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An extraordinary and surreal masterpiece from Neil Jordan, “The Company of Wolves” is an allegory that examines the journey from innocence to adulthood in an adult re-telling of the much loved fairytale “Little Red Riding Hood”. Certainly a strange story; the mix of sexual symbolism, poetic beauty and gory horror moments seems a bit forced at times – but when it does work it’s utterly fascinating and you can see it has become such a cult film of the genre and well respected by fans of both horror and quality film making. Offered here is a rare 1984 first release country of origin UK quad film poster for this British film featuring an intricate design by Red Ranch with beautiful detailed border artwork by Alan Lee with the storybook illustration attributed to Andy Seymour. An extremely desirable movie poster from a ‘golden age’ of pre-CGI physical movie special effects and a period of superior werewolf inspired films that is presented in excellent original unrestored folded (as issued) condition and represents a fine example of rare and collectable original British horror movie memorabilia.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
Designed by Tom Jung this advance teaser for Richard Donner’s 1976 horror classic “The Omen” is a stunning example of horror art. The ominous wording YOU HAVE BEEN WARNED and the film’s title (the 666 featured in the O of OMEN is a great touch) are prominent when placed upon the deep black background with Damien illustrated in silhouette with his shadow depicted as that of a jackal. It’s such a simple design but so, so clever and perfectly suited to the portrait format offered here. From first year of release, 1976 this US one sheet presents to excellent effect, benefitting from conservation linen backing, with the original fold lines touched in to give a rolled impression. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
Featuring a country uniques design, this combination of photographic images and artwork (Tom Jung) for Richard Donner’s 1976 horror classic “The Omen” is a stunning example of horror art. The film is famous for its grisly deaths, and many of those are highlighted here – Father Brennan (Patrick Troughton) speared through in the churchyard and the journalist Jennings (David Warner) decapitated by a sheet of plate glass. If you didn’t want to know too much about the plot then you would have been well advised to avoid this particular poster in 1976. This originally folded (as issued) Japanese B2 presents very well. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
With a design by Tom Jung this Australian waybill for Richard Donner’s 1976 horror classic “The Omen” is an impressive example of horror art that also benefits from being signed by the Anti-Christ himself – HARVEY STEPHENS; a beautiful clear signature that includes his character name – DAMIEN where he has cleverly incorporated the number of the Beast 666 into the capital letter D of his name. All written in a silver pen that contrasts incredibly strongly against the black background. The ominous wording and the film’s title are written in the distinctive style synonymous with this now classic horror. It’s such a simple text based design but so, so clever and perfectly suited to the portrait format offered here. From first year of release, 1976 this tri-folded (as issued) example presents to very good effect. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre that carries the mark of the Devil’s son himself.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
With artwork by Timothy Pittides this limited edition alternative movie poster for Richard Donner’s 1976 horror classic “The Omen” is an impressive example of horror art that truly evokes the mystique and symbolism surrounding the movie with the artist having this to say about the commission – “When Rob Jones first approached me about THE OMEN, my brain went in a million different directions. Any time I consider a licensed property, my first thought is ‘How do I do this in a way that is unique in concept, and to me? The film is littered with memorable visuals, many of which propel it beyond its genre, and into the realm of pop culture consciousness. Ultimately, rather than recreating a literal scene, I wanted to portray something that occurs outside the frames of the film. Something sinister in nature with a hint of macabre beauty: Damien’s entrance into our world. This idea felt as natural as it did disturbing. Inking this beast of an image took close to 175 hours, and includes 55 colour layers done by hand. The artwork was rendered larger than I normally do to make sure all the dotwork stayed within correct proportions when elevated to poster size. It was tedious, but well worth it in the end”. From 2020 this hand-numbered example is #2 from a print run of only 100 and is presented rolled, flat and unfolded (as issued) and displays to excellent effect. A horror classic and a personal favourite movie with this art print an impressive item of cinematic movie memorabilia from one of the defining movie’s of the genre.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
With an iconic design by Tom Jung this advance UK quad for Richard Donner’s 1976 horror classic “The Omen” is an impressive example of horror art that also benefits from being signed by the Anti-Christ himself – HARVEY STEPHENS; a beautiful clear signature that includes his character name – DAMIEN where he has cleverly incorporated the number of the Beast 666 into the capital letter D of his name. All written in a silver pen that contrasts incredibly strongly against the black background. The ominous wording YOU HAVE BEEN WARNED and the film’s title (blood red lettering) are written in the distinctive style synonymous with this now classic horror. It’s such a simple text based design but so, so clever and perfectly suited to the landscape format of the British quad offered here. From first year of release, 1976 this folded (as issued) example presents to very good effect. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre that carries the mark of the Devil’s son himself.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Imagine! A scientific genius named H.G. Wells stalks a criminal genius named Jack the Ripper across time itself, in the most ingenious thriller of our time…”
One of the best time-travel romps ever made and a personal favourite for a bit of me time “Time After Time” sees inventor and writer H.G. Wells pursue the notorious London serial killer Jack the Ripper through time from Victorian England to late 1970’s San Francisco. The British UK quad film poster that accompanied its release is a clever design from first year of release, 1979 and features a stop watch transforming into a digital clock and a top hat and tails attired Wells’ taking on the appearance of a 1970’s attired man. Originally folded (as issued) this excellent unrestored example displays superbly with only minimal age and handling wear that represents a fine item of collectable film movie memorabilia.
