Showing 97–108 of 147 results
One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare and original Japanese B2 film poster offered here is the full ‘Arnie’ style from first year of release 1987 with his character ‘Dutch’ (Schwarzenegger) dominating the imagery. Considered a classic by Arnie’s legion of fans & collectors of the action / sci fi genre it is incredibly scarce in this format. Originally rolled (as issued) this beautiful unrestored example displays and presents to excellent effect…Sought after and extremely hard to find in this high grade condition it represents a fine piece of very collectable Arnold Schwarzenegger sci-fi action movie memorabilia.
Trivia: The mandibles of the Predator were the idea of James Cameron.
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One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare and original UK quad film poster offered here is from first year of release 1987 and was created by a team at the FEREF design agency, including Stephen Laws, Frank Hillary and acclaimed movie poster artist Brian Bysouth. This was one of the first film posters by the artist to have been created with photo composition and not painted, as had been the case with his previous posters. This ‘thermal imaging’ version has a great action image of Dutch (Arnold Schwarzenegger) and is considered a classic amongst collectors of the genre. Originally rolled (as issued – this is the first time we have ever offered a rolled one) this beautiful unrestored example displays and presents to excellent effect. Extremely hard to find in this high grade condition it represents a fine piece of collectable original movie memorabilia.
Trivia: The Predator costume weighed over two hundred pounds, and even though 7’2″ Kevin Peter Hall was a large and powerful man, he had to be connected to a “bungie” rig, to enable him to move more believably.
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One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare alternative movie poster offered here is from the 2025 release and was created as a private commission piece by the talented Thai artist, Wiwat. With a very limited print run of only 40 this has been hand-numbered #32. Showcasing a unique and visually striking design and produced using the screen print technique, the imagery captures the essence of the Predator in a bold and dynamic style. Perfect for fans of the franchise or collectors of art inspired by the Predator. Originally rolled (as issued) this beautiful example displays and presents to excellent effect and represents a fine piece of collectable cinematic movie memorabilia.
Trivia: The Predator costume weighed over two hundred pounds, and even though 7’2″ Kevin Peter Hall was a large and powerful man, he had to be connected to a “bungie” rig, to enable him to move more believably.
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The success of “Predator” when released in 1987 meant a sequel was always inevitable, however the action hero of the first movie wasn’t available – move over Arnie and welcome Danny Glover. Not only was there a new direction for the hero but the jungles of South America were swapped for a crime ridden Los Angeles. A clever follow up in many ways as it really does continue where the first movie finished as the Government, now fully aware of an other worldly being try to turn the tables and trap a predator – bad move. This 2021 Private Commission by Juan Carlos Ruiz Burgos features spectacular artwork, and is actually the first time a licensed print for “Predator 2” has been issued, and frankly it would be a hard to find a better one as Burgos really has created something special. Titled ‘The Concrete Jungle‘ it is printed on Cougar White paper using fifteen (15) coloured inks which includes a glitter varnish used to mimic the wet skin of the Predator and a bright luminous green glow in the dark ink for the title. Hand-numbered #45 from a print run 110 this beautiful example displays and presents to excellent effect and represents an incredible looking piece of modern cinematic memorabilia.
Trivia: Keyes (Gary Busey) is the first character to ever use the word “predator” to refer to the creature on-screen when he says “we’ve prepared a trap for this predator”. The word “predators” is also used by Isabelle in Predators (2010), but she uses it to refer to the human characters in the film, not the Predator creatures. It wasn’t until The Predator (2018) that the creature itself is referred to as ‘predator’ again, with someone adding that the term ‘hunter’ would be more appropriate.
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“Before man walked the earth…it slept for centuries. It is evil. It is real. It is awakening.”
“Prince of Darkness” sees John Carpenter not just in the director’s chair, he wrote the soundtrack and also the screenplay under the pseudonym Martin Quatermass, which is a direct homage to Bernard Quatermass, the lead character in Hammer’s film and TV series that started with The Quatermass Experiment and that features several elements in common with Carpenter’s story. The film is the second in what the director calls his ‘Apocalypse Trilogy’ that started with The Thing (1982) and ended with In the Mouth of Madness (1994) and is the result of Carpenter’s interest in theoretical physics and atomic theory as well as the idea of an ultimate evil or ‘anti-god’ combined with the physics-based concept of matter and anti-matter. Carpenter always a well regarded and popular film maker has enjoyed a huge renaissance in more recent years so it was no surprise that this title was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “They Live”, “Escape From New York” and “The Fog”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 184. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: John Carpenter claims to have been fascinated with religion ever since watching the old Hammer horror films and how Holy Water would destroy vampires.
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“Before man walked the earth…it slept for centuries. It is evil. It is real. It is awakening.”
This is the British quad for the release of John Carpenter’s 1987 horror “Prince of Darkness”. As well as being in the director’s chair, Carpenter wrote the soundtrack and also the screenplay under the pseudonym Martin Quatermass, which is a direct homage to Bernard Quatermass, the lead character in Hammer’s film and TV series that started with The Quatermass Experiment and that features several elements in common with Carpenter’s story. The film is the second in what the director calls his ‘Apocalypse Trilogy’ that started with The Thing (1982) and ended with In the Mouth of Madness (1994) and is the result of Carpenter’s interest in theoretical physics and atomic theory as well as the idea of an ultimate evil or ‘anti-god’ combined with the physics-based concept of matter and anti-matter. The original 1987 UK quad film poster for John Carpenter’s “Prince of Darkness” offered here was originally rolled (as issued) & presents in original unrestored condition with great horror imagery, strong colours and deep unfaded black background. This imagery of the screaming, disfigured face with the bug in its mouth, as well as the church and the oozing green liquid was used in the worldwide marketing campaign. A scarce poster in this high grade condition, that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s ever working in the sci-fi / horror / action genre.
