Showing 109–120 of 168 results
One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare and original UK quad film poster offered here is from first year of release 1987 and was created by a team at the FEREF design agency, including Stephen Laws, Frank Hillary and acclaimed movie poster artist Brian Bysouth. This was one of the first film posters by the artist to have been created with photo composition and not painted, as had been the case with his previous posters. This ‘thermal imaging’ version has a great action image of Dutch (Arnold Schwarzenegger) and is considered a classic amongst collectors of the genre. Originally folded (as issued – the fold lines are soft from being stored flat for a number of years) this beautiful unrestored example displays and presents to excellent effect. Sought after and extremely hard to find in this high grade condition it represents a fine piece of collectable original movie memorabilia.
Trivia: The mandibles of the Predator were the idea of James Cameron.
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One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare and original Japanese B2 film poster offered here is the ‘Cast’ style from first year of release 1987 with ‘Dutch’ (Schwarzenegger) prominent and a photo montage of the other leading actors in a design that is unique to Japan. Considered a classic by Arnie’s legion of fans & collectors of the action / sci fi genre it is incredibly scarce in this format. Originally rolled (as issued) this beautiful unrestored example displays and presents to excellent effect…Sought after and extremely hard to find in this high grade condition it represents a fine piece of very collectable Arnold Schwarzenegger sci-fi action movie memorabilia.
Trivia: The mandibles of the Predator were the idea of James Cameron.
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One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare and original Japanese B2 film poster offered here is the full ‘Arnie’ style from first year of release 1987 with his character ‘Dutch’ (Schwarzenegger) dominating the imagery. Considered a classic by Arnie’s legion of fans & collectors of the action / sci fi genre it is incredibly scarce in this format. Originally rolled (as issued) this beautiful unrestored example displays and presents to excellent effect…Sought after and extremely hard to find in this high grade condition it represents a fine piece of very collectable Arnold Schwarzenegger sci-fi action movie memorabilia.
Trivia: The mandibles of the Predator were the idea of James Cameron.
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One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare and original UK quad film poster offered here is from first year of release 1987 and was created by a team at the FEREF design agency, including Stephen Laws, Frank Hillary and acclaimed movie poster artist Brian Bysouth. This was one of the first film posters by the artist to have been created with photo composition and not painted, as had been the case with his previous posters. This ‘thermal imaging’ version has a great action image of Dutch (Arnold Schwarzenegger) and is considered a classic amongst collectors of the genre. Originally rolled (as issued – this is the first time we have ever offered a rolled one) this beautiful unrestored example displays and presents to excellent effect. Extremely hard to find in this high grade condition it represents a fine piece of collectable original movie memorabilia.
Trivia: The Predator costume weighed over two hundred pounds, and even though 7’2″ Kevin Peter Hall was a large and powerful man, he had to be connected to a “bungie” rig, to enable him to move more believably.
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One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare alternative movie poster offered here is from the 2025 release and was created as a private commission piece by the talented Thai artist, Wiwat. With a very limited print run of only 40 this has been hand-numbered #32. Showcasing a unique and visually striking design and produced using the screen print technique, the imagery captures the essence of the Predator in a bold and dynamic style. Perfect for fans of the franchise or collectors of art inspired by the Predator. Originally rolled (as issued) this beautiful example displays and presents to excellent effect and represents a fine piece of collectable cinematic movie memorabilia.
Trivia: The Predator costume weighed over two hundred pounds, and even though 7’2″ Kevin Peter Hall was a large and powerful man, he had to be connected to a “bungie” rig, to enable him to move more believably.
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The success of “Predator” when released in 1987 meant a sequel was always inevitable, however the action hero of the first movie wasn’t available – move over Arnie and welcome Danny Glover. Not only was there a new direction for the hero but the jungles of South America were swapped for a crime ridden Los Angeles. A clever follow up in many ways as it really does continue where the first movie finished as the Government, now fully aware of an other worldly being try to turn the tables and trap a predator – bad move. This 2021 Private Commission by Juan Carlos Ruiz Burgos features spectacular artwork, and is actually the first time a licensed print for “Predator 2” has been issued, and frankly it would be a hard to find a better one as Burgos really has created something special. Titled ‘The Concrete Jungle‘ it is printed on Cougar White paper using fifteen (15) coloured inks which includes a glitter varnish used to mimic the wet skin of the Predator and a bright luminous green glow in the dark ink for the title. Hand-numbered #45 from a print run 110 this beautiful example displays and presents to excellent effect and represents an incredible looking piece of modern cinematic memorabilia.
Trivia: Keyes (Gary Busey) is the first character to ever use the word “predator” to refer to the creature on-screen when he says “we’ve prepared a trap for this predator”. The word “predators” is also used by Isabelle in Predators (2010), but she uses it to refer to the human characters in the film, not the Predator creatures. It wasn’t until The Predator (2018) that the creature itself is referred to as ‘predator’ again, with someone adding that the term ‘hunter’ would be more appropriate.
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“Before man walked the earth…it slept for centuries. It is evil. It is real. It is awakening.”
“Prince of Darkness” sees John Carpenter not just in the director’s chair, he wrote the soundtrack and also the screenplay under the pseudonym Martin Quatermass, which is a direct homage to Bernard Quatermass, the lead character in Hammer’s film and TV series that started with The Quatermass Experiment and that features several elements in common with Carpenter’s story. The film is the second in what the director calls his ‘Apocalypse Trilogy’ that started with The Thing (1982) and ended with In the Mouth of Madness (1994) and is the result of Carpenter’s interest in theoretical physics and atomic theory as well as the idea of an ultimate evil or ‘anti-god’ combined with the physics-based concept of matter and anti-matter. Carpenter always a well regarded and popular film maker has enjoyed a huge renaissance in more recent years so it was no surprise that this title was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “They Live”, “Escape From New York” and “The Fog”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 184. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: John Carpenter claims to have been fascinated with religion ever since watching the old Hammer horror films and how Holy Water would destroy vampires.
