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The concluding chapter of the original Star Wars trilogy is reimagined in this beautifully detailed alternative movie poster from 2022 by acclaimed Thai illustrator Ise Ananphada. Her distinctive combination of elegant portraiture, intricate decorative elements and vibrant colour gives the film’s celebrated characters and intergalactic settings a fresh artistic identity.
Released in 1983, “Star Wars: Episode VI – Return of the Jedi” follows Luke Skywalker as he confronts Darth Vader and the Emperor, while the Rebel Alliance prepares its decisive assault on the second Death Star. Ananphada’s carefully constructed composition reflects the film’s combination of spectacle, adventure and emotional resolution, bringing together imagery from across its climactic story.
Produced as a strictly limited edition of 400, this example is individually hand-numbered #25/400 and presented rolled in excellent condition. Its accomplished artwork and limited availability give it tremendous visual impact, making it a superb display piece for collectors of Star Wars, contemporary alternative artwork and rare cinematic memorabilia.
Trivia: A reason for filming under the guise of non-descript horror movie title, “Blue Harvest” was partly to put off any snoopers, and also because the production found out that if they mentioned they were working on the next Star Wars movie, suppliers would automatically ramp up their prices, assuming that money was no object for Lucasfilm.
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A richly conceived alternative movie poster for “Star Wars: Episode V – The Empire Strikes Back”, created by celebrated Thai illustrator Ise Ananphada in 2021. The artist’s distinctive approach combines finely rendered portraiture, ornamental detail and an assured sense of composition, capturing the darker atmosphere and heightened drama of the acclaimed second chapter in the original Star Wars trilogy.
The intricate montage draws together the film’s celebrated characters, locations and imagery, reflecting a story that expands the conflict between the Rebel Alliance and the Galactic Empire while delivering one of cinema’s most famous revelations. Ananphada’s imaginative interpretation brings an elegant contemporary quality to this enduring science-fiction classic.
Individually hand-numbered #25/425, this limited-edition poster is presented rolled in superb condition. Its elaborate artwork, accomplished execution and restricted availability give it tremendous visual impact, making it a superb display piece for collectors of Star Wars, alternative movie posters and rare cinematic memorabilia.
Trivia: In order to avoid sharing creative rights, George Lucas decided to avoid using a major studio to finance this movie. Instead, he bankrolled the $18 million production himself, using a combination of his profits from Star Wars: Episode IV – A New Hope (1977) and a bank loan. Although the move was risky, it paid off several times over. Lucas recovered his investment within three months of the movie’s release.
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The third instalment of George Lucas’ original Star Wars trilogy “Return of the Jedi” contains a number of incredible set pieces right from the opening scene in Bobba Fett’s lair, Han’s rescue by Luke, the reveal of a larger more deadly Death Star, the Ewoks and their home planet – the Forest Moon of Endor and of course the return of one of the greatest villains ever created – DARTH VADER. And it’s the Sith Lord who features on this full-length (72 inches high), life size fully licensed commercial poster released as part of the movie’s original marketing campaign in 1983. It truly is spectacular. Presented here in original rolled (as issued) condition this fantastic example has deep unfaded vibrant colour tones and displays to excellent effect. Darth Vader is already firmly established as a fans favourite, and this impressive example represents a fine addition for any collector of movie posters or Star Wars fan memorabilia.
Trivia: Darth Vader’s footsteps were recorded in underground tunnels by the Golden Gate Bridge to help create an ominous effect.
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A beautiful alternative movie poster by Paul Mann for Roland Emmerich’s sci-fi actioner with an Egyptian mythology twist “Stargate”. Superb artwork for this highly enjoyable romp, resulting in one of the best looking alternative movie posters for the title. Printed in 2023 by Mad Duck this ‘Black’ edition is hand-numbered #25 from a run of 250. Mann’s beautifully detailed artwork and outstanding characterisations, combines with a beautiful colour palette to create an art print that certainly impresses. Presented in excellent (as issued) condition it represents a fine example of desirable and highly collectable cinematic movie memorabilia.
