Showing 109–120 of 288 results
Darker and more serious in tone and content than its predecessor. Spiros Angelikas’ cleverly designed ‘Trust Him’ taglined poster certainly reinforces that aspect for Steven Spielberg’s 1984 prequel / sequel “Indiana Jones and the Temple of Doom”. This original country of origin Advance teaser US one-sheet movie poster highlights the titular archaeologist hero bathed in a red (blood red ?) light surrounded by a dark black embossed patterned border. Originally rolled, as issued to the cinema this superb example displays to excellent effect being presented in totally unrestored high grade condition. Often seen as the ‘weakest’ of the franchise (not so in my book) this is considerably rarer than posters from the other films and is genuinely hard to find in this format and represents a fantastic piece of scarce original movie memorabilia for an incredibly popular and well loved series of films.
Trivia: While filming the whipping scene, the crew played a practical joke on Harrison Ford. While he was chained to a large stone, Barbra Streisand appeared, dressed in a leather dominatrix outfit. She proceeded to whip him, saying “That’s for Hanover Street (1979), the worst movie I ever saw.” She continued whipping him for Star Wars: Episode IV – A New Hope (1977), and making all of that money. Carrie Fisher then threw herself in front of Ford to protect him, and Irvin Kershner chided director Steven Spielberg. “Is this how you run your movies ?” This entire sequence was filmed.
…more detail
Darker and more serious in tone and content than its predecessor. Bruce Wolfe’s beautifully rendered artwork certainly reinforces that trait for Steven Spielberg’s 1984 prequel / sequel “Indiana Jones and the Temple of Doom”. This original country of origin US one-sheet movie poster highlights the titular archaeologist hero as a beacon of light surrounded by darkness. Originally flat and unfolded as issued to the cinema this superb example displays to excellent effect being presented totally unrestored high grade condition. Often seen as the “weakest” of the franchise (not so in my book) this is considerably rarer than posters from the other films in the series and represents a fantastic piece of scarce original movie memorabilia for an incredibly popular and well love film franchise.
Trivia: While filming the whipping scene, the crew played a practical joke on Harrison Ford. While he was chained to a large stone, Barbra Streisand appeared, dressed in a leather dominatrix outfit. She proceeded to whip him, saying “That’s for Hanover Street (1979), the worst movie I ever saw.” She continued whipping him for Star Wars: Episode IV – A New Hope (1977), and making all of that money. Carrie Fisher then threw herself in front of Ford to protect him, and Irvin Kershner chided director Steven Spielberg. “Is this how you run your movies ?” This entire sequence was filmed.
…more detail
Arguably the most sought after design for “Indiana Jones and the Temple of Doom”. This Style B, US one-sheet one-sheet displays the unmistakable painted artwork of Drew Struzan which features a montage of just about all the best elements from this film; from the heart wrenching evil villain Mola Ram, the comic relief character Short Round and the episode’s love interest – Willie Scott. And of course taking centre stage is Harrison Ford as the titular Indiana Jones – all beautifully illustrated by Struzan. It’s hardly a wonder why this poster is so desirable; it represents the best parts of this all-action series. Originally rolled, as issued to the cinema this superb example displays to excellent effect being presented in totally unrestored high grade condition with only light handling wear. Often seen as the ‘weakest’ of the franchise (not so in my book) this is considerably rarer than posters from the other films and is genuinely very scarce and represents a fantastic piece of scarce country of origin original movie memorabilia for an incredibly popular and well loved series of films.
Trivia: While filming the whipping scene, the crew played a practical joke on Harrison Ford. While he was chained to a large stone, Barbra Streisand appeared, dressed in a leather dominatrix outfit. She proceeded to whip him, saying “That’s for Hanover Street (1979), the worst movie I ever saw.” She continued whipping him for Star Wars: Episode IV – A New Hope (1977), and making all of that money. Carrie Fisher then threw herself in front of Ford to protect him, and Irvin Kershner chided director Steven Spielberg. “Is this how you run your movies ?” This entire sequence was filmed.
…more detail
My personal favourite Indiana Jones movie with this modern, alternative movie poster re-imagining by Alistair Little, arguably superior to some of the official movie posters that accompanied the 1984 release of “Indiana Jones and the Temple of Doom”. This hand-numbered artist proof, #7 from a very limited print run of only 10 has also been signed by the artist. Printed on 300 gsm art paper this giclee art print gives the impression of being original painted artwork. The colour palette and print quality is superb; it needs to be seen to fully appreciate just how stunning it really is. Taking centre stage is Harrison Ford as the titular Indiana Jones offset by the menacing Thuggee god Kali. Originally rolled (as issued) this superb example displays to excellent effect. Genuinely scarce it represents a fantastic example of modern cinematic movie memorabilia for an incredibly popular and well loved character.
Trivia: George Lucas, Steven Spielberg, Gloria Katz and Willard Huyck were concerned how to keep the audience interested during the exposition on the Thugee cult. Huyck and Katz proposed a tiger hunt, but Spielberg said “There’s no way I’m going to stay in India long enough to shoot a tiger hunt.” They eventually decided on a dinner scene involving eating bugs, monkey brains, and the like. “Steve and George both still react like children, so their idea was to make it as gross as possible,” says Katz.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
…more detail
A superb and eye-catching alternative movie poster by Enzo Sciotti for the cult dark horror adaptation of the best selling Anne Rice novel “Interview with the Vampire”. Each vampire Lestat (Cruise), Louis (Pitt), Armand (Banderas) and the young Claudia (Kirsten Dunst) is beautifully portrayed by Sciotti on this 2020 Hand-Numbered (# 16/45) Private Commission Screen Print. Printed using eighteen (18) coloured inks onto Neenah Stardream Eris Metallic Paper, the colours truly pop from the paper (the photo doesn’t do this justice) it almost appears to be painted. Presented in rolled (as issued) condition it represents an outstanding, piece of cinematic memorabilia and artwork.
