Showing 1–12 of 37 results
One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. The worldwide marketing campaign is instantly recognisable by the (now) iconic alien ‘egg’ imagery designed by the creative agency Bemis Balkind, and it is also one of the most licensed titles to commission for the alternative movie poster market with some incredible re-imagined imagery on offer, with this offering from Ise Ananphada one of the best in my opinion. In typical Ananphada style the artwork is intricate and beautifully detailed, featuring the titular Alien against a backdrop of key scenes and characters. A spot varnish finish has been applied to both the film’s title and the Alien which only emphasis what a stunning screen print this is. Hand-numbered #97/175 this presents and displays to excellent effect. Hugely collectable and a fantastic piece of cinematic movie memorabilia from a truly influential movie that changed the face of modern sci-fi horror forever.
Trivia: Director Sir Ridley Scott and writers Dan O’Bannon and Ronald Shusett wanted H.R. Giger to design the alien creatures based on drawings from his book ‘Necronomicon’, but they had some difficulties in convincing the studio. Executives were initially appalled by Giger’s dark and disturbing imagery, but Scott’s insistence finally won them over. Even so, Giger’s designs had to be changed several times because of their blatant sexuality.
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. The worldwide marketing campaign is instantly recognisable by the (now) iconic alien ‘egg’ imagery designed by the creative agency Bemis Balkind, and it is also one of the most licensed titles to commission for the alternative movie poster market with some incredible re-imagined imagery on offer, with this offering from Thai artist Kwow one of the best in my opinion. In typical Kwow style the artwork is beautifully detailed, drawing incredible, memorable imagery from the movie. It is highlighted by a spot varnish finish on the titular Alien, that really adds an air of quality to the print. Hand-numbered #6/110 and printed using 11 colour inks onto Fedrigoni Freelife Vellum white paper this presents and displays to excellent effect. Hugely collectable and a fantastic piece of cinematic movie memorabilia from a truly influential movie that changed the face of modern sci-fi horror forever.
Trivia: Director Sir Ridley Scott and writers Dan O’Bannon and Ronald Shusett wanted H.R. Giger to design the alien creatures based on drawings from his book ‘Necronomicon’, but they had some difficulties in convincing the studio. Executives were initially appalled by Giger’s dark and disturbing imagery, but Scott’s insistence finally won them over. Even so, Giger’s designs had to be changed several times because of their blatant sexuality.
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. The worldwide marketing campaign is instantly recognisable by the (now) iconic alien ‘egg’ imagery designed by the creative agency Bemis Balkind, and it is also one of the most licensed titles to commission for the alternative movie poster market with some incredible re-imagined imagery on offer, with this ‘Primordial Landscape Edition’ offering from Ise Ananphada one of the best in my opinion. In typical Ananphada style the artwork is intricate and beautifully detailed, featuring the titular Alien against a backdrop of key scenes and characters. A spot varnish finish has been applied to both the film’s title and the Alien which only emphasis what a stunning screen print this is. The photographs really don’t do justice to the print, this has to be seen in person to be appreciated. Hand-numbered #20/175 this presents and displays to excellent effect. Hugely collectable and a fantastic piece of cinematic movie memorabilia from a truly influential movie that changed the face of modern sci-fi horror forever.
Trivia: Director Sir Ridley Scott and writers Dan O’Bannon and Ronald Shusett wanted H.R. Giger to design the alien creatures based on drawings from his book ‘Necronomicon’, but they had some difficulties in convincing the studio. Executives were initially appalled by Giger’s dark and disturbing imagery, but Scott’s insistence finally won them over. Even so, Giger’s designs had to be changed several times because of their blatant sexuality.
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One of cinemas all time classic movies is Ridley Scott’s Oscar winning deep space horror “Alien”. Spawning numerous cinematic and TV sequels, with Fede Alvarez’ 2024 offering “Alien: Romulus” a personal favourite. The release was accompanied by an incredible series of high quality posters, but it was this offering here by Matt Ferguson that really stole the show, with artwork that is considered one of the best looking for the whole franchise. So it came as no surprise that Matt’s artwork was adapted to the portrait format and used as the cover art for the 4K, BluRay Steelbook issued by Vice Press. The first 250 of these steelbooks were accompanied by one of these limited edition posters, with the print offered here being #157. These prints have become hugely collectable and a must have poster for xenomorph fans. Offered rolled (as issued) and signed and hand-numbered by Matt Ferguson this example presents and displays to excellent effect that represents a fantastic piece of cinematic movie memorabilia.
Trivia: The film’s production design draws not only on the previous films in the series, but also the Alien: Isolation (2014) video game, including the “Emergency” communication stations which served as save points in the game. Fede Alvarez played the game around the time Don’t Breathe (2016) was released, and later said, “I was playing, and realising how terrifying Alien could be if you take it back to that tone.”
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“This Time It’s War”
An alternative movie poster for James Cameron’s “Aliens”, that is unquestionably one of the best for the title. Being one of the most popular subjects for alternative movie posters, artist Roger Motzkus has created an incredible looking poster and one of my personal favourites for the movie. His hand-numbered #42/100 giclee screenprint is truly a stunning piece that has captured the alien and the actors’ likenesses with real accuracy and being a giclee print the colours have an amazing, vibrant finish. Originally rolled (as issued) this looks and displays to excellent effect, absolutely beautiful and a desirable item of modern collectable movie memorabilia from a truly exciting film franchise.. “Aliens” has gone on to become a benchmark for the sci-fi actioner. The alternative movie poster offered here is from 2022 and presents to excellent effect in original unrestored, rolled (as issued) condition that represents a fine piece of movie memorabilia and artwork from a truly influential movie that changed the face of the modern sci-fi action movie forever.
