Showing 25–36 of 83 results
Sergio Leone’s “The Dollars Trilogy” is lauded (rightly so) as the greatest spaghetti westerns ever made with any paper from the films extremely sought after which makes this incredibly scarce 2024 Japanese remastered 4K film festival release for the second in the series – “For a Few Dollars More” a real find. Not only super rare it arguably boasts a clever and stylish poster designs. An eye-catching photo-montage that features the lead characters Eastwood, Van Cleef and Volonte and key scenes shaped into the letters that make up the title. An extremely limited release with a very small print run these posters are a truly collectable ‘modern’ piece of Eastwood/spaghetti western movie memorabilia.
Trivia: The Man with No Name (Clint Eastwood) calls himself Monco in this movie. “Manco” is Spanish for “lame of one hand”, “one handed”, or “one armed”, which is pretty appropriate considering his habit of fighting, drinking, et cetera with his left hand only. His right hand always remains on his gun underneath his trademark poncho.
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“She’s hot. She’s sexy. And she’s sutured to please.”
An incredible country of origin, US one-sheet poster for one of the greatest cult horror movies ever made…Frank Henenlotter‘s “Frankenhooker”. Featuring country unique artwork, this really is eye-catching imagery created for this cult horror-comedy title. Any paper for this title is extremely sought after and also ultra scarce, with this being the first time we have ever offered a one-sheet for sale – and we are delighted that it is a country of origin example, which has always been a personal favourite of mine. Originally folded (as issued) this displays very well and represents scarce cinematic movie memorabilia for a film that has become one of the most desirable titles of the genre…“A Terrifying Tale Of Sluts And Bolts.”
Trivia: Elizabeth has the last name of Shelley. This is an homage to Mary Shelley, the author of the original “Frankenstein”.
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“A Terrifying Tale Of Sluts And Bolts.”
An absolutely stunning Japanese B2 film poster for one of the greatest cult horror movies ever made…Frank Henenlotter‘s “Frankenhooker”. Featuring incredible country unique artwork, this really is one of the best examples created for this cult horror-comedy title. Any paper for this title is extremely sought after and also ultra scarce, with this being the first time we have ever offered something for sale – and we are delighted that it is this Japanese B2, which has always been a personal favourite of mine. The finish is superb with neon, pink, green and blues popping from the paper (this day-glo effect is further enhanced by the high gloss finish – this does make it hard to photograph) Originally rolled (as issued) this displays to excellent effect and represents scarce cinematic movie memorabilia for a film that has become one of the most desirable titles of the genre…“She’s hot. She’s sexy. And she’s sutured to please.”
Trivia: Elizabeth has the last name of Shelley. This is an homage to Mary Shelley, the author of the original “Frankenstein”.
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A marvellous example of sexually suggestive swinging sixties movie posters, a 1968 Japanese B2 film poster for Jack Cardiff’s cult psychedelic ‘road’ movie “Girl on a Motorcycle”. The style and design of this Japanese B2 example is perfectly suited by the portrait format with a marvellous full length body shot of Marianne Faithfull in leather biker suit. Unrestored and offered in excellent original condition with deep and unfaded colours. Highly collectable and an extremely scarce piece of original cinema movie memorabilia.
Trivia: Marianne Faithfull‘s gift motorcycle is a Harley Davidson Electra Glide; Alain Delon rides a 750cc Norton Atlas.
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“The sleaze-filled saga of an exploitation double feature”…A very rare original 2007 Japan Chirashi for the Tarantino / Rodriguez 70’s double bill homage “Grindhouse” featuring eye-catching country unique artwork as only the Japanese can do. Originally folded (as all of these are) it looks & displays superbly…a Chirashi is an original Japanese film poster that’s double sided; image of the poster is on one side & the film’s details & extra photos printed on the other…A rare find in this format.
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Roger Moore’s final outing as 007 sees Bond artistic maestro Daniel Goozee produce a truly stunning series of posters for John Glen’s “A View To A Kill”. And it is his advance teaser design featuring Roger Moore as 007 and Grace Jones as Zorin’s henchwoman May Day that has been adapted for this Japanese video release B1 poster – the likenesses of both Moore and Jones are incredible. Very rare in this larger Japanese format with a design unique to Japan as key scenes have been added the left and right borders. These don’t turn up very often especially in this excellent unrestored, originally rolled (as issued) high grade condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maud Adams: As a woman in the crowd at Fisherman’s Wharf. Adams happened to be visiting San Francisco when the film was in production there. Sir Roger Moore got her to appear as an uncredited extra in a crowd scene, making her the only actress to appear in three Bond movies (excluding actresses in recurring roles), after The Man with the Golden Gun (1974) and Octopussy (1983).
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“Diamonds Are Forever” Japanese STB/Tatekan film poster, presented in totally original unrestored condition. An absolutely beautiful 1971 original movie poster for Sean Connery’s final (official) outing as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Diamonds Are Forever”. Robert McGinnis was commissioned to provide the initial imagery and (in my opinion) created one of the finest Bond posters ever with the format of the Japanese tatekan my favourite way to display McGinnis’ artwork – the central figures are highlighted and the oversized 007 logo never lets you forget you are going to see a James Bond movie. McGinnis’ detailed and stylish illustrations perfectly capture the whole ‘action, adventure, glamour’ Bond theme; pretty much the ‘perfect’ 007 poster as Bond travels the globe from Amsterdam to the casinos and neon lights of Las Vegas. Incredibly hard to source in this high grade condition, whether it’s the coloured inks or the type of paper used, the colours are incredible rich with real depth and saturation. This originally unfolded, rolled (as issued) example presents and displays to excellent effect and represents a fine example of a scarce and extremely collectable James Bond vintage movie poster.