Trivia: Upon learning that Tom Cruise had been cast as Lestat, Rice was livid and stated Cruise could not carry the part, calling the casting “so bizarre; it’s almost impossible to imagine how it’s going to work”. Rice recused herself from the production and did not view the film until a producer sent her a VHS copy. Rice was so impressed by Cruise’s performance that she wrote him a letter of apology and recorded a two-minute video endorsing the film that was included as a pre-feature on mid-1990s VHS releases.
…more detail
“Agents, Villains and The Babes”
Commissioned in 1998 as one of a series of poster designs intended to promote the James Bond Exhibition held at the Roemer – Und Pelizaeus – Museum, Hildesheim Germany. Titled “Agents, Villains and The Babes” the stunning 007 artwork by regular Bond poster artist Robert McGinnis, features a highly detailed all-action montage from Bond’s previous adventures. However the border artwork is made up of beautiful, largely naked or scantily clad women which after consultation with the Museum Board was considered too risqué to use in publicising the Exhibition so only a small number of the initial print run were all that was printed. The example offered here is from this first print run and should not be confused with the later Limited Edition lithograph issued by McGinnis himself which has the censored artwork which was also used for the cover of the Sunday Times November 7th 1999 edition (photo for reference). Originally flat and unfolded (as issued) this amazing example displays and presents to excellent effect. Guaranteed original this represents a highly desirable piece of original James Bond memorabilia with impressive unmistakably Robert McGinnis 007 artwork.
…more detail
“The name’s Bond … James Bond”
Issued in 1998 as one of a series of poster designs to promote the James Bond Exhibition held at the Roemer – Und Pelizaeus – Museum, Hildesheim Germany. The striking imagery by Johann Zambryski features an abstract pop-art rendition of Sean Connery and is the rarest of the designs with only 50 being printed and exclusively issued to Museum Staff and never offered for sale to the general public. Originally rolled (as issued) this stunning example displays and presents to excellent effect and was likely unused. Guaranteed original this represents a highly desirable piece of original James Bond memorabilia with impressive unmistakably Bond, Sean Connery artwork.
…more detail
“Mr Bond. I’m so glad I caught you. Your office called. They’re sending a helicopter to pick you up. Some sort of emergency…It usually is. Thank you”
After the excesses of the previous movie “Moonraker” this is more of return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. This Australian daybill film poster from first year of release 1981 features the memorable worldwide artwork campaign that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s beautifully detailed finished all-action artwork. The original movie poster offered here is presented in exceptional unrestored, folded (as issued) condition and is perfectly suited to the thinner portrait style of the daybill. Colours are bright, vibrant and unfaded. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: after much debate the infamous “legs” belong to New York model Joyce Bartle.
…more detail
After the ‘Star Wars’ style excesses of the previous movie “Moonraker” this is more of a return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. This original, country of origin British one sheet is from first year of release 1981 featuring iconic artwork that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s marvellous detailed, all-action artwork which incorporates the Lotus Esprit protruding out of the border. This originally folded (as issued) example displays very well with lovely strong colours. Probably the most recognisable of all the Roger Moore, Bond posters and this example represents an impressive piece of original collectable James Bond cinematic movie memorabilia.
Trivia; after much debate the infamous “legs” belong to New York model Joyce Bartle.
…more detail
An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, this one-sheet style (portrait) hand-numbered (#81/145) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
…more detail
An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, with a much lower print run than the portrait version, this UK quad style (landscape) hand-numbered (#52/65) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
…more detail
At the time of its release in 1979 this “Star Wars” inspired Bond movie (“For Your Eyes Only” was originally slated to be released after “The Spy Who Loved Me”, but the huge success of “Star Wars” called for a rethink) was the largest grossing 007 movie to date. Beautiful detailed Daniel Gouzee artwork was the highlight of the worldwide “Moonraker” campaign and this original 1979 Japanese B2 film poster really does look impressive. The Japanese text certainly adds an air of sophistication and coolness to the design. Featuring a suave Roger Moore in a shiny silver space suit; a rarity on any Bond poster campaign as he was normally illustrated wearing a ‘trademark’ black tuxedo…Presented in a high grade, rolled (as issued) condition this unrestored example displays and presents to excellent effect with colours that are bright and unfaded. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is an impressive 007 film poster from the Roger Moore run in the series.
Trivia: Producer Albert R. Broccoli complained that Maurice Binder‘s title sequence cost more than the entire budget of Dr. No (1962).
…more detail
Trade Address:
Vintage Movie Posters (UK) Limited
The Malthouse
The Broadway
Old Amersham
HP7 0HL
© 2026 Vintage Movie Posters
Registered Office Address: Vintage Movie Posters (UK) Limited, Aston House, Cornwall Avenue, London N3 1LF GB
Registered Company No: 07664517
