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“WHO WILL SURVIVE AND WHAT WILL BE LEFT OF THEM ?”
Described by The News of the World as the ‘sickest carnival of slaughter ever seen’...“The Texas Chainsaw Massacre” has become one of the most debated films of all time bringing (at the time) nauseating, forceful horror to the screen with a focussed realism that was new to mainstream cinema. Arguments raged as most councils and cinemas across the country banned it’s release (The full fascinating story of the censorship battle is well worth checking out on the official BBFC website.) with only a handful of cinemas eventually bowing to public demand and showing the Film. Reimagined on an incredible scale and one of the most licensed titles for an alternative movie poster – it takes something special to stand out from the crowd and Graham Humphreys’ 2023 release certainly does that; horror art at its finest. Printed for Texas Frightmare Weekend and only available to purchase from the Mondo booth, this signed and hand-numbered (AP 28/30) artist proof print is an outstanding tribute to Tobe Hooper’s ground breaking movie, introducing one of the horror genre’s most iconic characters and a very rare and collectable alternative movie poster for perhaps the most influential cult horror film of the modern era…“There are moments when we cannot believe that what is happening is really true. Pinch yourself and you may find out that it is.”
Trivia: Ed Gein – on whom “Leatherface” was loosely based–was not a true serial killer, as he actually only killed two people, both of them women. He was however, a graverobber. He stole body parts–only female–from many different graves. He kept some of the parts in his refrigerator, and skinned one corpse and wore the skin as a dress.
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Hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’.
Perhaps one of the most defining images in cinematic history and certainly up there with Karloff’s Frankenstein monster as the most memorable of the horror genre – Linda Blair as the possessed Regan. This alternative movie poster by horror artist supreme, Graham Humphreys for William Friedkin’s Oscar winning horror masterpiece “The Exorcist” is a striking example of horror artwork, featuring some incredible characterisations and an amazing colour palette – from orange to sickly green/grey. The limited edition fine art print offered here has been signed by the artist, Humphreys and hand-numbered #9 from a print run of only 59 and in addition hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’. All of Blair’s handwriting has been written in silver ink pen again a dark background and absolutely pops from the imagery. The poster was signed by Blair at Horrorfied 2, Crawley, Surrey on March 28th. Hugely oversubscribed, this scarce print was sold out prior to release and presents and displays to excellent effect. Originally flat and unfolded (as issued) this beautiful example represents a hard to find piece of cinematic horror memorabilia for this much revered and hugely influential Oscar winning horror movie.
Trivia: When Regan projectile vomits at Father Karras, the vomit was intended to hit Jason Miller in the chest, but the plastic tubing misfired, hitting him in the face. His reaction of shock and disgust while wiping away the vomit is genuine, and Miller admitted in interviews that he was very angered by this mistake.
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Hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’.
Perhaps one of the most defining images in cinematic history and certainly up there with Karloff’s Frankenstein monster as the most memorable of the horror genre – Linda Blair as the possessed Regan. This alternative movie poster by horror artist, Andrew Rowland for William Friedkin’s Oscar winning horror masterpiece “The Exorcist” is an impressive example of horror artwork, featuring an amazing image of the possessed Regan and a homage to the more familiar poster design as Father Merrin (Max von Sydow) is bathed in the street light outside the Georgetown townhouse. Finished in a beautiful sepia toned colour palette, the limited edition fine art print offered here has been hand-numbered #2/5 from the the artist’s own edition PP. In addition it has been hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’. All of Blair’s handwriting has been written in silver ink pen against a dark background and absolutely pops from the imagery. The poster was signed by Blair at Horrorfied 2, Crawley, Surrey on March 28th. Hugely oversubscribed, this scarce print was sold out prior to release and presents and displays to excellent effect. Originally flat and unfolded (as issued) this beautiful example represents a hard to find piece of cinematic horror memorabilia for this much revered and hugely influential Oscar winning horror movie.
Trivia: When Regan projectile vomits at Father Karras, the vomit was intended to hit Jason Miller in the chest, but the plastic tubing misfired, hitting him in the face. His reaction of shock and disgust while wiping away the vomit is genuine, and Miller admitted in interviews that he was very angered by this mistake.
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“Bolt Your Doors. Lock Your Windows. There’s something in The Fog !”
After the huge success of “Halloween” John Carpenter quickly followed up with the equally memorable horror “The Fog” – a guilty pleasure film of mine as I love how well Carpenter develops the tension and tells the story with great cinematography, sound, and use of locations. Carpenter always a well regarded and popular film maker has enjoyed a huge renaissance in more recent years so it was no surprise that this title was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “They Live”, “Escape From New York” and “Prince of Darkness”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 224. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: Although this was essentially a low budget independent movie, John Carpenter chose to shoot the movie in anamorphic widescreen Panavision. This decision gave the movie a grander feel for the viewer so this didn’t seem like a low budget horror movie.