Trivia: The stargate is a system designed to open a wormhole. A wormhole is a hypothetical way of space travel called an “Einstein-Rosen bridge”, named after scientists Nathan Rosen and Albert Einstein. According to them, the wormhole should be capable to unite two distant points in the universe, altering space-time laws to cross from a point to another in a brief period of time. The name “wormhole” compares the universe to an apple, with a worm boring through it to reach a point on the other side instead of crawling the long way around on the outside.
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“Taxi Driver” has become a multi award winning pop culture cult phenomenon. Offered here is an absolutely stunning alternative movie poster by Krzysztof Domaradzki for Martin Scorsese’s classic. A clever design with full colour key character and scene imagery incorporated into the ‘TAXI’ of the title set against a bright yellow (the colour of a New York taxi-cab) background. Originally rolled (as issued) this Red Light Variant screen print is hand-numbered #135/145. Printed on Fedrigoni Sirio Colour Limone Paper using ten (10) different coloured inks it presents and displays to excellent effect. Hugely desirable and a must have addition for the serious collector or Taxi Driver fan it represents an extremely collectable item of movie memorabilia from a film that is rightly regarded as one of the finest ever made.
Trivia: The scene where Travis Bickle is talking to himself in the mirror was completely ad-libbed by Robert De Niro. The screenplay details just said, “Travis looks in the mirror.” Martin Scorsese claims that he got the inspiration for the scene from Marlon Brando mouthing words in front of a mirror in Reflections in a Golden Eye.
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“WHO WILL SURVIVE AND WHAT WILL BE LEFT OF THEM ?”
Described by The News of the World as the ‘sickest carnival of slaughter ever seen’...“The Texas Chainsaw Massacre” has become one of the most debated films of all time bringing (at the time) nauseating, forceful horror to the screen with a focussed realism that was new to mainstream cinema. Arguments raged as most councils and cinemas across the country banned it’s release (The full fascinating story of the censorship battle is well worth checking out on the official BBFC website.) with only a handful of cinemas eventually bowing to public demand and showing the Film. Reimagined on an incredible scale and one of the most licensed titles for an alternative movie poster – it takes something special to stand out from the crowd and Graham Humphreys’ 2023 release certainly does that; horror art at its finest. Printed for Texas Frightmare Weekend and only available to purchase from the Mondo booth, this signed and hand-numbered (AP 28/30) artist proof print is an outstanding tribute to Tobe Hooper’s ground breaking movie, introducing one of the horror genre’s most iconic characters and a very rare and collectable alternative movie poster for perhaps the most influential cult horror film of the modern era…“There are moments when we cannot believe that what is happening is really true. Pinch yourself and you may find out that it is.”
Trivia: Ed Gein – on whom “Leatherface” was loosely based–was not a true serial killer, as he actually only killed two people, both of them women. He was however, a graverobber. He stole body parts–only female–from many different graves. He kept some of the parts in his refrigerator, and skinned one corpse and wore the skin as a dress.
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Hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’.
Perhaps one of the most defining images in cinematic history and certainly up there with Karloff’s Frankenstein monster as the most memorable of the horror genre – Linda Blair as the possessed Regan. This alternative movie poster by horror artist supreme, Graham Humphreys for William Friedkin’s Oscar winning horror masterpiece “The Exorcist” is a striking example of horror artwork, featuring some incredible characterisations and an amazing colour palette – from orange to sickly green/grey. The limited edition fine art print offered here has been signed by the artist, Humphreys and hand-numbered #9 from a print run of only 59 and in addition hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’. All of Blair’s handwriting has been written in silver ink pen again a dark background and absolutely pops from the imagery. The poster was signed by Blair at Horrorfied 2, Crawley, Surrey on March 28th. Hugely oversubscribed, this scarce print was sold out prior to release and presents and displays to excellent effect. Originally flat and unfolded (as issued) this beautiful example represents a hard to find piece of cinematic horror memorabilia for this much revered and hugely influential Oscar winning horror movie.
