Showing 25–36 of 81 results
“Mr. Bond. I’m so glad I caught you. Your office called. They’re sending a helicopter to pick you up. Some sort of emergency.”
Roger Moore’s fifth outing as Ian Fleming’s super spy 007. After the excesses of the previous movie “Moonraker” this is more of return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. This is a scarce landscape style Japanese B3 (Nakazuri) movie poster from first year of release 1981 featuring superb, country unique photo montage design that not only incorporates the legs aspect of Bill Gold’s original design, but also a number of key action sequences, exotic locations and of course a bevvy of Bond girls. Exceptional colours and condition for this original rolled (as issued) example. A truly impressive James Bond cinematic movie collectable.
Trivia #1: after much debate the infamous “legs” belong to New York modelJoyce Bartle.
Trivia #2: singer Sheena Easton here is the only performer of a James Bondtheme song who also appears in the iconographic opening credits.
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Much like Daniel Craig, the role of re-invigorating the Bond movie franchise fell on to the shoulders of Pierce Brosnan in 1995 and after a six year break James Bond was back in “Goldeneye”. Re-imagined & re-invented (again by Martin Campbell) in the form of Pierce Brosnan…Brosnan, ably succeeded in what was a critical & commercial success & went on to play Ian Fleming’s ‘Licensed to Kill’ secret agent another four times. The original 1995 Japanese B2 movie poster offered here was designed by Randi Braun & featured the photographic talents of Terry O’Neil, Keith Hamshere & George Whitear and was the main design used for the worldwide marketing campaign. It presents in very good, original rolled (as issued) unrestored condition with only minimal handling wear. Hugely collectable it represents a fantastic piece of original 007 cinematic movie memorabilia.
Trivia: First completely original James Bond movie, without reference to any Ian Fleming novel or short story.
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“Far Up…Far Out…Far More..”
An outstanding first year of release Japanese STB/Tatekan movie poster for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A magnificent, James Bond poster with bold vibrant colours and a combination of intricate and detailed all-action artwork combining the artwork of Frank McCarthy and Robert McGinnis with photographic imagery. Immediately recognisable as a Bond film and at almost 5′ tall it’s truly impressive. Genuinely rare, the tatekan STB format had much lower print numbers compared to regular Japanese B2s. Offered in two sections as distributed to cinema and presented unrestored in original rolled condition this example displays to superb effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. This poster was produced for a 1986 London James Bond exhibition to announce that filming had begun on the latest Bond adventure, “The Living Daylights”, which was to be released the following year. The poster shows a close-up of the front grill from an Aston Martin DB4, which was the model used by the Goldfinger production team during preliminary testing shoots prior to getting the DB5. The original 1986 Advance teaser movie poster offered here is presented in excellent unrestored, rolled (as issued) unfolded condition with content perfectly suited to this landscape style with beautiful black and white photographic tones with a hint of metallic silver. Hugely desirable and very collectible, it would be a worthy addition to any collection of James Bond movie memorabilia.
For price comparison, in a recent London Auction Sale an example of this exact same poster sold for in excess of £2,000
Trivia: The casting of Frederick Warder and Glyn Baker as 004 and 002 was intentional, due to their resemblance to George Lazenby and Sir Roger Moore, respectively. For the movie’s opening scene, the writers wanted to toy with the audience’s expectations of which of the 00 agents was Bond.
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“You Only Live Twice…and “TWICE” is the only way to live!”
A series of three main general release poster designs were commissioned to promote Sean Connery’s fifth outing as 007 “You Only Live Twice” (1967) with artwork by both Robert McGinnis and Frank McCarthy used. Of the three different styles produced for the film, the “Style-C”– ‘Bath-Tub’ is the most difficult poster to find. Whereas “action” is the key selling point of the two Frank McCarthy designs, McGinnis focuses on Bond’s sex appeal with his poster design with risqué artwork featuring a Japanese ‘geisha’ girl with her hand washing below the waterline near to Bond’s groin area. The original 1967 Style C British UK quad movie poster offered here is presented in amazing unrestored, folded (as issued) condition and perfectly suited to the landscape style for which it McGinnis designed it for. Colours are strong and vibrant with the white background totally unfaded and bright. A true first release stating ‘Sean Connery IS James Bond’ – Connery was by now increasingly concerned of being typecast and insisted on this tagline to be changed to read AS instead of IS, with the later printings either having a glued snipe or reprinted AS. Measuring 30″ x 40″, NOT one of the slightly over-sized 31″ x 41″ posters that were printed a little bit later and used largely for provincial cinemas. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: This marks the fifth and final on-screen appearance together of Sir Sean Connery and Lois Maxwell. In Diamonds Are Forever (1971), the scene where the disguised Moneypenny gives Bond his travel documents at the port of Dover, Maxwell and Connery filmed their lines separately, and were not present together for the short scene.
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“You Only Live Twice…and “TWICE” is the only way to live!”
A series of three main general release poster designs were commissioned to promote Sean Connery’s fifth outing as 007 “You Only Live Twice” (1967) with artwork by both Robert McGinnis and Frank McCarthy used. Of the three different styles produced for the film, the “Style-A”– ‘Volcano Lair’ is easily the most action packed, as Frank McCarthy’s illustration shows a cool, calm, tuxedo-dressed Bond striding sideways along the walls of Blofeld’s volcano headquarters, keeping his cool in a chaotic landscape featuring explosions, rockets and machine-gun-equipped helicopters all around him. The original 1967 Style A British UK quad movie poster offered here is presented conservation linen backed, with the original fold lines barely noticeable with strong and vibrant colours. Perfectly suited to the landscape style for which it McCarthy designed it for. A first release stating ‘Sean Connery IS James Bond’ – Connery was by now increasingly concerned of being typecast and insisted on this tagline to be changed to read AS instead of IS, with the later printings either having a glued snipe or reprinted AS. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: The volcano set cost almost as much as Dr. No (1962)‘s entire budget. It was so large, it could be seen from three miles away.