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Paul Mann, the best ever poster produced for this crime classic. Mann’s artwork and use of colour is breath taking, and this needs to be seen in person to fully appreciate the quality. Printed onto Platinum Etching Paper with a giclee finish it appears painted. A private commission with a print run of only 150 this has been hand-numbered #23. This example displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE. Re-released in 2022 for its 5oth Anniversary, renowned artist Paul Shipper was commissioned to create a new poster for the event. Shipper’s artwork is superb with an incredible cast montage poster, with as you would expect Brando & Pacino taking centre stage. This British one-sheet displays to excellent effect and is an outstanding movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition alternative movie poster by the artist Jeff Kleinsmith, a truly memorable and eye-catching design for this crime classic. Kleinsmith’s artwork and use of bold colour is very clever with more than a nod to the Eastern European school of poster design. Full of classic Godfather symbolism – the severed horse’s head, oranges from the Don’s garden and a blood splatter that features all of the Corleone Family – subtly stating that the Family has blood in its history. Commissioned for a limited screening at the Alamo Drafthouse theatre in 2009, this fine example has been hand-numbered #253 from a print run of only 285. It displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“…when Johnny was first starting out, he was signed to a personal services contract with this big-band leader. And as his career got better and better, he wanted to get out of it. But the band leader wouldn’t let him. Now, Johnny is my father’s godson. So my father went to see this bandleader and offered him $10,000 to let Johnny go, but the bandleader said no. So the next day, my father went back, only this time with Luca Brasi. Within an hour, he had a signed release for a certified check of $1000.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Paul Mann, one of the best ever poster produced for this crime classic. Mann’s artwork and use of colour is breath taking, and this needs to be seen in person to fully appreciate the quality. Described as the Italian variant it was printed using “Il Padrino” as the title with gold ink detailing against a black background. Printed onto Fotospeed Platinum Etching Paper with a giclee finish it appears painted. A private commission with a print run of only 50 this has been hand-numbered #12. This example displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: Marlon Brando wanted to make Don Corleone “look like a bulldog,” so he stuffed his cheeks with cotton wool for the audition. For the actual filming, he wore a mouthpiece made by Dick Smith. This appliance is on display in the American Museum of the Academy Museum of Motion Pictures in Los Angeles in a special Godfather exhibition
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“…when Johnny was first starting out, he was signed to a personal services contract with this big-band leader. And as his career got better and better, he wanted to get out of it. But the band leader wouldn’t let him. Now, Johnny is my father’s godson. So my father went to see this bandleader and offered him $10,000 to let Johnny go, but the bandleader said no. So the next day, my father went back, only this time with Luca Brasi. Within an hour, he had a signed release for a certified check of $1000.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with any original, first release 1972 paper hugely sought after, with this Japanese B2, with its country unique artwork, one of the most desired for this crime classic. S.Neil Fujita’s iconic puppet-hand logo against stark black background, is complemented by colour stills imagery to produce a truly eye-catching design. Originally rolled (as issued) this example displays to excellent effect and is an impressive item of original cinematic movie memorabilia for an exquisite Mafia epic with outstanding performances. Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: Marlon Brando wanted to make Don Corleone “look like a bulldog,” so he stuffed his cheeks with cotton wool for the audition. For the actual filming, he wore a mouthpiece made by Dick Smith. This appliance is on display in the American Museum of the Academy Museum of Motion Pictures in Los Angeles in a special Godfather exhibition
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“…when Johnny was first starting out, he was signed to a personal services contract with this big-band leader. And as his career got better and better, he wanted to get out of it. But the band leader wouldn’t let him. Now, Johnny is my father’s godson. So my father went to see this bandleader and offered him $10,000 to let Johnny go, but the bandleader said no. So the next day, my father went back, only this time with Luca Brasi. Within an hour, he had a signed release for a certified check of $1000.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Yvan Quinet, one of the best ever produced for this crime classic. Quinet’s portrait of Marlon Brando wearing a tuxedo adorned with a single red rose is breath taking, and needs to be seen in person to fully appreciate the quality of the artwork and the print. The title border with gold ink detailing against a black background is a very nice finishing touch. This Artist Proof screen print has been signed by Yvan Quinet and hand-numbered #8 from an edition of only 8 and displays to excellent effect. A truly outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: Marlon Brando wanted to make Don Corleone “look like a bulldog,” so he stuffed his cheeks with cotton wool for the audition. For the actual filming, he wore a mouthpiece made by Dick Smith. This appliance is on display in the American Museum of the Academy Museum of Motion Pictures in Los Angeles in a special Godfather exhibition
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“The Life Aquatic with Steve Zissou” was a cult success on its release with Wes Anderson’s loyal fanbase hailing another solid cinematic offering, it is most certainly an unusual film. It’s something of a collage of colorful imagery, fragmented shots, quirky music, strange characters, bizarre situations, and amusing montages – it perfectly suits the artistic style of one of my favourite alternative movie poster artists – Ise Ananphada, with this limited edition (a print run of only 175), hand-numbered screen print for “The Life Aquatic with Steve Zissou” one of the best (if not the best) for the title and has been created using fifteen (15) different coloured inks. Originally rolled (as issued) this art print from 2020 is a real eye-catcher that looks and displays to excellent effect and represents an extremely hard to find, modern original collectable movie memorabilia from a truly exceptional writer/director and a supremely talented artist.
Trivia: The red woollen caps worn by the characters are a reference to Jacques-Yves Cousteau, famed underwater film-maker and co-inventor of the modern aqualung.
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“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
Artist Casey Booth is back from a trip to Santa Carla with a stunning giclee print that bites for Joel Schumacher’s “The Lost Boys”. This 2026 hand-numbered (#25/75) limited edition release is a proper horror poster as leader of The Lost Boys – David (Kiefer Sutherland) is the main focus with the would be vampire hunters blended into the background and printed using an incredible colour palette of blood reds inks. Presented in excellent condition this rolled, flat and unfolded (as issued) example displays superbly and is an impressive piece of artwork and a hugely desirable alternative movie poster. This is THE teenage angst vampire movie with this high grade poster showcasing the teen vampires in all their undead glory…“Something I never could stomach about Santa Carla, all the damn vampires!”
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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Vintage Movie Posters (UK) Limited
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HP7 0HL
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