Showing 49–60 of 102 results
A magnificent private commission alternative movie poster for John Glen’s 1989 James Bond extravaganza…“Licence to Kill”. The action-packed artwork (the second in his Bond series) by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, Dalton – sans tuxedo, emphasising this Bond is independent and his own man, exotic location, action, psychotic villains – Robert Davi and Benicio Del Toro and beautiful, glamorous women – Carey Lowell and Talisa Soto. This fourteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #22/75. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, this one-sheet style (portrait) hand-numbered (#81/145) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, with a much lower print run than the portrait version, this UK quad style (landscape) hand-numbered (#52/65) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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“Far Up…Far Out…Far More..”
An outstanding limited edition alternative movie poster for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A magnificent, James Bond poster with bold vibrant colours and a combination of intricate and detailed all-action artwork from one of the best illustrators currently working – Paul Mann. Truly impressive and immediately recognisable as a Bond film. This alternative movie poster printed in 2022 is particularly scarce selling out immediately on release. Presented unrestored in original unfolded (as issued), rolled condition this hand-numbered (#004/165) example displays to impressive effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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“Far Up…Far Out…Far More..”
An outstanding limited edition quad style and size, alternative movie poster for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A magnificent, James Bond poster with bold vibrant colours and a combination of intricate and detailed all-action artwork from one of the best illustrators currently working – Paul Mann. Truly impressive and immediately recognisable as a Bond film. This alternative movie poster printed in 2022 is particularly scarce as it was printed full quad size at 30″ x 40″ with only 100 in exclusive this run – it sold out immediately on release. Presented unrestored in original unfolded (as issued), rolled condition this is hand-numbered #004 (any 00 number is particularly important for any Bond collector) example displays to impressive effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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A magnificent alternative movie poster for Lewis Gilbert’s 1977 James Bond extravaganza…“The Spy Who Loved Me”…Cubby Broccoli wanted this to be “BIGGEST Bond of All” and it certainly lived up to the billing, utilising the massive purpose built 007 soundstage at Pinewood Studios, still very much in use today. The action-packed artwork by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, 007 (Roger Moore) dressed in a tuxedo, exotic location, gadgets, psychotic villains and beautiful, glamorous women – Barbara Bach who played the Russian super spy Anya Amasova (Agent XXX) and Caroline Munro (the helicopter pilot Naomi). This thirteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #52/85. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: The closing credits say, “James Bond will return in For Your Eyes Only (1981)” but, because of the successes of Star Wars: Episode IV – A New Hope (1977) and Close Encounters of the Third Kind (1977), the space set Moonraker (1979) was chosen.
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Probably the most important film of ‘modern’ cinema, launching a movie trend that is now commonly referred to as the ‘Summer Blockbuster’. It also happens to be one of the best and most memorable movie poster images ever ! So why reimagine it ? Well, this is a perfect example of why. When it comes to amazing alternative movie posters, this limited edition art print by Laurent Durieux is a real eye-catcher and more along the lines of a travel poster as ‘Martha’s Vineyard Welcomes You’. There are a lot of alternative ‘Jaws’ posters on the market with this 2020 offering considered one of the best and most desirable with beautiful imagery. This wonderful design, featuring the second on screen victim – Alex Kitner is very clever as Alex is seen running on the Amity beach, the sea in the background and if you look closely the black Labrador Pippin about to run into the sea and meet his grisly fate. Look closer and you see an additional easter egg as one of the kites flying high above the beach resembles a black shark’s fin; a nod to Durieux’s earlier 2013 Jaws poster where the same fin is shown on a sunshade. This originally rolled, unfolded (as issued) example displays to exceptional effect. Durieux’s style is unmistakable with perfect, colours and composition. A truly outstanding and extremely rare art print that represents an impressive item of highly sought after modern movie memorabilia.
Trivia: Several decades after the film’s release, Lee Fierro walked into a seafood restaurant and noticed an “Alex Kintner Sandwich” on the menu. She commented that she had played his mother many years ago. Jeffrey Voorhees, manager of the restaurant, ran out to meet her. He had played her son, and they hadn’t seen each other since the original movie shoot.