Watch the extended trailer for Time After Time HERE
Trivia: A deleted scene featured Wells meeting a punk who was playing extremely loud boom-box music on a bus in San Francisco. Nicholas Meyer later reused this idea in Star Trek IV: The Voyage Home (1986).
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“They didn’t make history, they stole it!”…Very rare original 1981 US One sheet movie poster for Terry Gilliam’s fantasy adventure “Time Bandits”. The all-star cast is featured prominently on this B.D. Fox Independent designed example making for a fine looking poster. Originally folded this example looks fantastic and displays very well.
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“Nothing On Earth Could Come Between Them.”
“Titanic” plays almost like a historical biography and is like a work of art, a true epic. Like most history novels, we know the ending, but it doesn’t take away from the wonderful treats that can be found in this picture. Certain aspects of this film were Academy Award material including costuming, sound, cintematography, and editing and it’s one of these iconic cinematic scenes – Rose (Winslet) & Jack (DiCaprio) ‘flying’ at the bow of the Titanic that features in this original one-sheet created for the 25th Anniversary release in 2023 when it screened in a limited number of cinemas for Valentine’s weekend only. Designed by Gravillis, this style is particularly scarce. Investment grade quality for an example that was originally rolled and displays superbly, thanks not only to the imagery but the hi-gloss finish – it really is an impressive film poster that represents a great piece of cinematic movie memorabilia from the movie that was the first gross over a billion dollars at the box-office.
Trivia: The scenes set in 1912, i.e. the whole movie except the present-day scenes and the opening and ending credits, have a total length of two hours and forty minutes, the exact time it took for Titanic to sink. Also, the collision with the iceberg reportedly lasted 37 seconds, which is how long the collision scene is in the movie.
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“Winning that ticket, Rose, was the best thing that ever happened to me… it brought me to you. And I’m thankful for that, Rose. I’m thankful. You must do me this honor. Promise me you’ll survive. That you won’t give up, no matter what happens, no matter how hopeless. Promise me now, Rose, and never let go of that promise.”
“Titanic” plays almost like a historical biography and is like a work of art, a true epic. Like most history novels, we know the ending, but it doesn’t take away from the wonderful treats that can be found in this picture. Certain aspects of this film were Academy Award material including costuming, sound, cintematography, and editing and it’s one of these iconic cinematic scenes – a close-up of Rose (Winslet) & Jack (DiCaprio) ‘flying’ at the bow of the Titanic that features in this original first year of release, 1997 UK quad. Designed by creative arts agency BLT Communications, this style is particularly scarce as it was issued after the movie had won 11 Academy Awards (Oscars). Investment grade quality for an example that was originally rolled and displays superbly, thanks not only to the imagery but the hi-gloss finish – it really is an impressive film poster that represents a great piece of cinematic movie memorabilia from the movie that was the first gross over a billion dollars at the box-office.
Trivia: The scenes set in 1912, i.e. the whole movie except the present-day scenes and the opening and ending credits, have a total length of two hours and forty minutes, the exact time it took for Titanic to sink. Also, the collision with the iceberg reportedly lasted 37 seconds, which is how long the collision scene is in the movie.
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