Trivia: Sir Sean Connery made the most of his time on-location in Las Vegas: “I didn’t get any sleep at all. We shot every night, I caught all the shows and played golf all day. On the weekend I collapsed, boy, did I collapse. Like a skull with legs.” He also played the slot machines, and once delayed a scene because he was collecting his winnings.
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A complete set of all eight US lobby cards presented in totally original unrestored condition. An absolutely fantastic collection of images from 1971, in what was to be Sean Connery’s final (official) outing as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Diamonds Are Forever”. The imagery chosen for the eight cards perfectly capture the whole ‘action, adventure, glamour’ Bond theme with Connery featured on six leaving a car on two wheels and an exploding oil rig to complete the ensemble; pretty much the ‘perfect’ 007 set as Bond travels the globe from Amsterdam to the casinos and neon lights of Las Vegas. Incredibly hard to source in this high grade condition. These, unfolded, flat (as issued) examples present and display to excellent effect and represent a fine example of extremely collectable James Bond vintage movie memorabilia.
Trivia: Sir Sean Connery made the most of his time on-location in Las Vegas: “I didn’t get any sleep at all. We shot every night, I caught all the shows and played golf all day. On the weekend I collapsed, boy, did I collapse. Like a skull with legs.” He also played the slot machines, and once delayed a scene because he was collecting his winnings.
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At the time of its release in 1979 this “Star Wars” inspired Bond movie (“For Your Eyes Only” was originally slated to be released after “The Spy Who Loved Me”, but the huge success of “Star Wars” called for a rethink) was the largest grossing 007 movie to date. Beautiful detailed Daniel Gouzee artwork was the highlight of the worldwide “Moonraker” campaign and this original 1979 Japanese B2 film poster really does look impressive. The Japanese text certainly adds an air of sophistication and coolness to the design. Featuring a suave Roger Moore in a shiny silver space suit; a rarity on any Bond poster campaign as he was normally illustrated wearing a ‘trademark’ black tuxedo…Presented in a high grade, rolled (as issued) condition this unrestored example displays and presents to excellent effect with colours that are bright and unfaded. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is an impressive 007 film poster from the Roger Moore run in the series.
Trivia: Producer Albert R. Broccoli complained that Maurice Binder‘s title sequence cost more than the entire budget of Dr. No (1962).
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“Far Up…Far Out…Far More..”
An outstanding first year of release Japanese STB/Tatekan movie poster for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A magnificent, James Bond poster with bold vibrant colours and a combination of intricate and detailed all-action artwork combining the artwork of Frank McCarthy and Robert McGinnis with photographic imagery. Immediately recognisable as a Bond film and at almost 5′ tall it’s truly impressive. Genuinely rare, the tatekan STB format had much lower print numbers compared to regular Japanese B2s. Offered in two sections as distributed to cinema and presented unrestored in original rolled condition this example displays to superb effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. This poster was produced for a 1986 London James Bond exhibition to announce that filming had begun on the latest Bond adventure, “The Living Daylights”, which was to be released the following year. The poster shows a close-up of the front grill from an Aston Martin DB4, which was the model used by the Goldfinger production team during preliminary testing shoots prior to getting the DB5. The original 1986 Advance teaser movie poster offered here is presented in excellent unrestored, rolled (as issued) unfolded condition with content perfectly suited to this landscape style with beautiful black and white photographic tones with a hint of metallic silver. Hugely desirable and very collectible, it would be a worthy addition to any collection of James Bond movie memorabilia.
For price comparison, in a recent London Auction Sale an example of this exact same poster sold for in excess of £2,000
Trivia: The casting of Frederick Warder and Glyn Baker as 004 and 002 was intentional, due to their resemblance to George Lazenby and Sir Roger Moore, respectively. For the movie’s opening scene, the writers wanted to toy with the audience’s expectations of which of the 00 agents was Bond.
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“You Only Live Twice…and “TWICE” is the only way to live!”
A series of three main general release poster designs were commissioned to promote Sean Connery’s fifth outing as 007 “You Only Live Twice” (1967) with artwork by both Robert McGinnis and Frank McCarthy used. Of the three different styles produced for the film, the “Style-C”– ‘Bath-Tub’ is the most difficult poster to find. Whereas “action” is the key selling point of the two Frank McCarthy designs, McGinnis focuses on Bond’s sex appeal with his poster design with risqué artwork featuring a Japanese ‘geisha’ girl with her hand washing below the waterline near to Bond’s groin area. The original 1967 Style C British UK quad movie poster offered here is presented in amazing unrestored, folded (as issued) condition and perfectly suited to the landscape style for which it McGinnis designed it for. Colours are strong and vibrant with the white background totally unfaded and bright. A true first release stating ‘Sean Connery IS James Bond’ – Connery was by now increasingly concerned of being typecast and insisted on this tagline to be changed to read AS instead of IS, with the later printings either having a glued snipe or reprinted AS. Measuring 30″ x 40″, NOT one of the slightly over-sized 31″ x 41″ posters that were printed a little bit later and used largely for provincial cinemas. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: This marks the fifth and final on-screen appearance together of Sir Sean Connery and Lois Maxwell. In Diamonds Are Forever (1971), the scene where the disguised Moneypenny gives Bond his travel documents at the port of Dover, Maxwell and Connery filmed their lines separately, and were not present together for the short scene.
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