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“A female assassin seeks revenge on her former lover and squad members, all of whom left her for dead.”
While the 2006 Cannes cut of this film has had various special screenings throughout the past two decades, Lionsgate’s 2025 theatrical release is the first time this unified version of Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004) has become accessible to a wider audience. There may have been minor alterations made from the Cannes cut to Lionsgate’s cut, but here are some notable differences that separate THE WHOLE BLOODY AFFAIR from VOLUME 1 and VOLUME 2. This stylish British quad film poster, designed by the creative arts agency AV Print it combines elements and colour tones of the marketing campaigns for both earlier instalments. Offered in original rolled (as issued) condition, this beautiful example presents to excellent effect and represents a very cool and eye-catching piece of Quentin Tarantino movie memorabilia.
Trivia: The boots Uma Thurman has on when she is buried alive are the same boots that Michael Madsen used in Reservoir Dogs (1992) when he cut off the police officer’s ear. The same straight razor is also used.
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“The Bride is back for the final cut…and She will Kill Bill”
The ‘Bride’ dressed as a bride for Quentin Tarantino’s “Kill Bill” sequel, the imaginatively titled “Kill Bill: Volume 2”. Uma Thurman is not your normal bride though as she is expertly wielding a Katana sword. This is a stylish looking 2004 Japanese B2 film poster with artwork unique to Japan. The black background with bright pink dayglo lettering makes for an interesting combination that really works. Offered in original rolled (as issued) condition, this fine example presents to excellent effect with minimal of handling wear and represents a very cool and eye-catching piece of Quentin Tarantino movie memorabilia.
Trivia: The boots Uma Thurman has on when she is buried alive are the same boots that Michael Madsen used in Reservoir Dogs (1992) when he cut off the police officer’s ear. The same straight razor is also used.
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“The Bride is back for the final cut…and She will Kill Bill”
The ‘Bride’ dressed as a bride for Quentin Tarantino’s “Kill Bill” sequel, the imaginatively titled “Kill Bill: Volume 2”. Uma Thurman is not your normal bride though as she is expertly wielding a Katana sword. This is a stylish looking 2004 British UK quad film poster with artwork designed by the creative arts agency BLT Communications. Offered in original rolled (as issued) condition, this fine example presents to excellent effect with minimal of handling wear and represents a very cool and eye-catching piece of Quentin Tarantino movie memorabilia.
Trivia: The boots Uma Thurman has on when she is buried alive are the same boots that Michael Madsen used in Reservoir Dogs (1992) when he cut off the police officer’s ear. The same straight razor is also used.
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“The Bride is back for the final cut…and She will Kill Bill”
The ‘Bride’ dressed in a black leather jumpsuit (as opposed to the yellow one from Volume 1) for Quentin Tarantino’s “Kill Bill” sequel, the imaginatively titled “Kill Bill: Volume 2”. Uma Thurman is expertly wielding a Katana sword. This is a stylish Advance dated – 23.04.04 British double crown film poster, designed by the creative arts agency BLT Communications that acts as a colour contrast (black against yellow as opposed to yellow against black) to the equivalent quad from Volume 1. Offered in original rolled (as issued) condition, this fine example presents to excellent effect with minimal of handling wear and represents a very cool and eye-catching piece of Quentin Tarantino movie memorabilia.
Trivia: The boots Uma Thurman has on when she is buried alive are the same boots that Michael Madsen used in Reservoir Dogs (1992) when he cut off the police officer’s ear. The same straight razor is also used.
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“The Bride is back for the final cut…and She will Kill Bill”
The ‘Bride’ dressed as a bride for Quentin Tarantino’s “Kill Bill” sequel, the imaginatively titled “Kill Bill: Volume 2”. Uma Thurman is not your normal bride though as she is expertly wielding a Katana sword. This is a stylish looking 2004 one-sheet movie poster with artwork designed by the creative arts agency BLT Communications. Offered in original rolled (as issued) condition, this fine example presents to very good effect with minimal of handling wear and represents a cool and eye-catching piece of Quentin Tarantino movie memorabilia.
Trivia: The boots Uma Thurman has on when she is buried alive are the same boots that Michael Madsen used in Reservoir Dogs (1992) when he cut off the police officer’s ear. The same straight razor is also used.
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One of the best and most acclaimed movie ever made, Federico Fellini’s “La Dolce Vita”. Anita Ekberg takes centre stage with imagery that is unique to this 1982 Japanese release. Whilst Ekberg is presented in full vibrant colour with the background imagery – a combination of key scenes from the movie presented in muted colours, giving a 3D type of effect for Ekberg who literally pops from the paper. The Japanese B2 offered here is presented in very good unrestored, rolled (as issued) condition. It displays beautifully. As a largely art-house and independent cinema release, posters for this are extremely scarce and rarely comes to market. It represents a fine piece of collectable movie memorabilia for one of the big screen’s greatest & most influential films.
Trivia: The film contributed the term “paparazzo” to the language. The term derives from Marcello’s photographer friend Paparazzo. Federico Fellini took the name “Paparazzo”, as he explained in a later interview, from the name of someone he met in Calabria (Southern Italy) where Greek names are still common. “Paparazzi” is the plural.
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