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“Bardot at her bold, bare and brazen best! Reveling in Rome, cavorting in Capri…jolting even the jaded international jet-set in her pursuit of love!”
An outstanding modern reimagined film poster for a true cinematic classic. A limited edition alternative movie poster by Laurent Durieux to celebrate the 60th anniversary of Jean-Luc Godard’s masterpiece “Le Mepris” (Contempt). The unmistakable style of Durieux makes for a truly outstanding art print. Signed by Durieux (full signature) and hand-numbered 17 from a print run of 150, with a beautiful, subtle colour palette, this rolled (as issued) poster displays and presents to excellent effect and represents a super rare & sought item of movie memorabilia.
Trivia: In the audio commentary for Taxi Driver (1976), Martin Scorsese stated that this is his favorite Jean-Luc Godard film.
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“Act like you own the place…”
Through films like Okja and Snowpiercer, director Bong Joon Ho has dazzled audiences with his unique knack for blending genres to tell layered, one-of-a-kind stories and now in the South Korean black comedy thriller “Parasite” he is receiving the critical and commercial acclaim he so richly deserves. To complement the Oscar success the hugely respected alternative movie poster printer Mondo commissioned Rory Kurtz to design a poster to complement the success. Winning four (4) Oscars at the 2020 ceremony, including Best Picture, Directing, International Feature Film and Writing (Original Screenplay). Kurtz’ artwork captures the seemingly picture-perfect moment between the happily rich Parks completely oblivious to what’s unfolding around them, and the Kim family relegated to the shadows struggling with their own complex feelings toward such wealth and privilege. This is a limited edition timed released, hand-numbered #616/2120. The example offered here presents and displays to excellent effect being originally rolled (as issued) with incredibly strong colours. An outstanding and extremely scarce ‘modern’ art/film poster that represents a fantastic piece of movie memorabilia.
Trivia: The film makes several nods to Alfred Hitchcock throughout. Stairs are used as a motif, voyeurism is used as characters watch scenes through windows 14 times, and (most obviously) there is a brief glimpse of an out of place Alfred Hitchcock collection in the Park’s home.
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“Humanity’s last hope…rests on a high powered machine gun”
A superb and eye-catching alternative movie poster by Graham Humphreys’ for “Planet Terror”, Robert Rodriguez‘ homage to the ‘Grindhouse’ movies of the Seventies. A clever, stylish design as heroes, zombies and monsters adorn the background with a centre-piece which focuses on the iconic Rose McGowan‘s ‘machine gun legged’ character – Cherry Darling. Presented in excellent unrestored, rolled (as issued) condition with amazingly vibrant colour tones this hand-numbered Artist Proof edition from 2021 is hand-numbered #AP 2/5 and has been signed by Graham Humphrey’s that represents a an amazing piece of cinematic memorabilia.
Trivia: Michael Parks reprises his character as Sheriff Earl McGraw in Planet Terror (2007). He also played Sheriff Earl McGraw in Robert Rodriguez’s From Dusk Till Dawn (1996), as well as Quentin Tarantino’s Kill Bill: Vol. 1 (2003), and Kill Bill: Vol. 2 (2004).
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“Poltergeist” is a no holds barred, roller coaster ride through the supernatural world and back to ours from the creative minds of Steven Spielberg, Tobe Hooper, Jerry Goldsmith, and Beatrice Straight that brings a modern take to the haunted house genre and it’s effects on a normal suburban family who live there. Offered here is an outstanding alternative movie poster by the maestro of British horror art, Graham Humphreys. This superb limited edition example is an incredibly rare Artist Proof example (this is hand-numbered #7). Suburban terror never looked better than this, thanks to Humphreys’ stunning visuals, are beautifully realised, with incredible colour tones. Released in 2023 as an exclusive Private Commission, this immediately sold out when launched. Originally rolled, flat-unfolded (as issued) the example offered displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable movie memorabilia with a ‘modern’ twist. “They’re here.”
Trivia: Both of the terrors that plague Robbie (Oliver Robins) came from Steven Spielberg’s own fears as a child: a fear of clowns and a tree outside his window.
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