Showing 1–12 of 16 results
Exploitation of the James Bond phenomenon took many forms. Commercial tie-ins became popular, and films were often re-packaged as double bills for subsequent re-releases. Here, however, we have a British cinema UK quad promoting a “A Season of James Bond 007” films. Believed to date from 1972, participating cinemas would have used this poster to advertise special screenings of earlier Sean Connery Bond films, choosing from “Dr. No, From Russia With Love, Goldfinger, Thunderball, You Only Live Twice” and “Diamonds Are Forever”. A simple yet striking design, the “trademark” gun barrell opening credits imagery was considered so recognisable, that it would be sufficient to draw paying audiences. These don’t turn up that often especially in this excellent unrestored, originally folded (as issued) condition; the black background is rich and unfaded. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maurice Binder designed the gun barrel opening at the last minute, by pointing a pinhole camera through a real gun barrel. The actor in the sequence is not Sir Sean Connery, but stuntman Bob Simmons. Connery didn’t film the sequence until Thunderball (1965).
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“From Roger Moore With Love” is a 2024 documentary charting the life and screen success of Roger Moore using a lot of unseen footage taken by Moore himself, at home and on set and cleverly uses the accomplished actor and comedian, Steve Coogan – doing a near perfect impression of Moore narrating the story with additional input from a number of close friends and Bond co-stars – Joan Collins, Jane Seymour, Michael Caine, Pierce Brosnan and Frank Sinatra. An approach that works really well. Receiving a very limited number of cinematic screenings in a marketing campaign that coincided with the Blu Ray release, these country of origin UK quad posters are incredibly rare and don’t turn up very often especially in this excellent unrestored, originally rolled (as issued) high grade condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond related movie memorabilia.
Trivia: In his review for The Guardian, Peter Bradshaw gave the documentary four stars out of five, but criticized the failure to mention Sir Roger Moore‘s performance in The Man Who Haunted Himself (1970) (which was also Moore’s favorite movie role).
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Roger Moore’s final outing as 007 sees Bond artistic maestro Daniel Goozee produce a truly stunning series of posters for John Glen’s “A View To A Kill”. And it is his advance teaser design featuring Roger Moore as 007 and Grace Jones as Zorin’s henchwoman May Day that has been adapted for this Japanese video release B1 poster – the likenesses of both Moore and Jones are incredible. Very rare in this larger Japanese format with a design unique to Japan as key scenes have been added the left and right borders. These don’t turn up very often especially in this excellent unrestored, originally rolled (as issued) high grade condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maud Adams: As a woman in the crowd at Fisherman’s Wharf. Adams happened to be visiting San Francisco when the film was in production there. Sir Roger Moore got her to appear as an uncredited extra in a crowd scene, making her the only actress to appear in three Bond movies (excluding actresses in recurring roles), after The Man with the Golden Gun (1974) and Octopussy (1983).
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Roger Moore’s final outing as 007 sees Bond artistic maestro Daniel Goozee produce a truly stunning series of posters for John Glen’s “A View To A Kill”. This original Country of Origin (UK quad) film poster from 1985 is the final release style combining elements of both Goozee’s advance teaser featuring Moore and adversary Mayday (Grace Jones) and his Style A “Golden Gate” design, so pivotal to the film’s climax. These don’t turn up that often especially in this excellent unrestored, originally rolled (as issued) condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maud Adams: As a woman in the crowd at Fisherman’s Wharf. Adams happened to be visiting San Francisco when the film was in production there. Sir Roger Moore got her to appear as an uncredited extra in a crowd scene, making her the only actress to appear in three Bond movies (excluding actresses in recurring roles), after The Man with the Golden Gun (1974) and Octopussy (1983).
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“Robert McGinnis is an acclaimed American illustrator whose elegant, dynamic artwork helped define the visual culture of post-war popular entertainment. Renowned for his sophisticated figure work and glamorous compositions, he created imagery for numerous paperback covers, magazines and major film campaigns. McGinnis is particularly celebrated for his James Bond posters. His distinctive combination of romance, danger and cinematic style has made him one of the most recognisable and collectable illustrators of the twentieth century.”
The unmistakable glamour and danger of James Bond are brought together in Fit to Kill, a limited-edition print by legendary American illustrator Robert McGinnis. Measuring approximately 23.5 × 17 inches, the artwork depicts a Sean Connery-era Bond reclining with his pistol while receiving the attentions of a glamorous companion. The richly textured red background creates a characteristically stylish combination of sophistication, sensuality and concealed menace.
McGinnis helped define the visual identity of 1960s and 1970s Bond through his celebrated artwork for films including Thunderball,You Only Live Twice, On Her Majesty’s Secret Service and Diamonds Are Forever. His elegant figures, assured draughtsmanship and dynamic compositions remain inseparable from the golden age of illustrated cinema advertising.