Trivia: When Regan projectile vomits at Father Karras, the vomit was intended to hit Jason Miller in the chest, but the plastic tubing misfired, hitting him in the face. His reaction of shock and disgust while wiping away the vomit is genuine, and Miller admitted in interviews that he was very angered by this mistake.
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Hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’.
Perhaps one of the most defining images in cinematic history and certainly up there with Karloff’s Frankenstein monster as the most memorable of the horror genre – Linda Blair as the possessed Regan. This alternative movie poster by horror artist, Andrew Rowland for William Friedkin’s Oscar winning horror masterpiece “The Exorcist” is an impressive example of horror artwork, featuring an amazing image of the possessed Regan and a homage to the more familiar poster design as Father Merrin (Max von Sydow) is bathed in the street light outside the Georgetown townhouse. Finished in a beautiful sepia toned colour palette, the limited edition fine art print offered here has been hand-numbered #2/5 from the the artist’s own edition PP. In addition it has been hand-signed by Linda Blair, who has added her character name ‘Regan’ and the annotation ‘Sweet Dreams’. All of Blair’s handwriting has been written in silver ink pen against a dark background and absolutely pops from the imagery. The poster was signed by Blair at Horrorfied 2, Crawley, Surrey on March 28th. Hugely oversubscribed, this scarce print was sold out prior to release and presents and displays to excellent effect. Originally flat and unfolded (as issued) this beautiful example represents a hard to find piece of cinematic horror memorabilia for this much revered and hugely influential Oscar winning horror movie.
Trivia: When Regan projectile vomits at Father Karras, the vomit was intended to hit Jason Miller in the chest, but the plastic tubing misfired, hitting him in the face. His reaction of shock and disgust while wiping away the vomit is genuine, and Miller admitted in interviews that he was very angered by this mistake.
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“Bolt Your Doors. Lock Your Windows. There’s something in The Fog !”
After the huge success of “Halloween” John Carpenter quickly followed up with the equally memorable horror “The Fog” – a guilty pleasure film of mine as I love how well Carpenter develops the tension and tells the story with great cinematography, sound, and use of locations. Carpenter always a well regarded and popular film maker has enjoyed a huge renaissance in more recent years so it was no surprise that this title was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “They Live”, “Escape From New York” and “Prince of Darkness”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 224. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: Although this was essentially a low budget independent movie, John Carpenter chose to shoot the movie in anamorphic widescreen Panavision. This decision gave the movie a grander feel for the viewer so this didn’t seem like a low budget horror movie.
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Paul Mann, the best ever poster produced for this crime classic. Mann’s artwork and use of colour is breath taking, and this needs to be seen in person to fully appreciate the quality. Printed onto Platinum Etching Paper with a giclee finish it appears painted. A private commission with a print run of only 150 this has been hand-numbered #23. This example displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE. Re-released in 2022 for its 5oth Anniversary, renowned artist Paul Shipper was commissioned to create a new poster for the event. Shipper’s artwork is superb with an incredible cast montage poster, with as you would expect Brando & Pacino taking centre stage. This British one-sheet displays to excellent effect and is an outstanding movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition alternative movie poster by the artist Jeff Kleinsmith, a truly memorable and eye-catching design for this crime classic. Kleinsmith’s artwork and use of bold colour is very clever with more than a nod to the Eastern European school of poster design. Full of classic Godfather symbolism – the severed horse’s head, oranges from the Don’s garden and a blood splatter that features all of the Corleone Family – subtly stating that the Family has blood in its history. Commissioned for a limited screening at the Alamo Drafthouse theatre in 2009, this fine example has been hand-numbered #253 from a print run of only 285. It displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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