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“Before man walked the earth…it slept for centuries. It is evil. It is real. It is awakening.”
This is the British quad for the release of John Carpenter’s 1987 horror “Prince of Darkness”. As well as being in the director’s chair, Carpenter wrote the soundtrack and also the screenplay under the pseudonym Martin Quatermass, which is a direct homage to Bernard Quatermass, the lead character in Hammer’s film and TV series that started with The Quatermass Experiment and that features several elements in common with Carpenter’s story. The film is the second in what the director calls his ‘Apocalypse Trilogy’ that started with The Thing (1982) and ended with In the Mouth of Madness (1994) and is the result of Carpenter’s interest in theoretical physics and atomic theory as well as the idea of an ultimate evil or ‘anti-god’ combined with the physics-based concept of matter and anti-matter. The original 1987 UK quad film poster for John Carpenter’s “Prince of Darkness” offered here was originally rolled (as issued) & presents in original unrestored condition with great horror imagery, strong colours and deep unfaded black background. This imagery of the screaming, disfigured face with the bug in its mouth, as well as the church and the oozing green liquid was used in the worldwide marketing campaign. A scarce poster in this high grade condition, that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s ever working in the sci-fi / horror / action genre.
Trivia: Screenwriter John Carpenter is credited as “Martin Quatermass”. The pseudonym is a homage to Professor Bernard Quatermass, the lead character of The Quatermass Experiment (1953) and several subsequent TV series and film versions. In the original press notes he was described as ‘the brother of Professor Bernard Quatermass, head of the British rocket programme.’ In a further nod to Carpenter’s influences, the character Wyndham is named after science-fiction author John Wyndham and Anne Howard‘s character is named after the star of The Wasp Woman (1959), Susan Cabot.
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“There are some frequencies we were never meant to find”…A fantastic looking original UK Quad Movie Poster for this 2006 technology horror film “Pulse”. A bit of a cult classic (US remake of the Asian Horror hit “Kairo”) that is genuinely very rare. This originally rolled example featuring Kirsten Bell in a bit of a pickle displays very well.
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“A Force more powerful than 1,000 H-Bombs unleashed to devastate earth ! World in panic ! Cities in flames !”
A beautiful and incredibly rare country of origin UK quad film poster and one of Hammer’s best for Roy Ward Baker’s 1967 supernatural alien invasion thriller “Quatermass and the Pit”. Tom Chantrell’s magnificent detailed artwork; heaving bosoms, London aflame in ruins, glittering spaceships, martian devils is stunning…A personal favourite and featured in Marcus Hearn’s excellent book “The Art of Hammer”. Folded (as issued) with strong vibrant colours this totally original unrestored investment grade example from first year of release 1967 presents superbly and is a very rare example of country of origin Hammer Horror memorabilia and one of the best movie posters produced from one of their finest and most respected productions…“You realise what you are implying? That we owe our human condition here to the intervention of insects”
Trivia: When Dr. Quatermass is picking at the eyeball of the dead Martian creature in his laboratory, the pupils of the compound eye are a rectangular slot shape rather then round like a human eye. This is reminiscent of a goat’s eye, a creature that, for centuries, has been associated with witchcraft and sorcery.
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“A Force more powerful than 1,000 H-Bombs unleashed to devastate earth ! World in panic ! Cities in flames !”
A beautiful and incredibly rare, complete set of eight (8), British front of house lobby cards for one of Hammer’s best – Roy Ward Baker’s 1967 supernatural alien invasion thriller “Quatermass and the Pit”. All eight cards feature Hammer regular Andrew Keir as Professor Bernard Quatermass in a variety of key scenes from the film. Flat and unfolded (as issued) with strong vibrant colours this totally original unrestored set of lobby cards, from first year of release 1967 present superbly and are a very rare example of country of origin Hammer Horror memorabilia from one of their finest and most respected productions…“You realise what you are implying? That we owe our human condition here to the intervention of insects”
Trivia: When Dr. Quatermass is picking at the eyeball of the dead Martian creature in his laboratory, the pupils of the compound eye are a rectangular slot shape rather then round like a human eye. This is reminiscent of a goat’s eye, a creature that, for centuries, has been associated with witchcraft and sorcery.
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Silents Synced have stylishly and cleverly paired, a classic silent horror movie with epic rock music to bring audiences a unique big screen experience with “Radiohead X Nosferatu: A Symphony of Horror”. Directed and remixed by Josh Frank this reimagining of the iconic Nosferatu (1922) features Radiohead’s Kid A (2000) and Amnesiac (2001) albums. An unauthorized adaptation of Bram Stoker’s Dracula, Nosferatu (1922) is the quintessential silent vampire film, crafted by legendary German director F. W. Murnau. Rather than depicting Dracula as a shape-shifting monster or debonair gentleman, Murnau’s Graf Orlok (as portrayed by Max Shreck) is a nightmarish, spidery creature of bulbous head and taloned claws – perhaps the most genuinely disturbing incarnation of vampirism yet envisioned. This imaginative new take on an iconic horror classic is accompanied by an equally striking poster. Designed by EMEK it resembles a vintage black and white engraving with colour (it had to be RED) used sparingly for maximum effect. With a very limited release & showing in only a handful of independent art-house cinemas and drive-ins the advertising posters for the screenings are truly scarce. Originally rolled (as issued) this eye-catching example displays and presents to excellent effect and represents a fine piece of horror movie cinematic memorabilia with a slice of Radiohead thrown in for the music fan.
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