Published as part of the Robert McGinnis Hollywood Edition, this example is personally signed by the artist and hand-numbered #17 from a limited edition of 500 and is accompanied by its Robert McGinnis Hollywood Edition Certificate of Authenticity. With tremendous visual impact and distinguished Bond provenance, it makes a superb display piece for collectors of 007, Robert McGinnis and classic cinematic illustration.
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Timothy Dalton’s second outing as 007 was a truly gritty tale of revenge and action with a great white shark being an unusual instrument of torture for one scene. Keith Hamshere (who made Dalton the ‘perfect’ Bond in The Living Daylights campaign ) was again retained as the Bond photographer on this 1989 country of origin British UK quad for “Licence to Kill” featuring a moody Timothy Dalton in close up. Genuinely scarce this rolled (as issued) example looks superb and is presented totally unrestored in high grade condition and represents a worthy addition for any poster collector or any collection of James Bond cinematic movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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A magnificent private commission alternative movie poster for John Glen’s 1989 James Bond extravaganza…“Licence to Kill”. The action-packed artwork (the second in his Bond series) by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, Dalton – sans tuxedo, emphasising this Bond is independent and his own man, exotic location, action, psychotic villains – Robert Davi and Benicio Del Toro and beautiful, glamorous women – Carey Lowell and Talisa Soto. This fourteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #22/75. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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“Far Up…Far Out…Far More..”
An outstanding limited edition alternative movie poster for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A magnificent, James Bond poster with bold vibrant colours and a combination of intricate and detailed all-action artwork from one of the best illustrators currently working – Paul Mann. Truly impressive and immediately recognisable as a Bond film. This alternative movie poster printed in 2022 is particularly scarce selling out immediately on release. Presented unrestored in original unfolded (as issued), rolled condition this hand-numbered (#004/165) example displays to impressive effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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“Far Up…Far Out…Far More..”
An outstanding first year of release Japanese STB/Tatekan movie poster for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A magnificent, James Bond poster with bold vibrant colours and a combination of intricate and detailed all-action artwork combining the artwork of Frank McCarthy and Robert McGinnis with photographic imagery. Immediately recognisable as a Bond film and at almost 5′ tall it’s truly impressive. Genuinely rare, the tatekan STB format had much lower print numbers compared to regular Japanese B2s. Offered in two sections as distributed to cinema and presented unrestored in original rolled condition this example displays to superb effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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“Far Up…Far Out…Far More..”
An outstanding limited edition quad style and size, alternative movie poster for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A magnificent, James Bond poster with bold vibrant colours and a combination of intricate and detailed all-action artwork from one of the best illustrators currently working – Paul Mann. Truly impressive and immediately recognisable as a Bond film. This alternative movie poster printed in 2022 is particularly scarce as it was printed full quad size at 30″ x 40″ with only 100 in exclusive this run – it sold out immediately on release. Presented unrestored in original unfolded (as issued), rolled condition this is hand-numbered #004 (any 00 number is particularly important for any Bond collector) example displays to impressive effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last fully drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. The advance teaser poster preceding this was a mixture of photograph and artwork created by Brian, the advertising agency Feref, Jeffrey Bacon & David Generic and is distinctive for the see-through negligee. However it is not Bond babe Maryam d’Abo in the shot but American model Kathy Stangel in this famous pose & beautifully photographed by Jim McCrary. The original 1987 UK (country of origin) movie poster offered here is presented in exceptional unrestored, rolled (as issued) unfolded condition with bright and unfaded colour tones and white areas that are truly bright. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia.
Trivia: Kara Milovy (Maryam d’Abo) is the last “main” Bond girl to be blonde until Spectre (2015). All leading Bond girls in the other films since have been brunettes or redheads.
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Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. This poster was produced for a 1986 London James Bond exhibition to announce that filming had begun on the latest Bond adventure, “The Living Daylights”, which was to be released the following year. The poster shows a close-up of the front grill from an Aston Martin DB4, which was the model used by the Goldfinger production team during preliminary testing shoots prior to getting the DB5. The original 1986 Advance teaser movie poster offered here is presented in excellent unrestored, rolled (as issued) unfolded condition with content perfectly suited to this landscape style with beautiful black and white photographic tones with a hint of metallic silver. Hugely desirable and very collectible, it would be a worthy addition to any collection of James Bond movie memorabilia.
For price comparison, in a recent London Auction Sale an example of this exact same poster sold for in excess of £2,000
Trivia: The casting of Frederick Warder and Glyn Baker as 004 and 002 was intentional, due to their resemblance to George Lazenby and Sir Roger Moore, respectively. For the movie’s opening scene, the writers wanted to toy with the audience’s expectations of which of the 00 agents was Bond.
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