted style as possible within the limitations of screen printing. I maximized the three-dimensional quality by purposefully layering my background, middle-ground and foreground elements to tell a story. Starting with a full value, black and white traditional painting, I then finalized it digitally. Comprised of 10 layers, created one at a time, the completed work combines a mix of opaque and transparent inks to emulate a full color watercolor painting. The entire process from concept to final poster took nearly 6 weeks. It was a labor of love and perhaps my proudest accomplishment to date”…Totally unrestored this originally rolled unfolded (as issued) example (#424/2975) displays to excellent effect with only minimal handling wear. Perfect, bright colours this is a truly outstanding and extremely rare film poster that represents a key item of highly sought after modern Quentin Tarantino movie memorabilia.
Trivia: Takes place in the same universe as Quentin Tarantino‘s previous film, Django Unchained(2012), even though it is not a sequel. Ironically, Samuel L. Jackson and Walton Goggins play villains in that movie, and are the good guys in this one.
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“Johnny’s a Dull Boy” – Laurent Durieux’s “The Shining” art print is hand-signed and numbered #126/325 and comes from the Mondo Presents Exhibition “The Art of Laurent Durieux Part Two” in 2018, and in the same year it won the prestigious Cinema Poster of the Year Award. One of the biggest names in modern Alternative Movie Posters, Belgian illustrator Laurent Durieux shows his love and knowledge of popular cinema with his truly beautiful screen print designs full of colour and intricate (sometimes subtly hidden) detailing – REDRUM (MURDER) keys depressed on the typewriter keyboard, key fob for the infamous Room 237, an axe-head incorporated into the typewriter design. Presented in high grade excellent flat, unfolded (as issued) condition this stunning example displays and presents to excellent effect. A genuinely scarce and hard to find alternative movie poster and an impressive item of horror film cinema memorabilia for one of the most important and influential horror films ever made.“All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
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“Johnny’s a Dull Boy” – An early example of alternative movie poster (AMP) design and a perfect example of why this area has grown so quickly in the collectables market – it’s a an incredible image, which reminds me very much of the surrealistic poster designs that originated in Eastern Europe. David O’Daniel’s interpretation for “The Shining” art print is hand-signed and numbered #74/100 and comes from 2010 where it was used to advertise a limited screening of “The Shining” at the Castro Theatre, San Francisco. The Castro was one of the earliest exponents for showcasing AMPs, commissioning a number of ‘new’ artists to promote their upcoming screenings. Presented in rolled, unfolded (as issued) condition this stunning example displays and presents to excellent effect. A genuinely scarce and hard to find alternative movie poster and an impressive item of horror film cinema memorabilia for one of the most important and influential horror films ever made.“All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
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“Flesh to touch…Flesh to burn! Don’t keep the Wicker Man waiting !”
An outstanding modern reimagined example of a true British classic. A limited edition alternative movie poster by Laurent Durieux for Robin Hardy’s cult horror masterpiece “The Wicker Man”. One of the most sought after titles of the horror genre. The unmistakable style of Durieux makes for a truly outstanding art print. Hand-numbered 136 from a print run of 275, with a rich colour palette, this rolled (as issued) poster displays and presents to excellent effect and represents a super rare & sought item of British horror movie memorabilia…“Come…It is time to keep your appointment with the Wicker Man.”
Trivia: Many years after making this movie, Edward Woodward re-visited some of the locations and claimed that he found the makeshift cross (that Howie makes out of some pieces of wood) still intact where it was left in the original scene.
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Featuring a multitude of highly detailed character and scene shots, you would expect no less from the talented artist Tyler Stout. This limited edition alternative movie poster lithograph from 2018. for Tony Scott’s 1993 all-star crime actioner “True Romance”…Written by Quentin Tarantino to raise the funds for Reservoir Dogs this hugely under-rated ‘heist/car chase’ film retains a truly loyal cult following. Grey Matter Art are one of a handful of design/art studios currently creating limited edition prints for classic and contemporary films, representing the most creative and visually striking art the medium has to offer. Offered here is Tyler Stout’s eye-catching interpretation which is limited to only 750 Prints – this example is hand-numbered #117 and signed by the artist. Long sold out (like the vast majority of the best alternative ‘Mondo’ movie posters) this originally rolled, flat-unfolded (as issued) example displays to exceptional effect that represents a truly outstanding and extremely desirable item of collectable movie memorabilia with a ‘modern’ twist.
Trivia: Although this movie was not directed by Quentin Tarantino, it is still considered part of the Tarantino universe. The two key pieces of evidence, is Lee Donowitz being the grandson of Sergeant Donnie Donowitz from Inglourious Basterds (2009), this being confirmed by Tarantino. The second piece of evidence, is the fact that Mr. White from Reservoir Dogs(1992) mentioned working with a girl named “Alabama”.
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Featuring the two lead characters – Clarence (Christian Slater) and Alabama (Patricia Arquette), set against a colourful heart, action backed backdrop from the talented artist Matt Ryan Tobin. This limited edition alternative movie poster lithograph from 2022. for Tony Scott’s 1993 all-star crime actioner “True Romance”…Written by Quentin Tarantino to raise the funds for Reservoir Dogs this hugely under-rated ‘heist/car chase’ film retains a truly loyal cult following. Hero Complex Gallery are one of a handful of design/art studios currently creating limited edition prints for classic and contemporary films, representing the most creative and visually striking art the medium has to offer. Offered here is Matt Ryan Tobin’s eye-catching interpretation which is limited to only 165 Prints – this example is hand-numbered #70. Long sold out (like the vast majority of the best alternative movie posters) this originally rolled, flat-unfolded (as issued) example displays to exceptional effect that represents a truly outstanding and extremely desirable item of collectable movie memorabilia with a ‘modern’ twist.
Trivia: Although this movie was not directed by Quentin Tarantino, it is still considered part of the Tarantino universe. The two key pieces of evidence, is Lee Donowitz being the grandson of Sergeant Donnie Donowitz from Inglourious Basterds (2009), this being confirmed by Tarantino. The second piece of evidence, is the fact that Mr. White from Reservoir Dogs(1992) mentioned working with a girl named “Alabama”.
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