Trivia: Screenwriter John Carpenter is credited as “Martin Quatermass”. The pseudonym is a homage to Professor Bernard Quatermass, the lead character of The Quatermass Experiment (1953) and several subsequent TV series and film versions. In the original press notes he was described as ‘the brother of Professor Bernard Quatermass, head of the British rocket programme.’ In a further nod to Carpenter’s influences, the character Wyndham is named after science-fiction author John Wyndham and Anne Howard‘s character is named after the star of The Wasp Woman (1959), Susan Cabot.
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“There are some frequencies we were never meant to find”…A fantastic looking original UK Quad Movie Poster for this 2006 technology horror film “Pulse”. A bit of a cult classic (US remake of the Asian Horror hit “Kairo”) that is genuinely very rare. This originally rolled example featuring Kirsten Bell in a bit of a pickle displays very well.
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“A Force more powerful than 1,000 H-Bombs unleashed to devastate earth ! World in panic ! Cities in flames !”
A beautiful and incredibly rare country of origin UK quad film poster and one of Hammer’s best for Roy Ward Baker’s 1967 supernatural alien invasion thriller “Quatermass and the Pit”. Tom Chantrell’s magnificent detailed artwork; heaving bosoms, London aflame in ruins, glittering spaceships, martian devils is stunning…A personal favourite and featured in Marcus Hearn’s excellent book “The Art of Hammer”. Folded (as issued) with strong vibrant colours this totally original unrestored investment grade example from first year of release 1967 presents superbly and is a very rare example of country of origin Hammer Horror memorabilia and one of the best movie posters produced from one of their finest and most respected productions…“You realise what you are implying? That we owe our human condition here to the intervention of insects”
Trivia: When Dr. Quatermass is picking at the eyeball of the dead Martian creature in his laboratory, the pupils of the compound eye are a rectangular slot shape rather then round like a human eye. This is reminiscent of a goat’s eye, a creature that, for centuries, has been associated with witchcraft and sorcery.
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“Before you die, you see the ring.”…original year of release Advance UK Quad film poster for Gore Vebinski’s horror movie “The Ring”. This poster was originally rolled and in exceptional condition with stunning imagery. Just like looking at a TV screen with a bad reception.
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“My revenge has spread over centuries and has just begun!”
The Satanic Rites of Dracula (1974) was the eighth Hammer film and the seventh and final one to feature Christopher Lee as Count Dracula and the last time Lee and Peter Cushing would star together. The British poster campaign was illustrated by Hammer’s regular artist Tom Chantrell. The green-wash background contrasts effectively with the red Day-Glo title of the film, with Lee’s Dracula the focus of attention against a London skyline featuring the familiar landmarks of Big Ben and the Post-Office Tower. Presented unrestored and in excellent original folded (as issued) condition, this originally belonged to the renowned horror historian and collector Forrest Ackerman and is accompanied by a certificate from his Estate. A personal favourite of mine and featured in Marcus Hearn’s excellent book “The Art of Hammer”. An excellent investment grade example of original rare Hammer Horror movie memorabilia.
Trivia: Count Dracula poses as a multi-millionaire who is never seen in public and never photographed. A 1970s audience would inevitably have been reminded of the eccentric and reclusive Howard Hughes.
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“BEING TERRIFIED IS JUST THE BEGINNING!”…The master of “intelligent horror”; David Cronenberg’s feature debut was in 1975 with the apt titled “SHIVERS”. This original UK quad film poster is from that first year of release. A bold, simple poster design making great use of of some fantastic horror art. Folded (as issued) this example presents very well with some very minor issues, as colours are rich and unfaded with the green dayglo of the title stand out in eye popping fashion. More often than not a poster that turns up in a double bill feature but here it comes in its original single release format, making it very rare and highly desirable.
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“Dr. Hannibal Lecter. Brilliant. Cunning. Psychotic. In his mind lies the clue to a ruthless killer – Clarice Starling, FBI. Brilliant. Vulnerable. Alone. She must trust him to stop the killer.”
Jonathan Demme’s “The Silence of the Lambs” is one of the best horror thriller movies ever made; excellent Award winning performances, full of dark humour and gory thrills. This original pair of 1991 British double crowns features a design by Marcus Silversides commissioned by the design agency BLT Communications which really is two clever and visually stunning pieces of complementing artwork with an amazing use of colour (white and pale colour tones for Clarice and deep, blood red for Lecter) and imagery featuring skull adorned winged moths over both Anthony Hopkins (Hannibal Lecter) and Clarice Starling (Jodie Foster) leading characters’ mouths. Presented in very good condition these rolled (as issued) examples display superbly and represent fine pieces of original cinematic movie memorabilia.
Note: the price is for both posters, Clarice Starling and Hannibal Lecter
Trivia: When Sir Anthony Hopkins found out that he was cast as Dr. Hannibal Lecter, based on his performance as Dr. Frederick Treves in The Elephant Man (1980), he questioned director Jonathan Demme, and said “But Dr. Treves was a good man”, to which Demme replied “So is Lecter, he is a good man too. Just trapped in an insane mind.”
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