Trivia: Sigourney Weaver‘s Best Actress Academy Award nomination for this movie was the first ever for an actress in a role in an action and sci-fi movie.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“This Time It’s War”
An alternative movie poster for James Cameron’s “Aliens”, that is unquestionably one of the highlights for the title. Being one of the most popular subjects for alternative movie posters, artist Paul Mann has created an incredible looking poster (his second for the franchise after his hugely well received Alien in 2021) and one of my personal favourites for the movie. His hand-numbered #52/75 screen print is truly a stunning piece that has captured the alien queen and the actors’ likenesses with real accuracy and colours that have an amazing, vibrancy. “Aliens” has gone on to become a benchmark for the sci-fi actioner. The alternative movie poster offered here is from 2025 and presents to excellent effect in original unrestored, rolled (as issued) condition that represents a fine piece of movie memorabilia and artwork from a truly influential movie that changed the face of the modern sci-fi action movie forever.
Trivia: Sigourney Weaver‘s Best Actress Academy Award nomination for this movie was the first ever for an actress in a role in an action and sci-fi movie.
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“Who seduces an angel? Who strips in space? Who conveys love by hand? Who gives up the pill? Who takes sex to outer space? Who’s the girl of the 21st century? Who nearly dies of pleasure?”
In arguably the most famous role of her career, Jane Fonda stars as “Barbarella” in Roger Vadim’s, campy, sci-fi fantasy. Based on the hugely popular French comic strip by Jean-Claude Forest the film is considered one of the 1960s quintessential cult movies. And it’s the titular Barbarella, who is featured in close up clutching a ray gun, in a very pop art looking alternative movie poster design by Tim Jordan (Blunt Graffix). Created in 2013, exclusively for the Weapon of Choice II convention with a very limited print run of only twenty (20) – this is hand-numbered #2 and also signed by the artist. Originally rolled (as issued) this beautiful example displays to excellent effect with vibrant, unfaded colours that pop from the paper and a stylish design. It would make for a fantastic addition to any collection or as a one-off display piece that represents a highly collectable piece of cinematic and artistic memorabilia for a much admired cult, sci-fi classic.
Trivia: Barbarella was the first science fiction hero from comics to be adapted into a feature film, as opposed to a serial. Flash Gordon and Buck Rogers, her male predecessors, had only appeared in serials.
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“Now comes the part where I relieve you, the little people, of the burden of your failed and useless lives. But, as my plastic surgeon always said: if you gotta go, go with a smile.”
Tim Burton was the perfect choice at the time to re-invent this major screen character & for me this is the definitive Batman movie. Posters for Burton’s “Batman” have always been hugely collectable since it was released in 1989 with the original marketing campaign basically just using the Batman logo. This has left a huge scope for artists since, to re-imagine and re-interpret their own unique take on the movie and character – making it perfect content for the alternative movie poster market. Batman (in all of his guises) is one of the most popular subjects for commissions – admittedly some better than others. Offered here is one of the better examples as Alberto Reyes presents his variant edition. Known as the Joker style or the Jokerized version it sees Jack Nicholson’s Joker in a clever spin from one of the key scenes from the film. Enigmatic and stylish, hand-numbered (#69/89) and signed by the artist, Alberto Reyes is truly impressive. Originally rolled (as issued) this displays to excellent effect and represents a superb Joker image from one of the defining Batman films.
Trivia: Jack Nicholson said of his role, “The thing I like about the Joker is that his sense of humor is completely tasteless.” He later said The Joker was one of his favorite roles he played.
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“Bruce Wayne – Y’see, my life is really… complex.”
Tim Burton was the perfect choice at the time to re-invent this major screen character & for me this is the definitive Batman movie. Posters for Burton’s “Batman” have always been hugely collectable since it was released in 1989 with the original marketing campaign basically just using the Batman logo. This has left a huge scope for artists since, to re-imagine and re-interpret their own unique take on the movie and character – making it perfect content for the alternative movie poster market. Batman (in all of his guises) is one of the most popular subjects for commissions – admittedly some better than others. Offered here is one of the better examples as Alberto Reyes presents his Batman, fully costumed (it’s nice to see an artist present a screen accurate costume for a change) in the Batcave. Enigmatic and stylish, hand-numbered (#69/89) and signed by the artist, Alberto Reyes is truly impressive. Originally rolled (as issued) this displays to excellent effect and represents a memorable image from one of the defining Batman films.
Trivia: Michael Keaton, who calls himself a “logic freak”, was concerned that Batman’s secret identity would, in reality, be fairly easy to uncover, and discussed ideas with Tim Burton to better disguise the character, including the use of contact lenses. Ultimately, Keaton decided to perform Batman’s voice at a lower register than when he was portraying Bruce Wayne. This technique became a staple of future portrayals of Batman in film, television, and video games, especially those of Kevin Conroy and Christian Bale.
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“Riddle me this, riddle me that, who’s afraid of the big, black bat?“
Riddle me this – how can you get the most colourful Batmobile yet in your living room? Simple, purchase this incredible, hand-numbered (#96/275) screen print from Matt Ferguson for Joel Schumacher’s 1995 comic book caper “Batman Forever”. Ferguson’s ongoing Batman and Batmobile series continues, and this time, he’s got Seal’s Kiss from a Rose blaring out of the Bat-stereo. “Batman Forever” is a visually spectacular movie combining a colourful cast, and a bonkers plot that while divisive, is undoubtedly wildly entertaining and whilst Jim Carrey is no Jack Nicholson, his Riddler steals the show from one-time Batman – Val KIlmer. Ferguson’s Batmobile series focuses on Bruce Wayne’s incredible rides from throughout Batman’s history, and he’s added a ton of fun details and Easter eggs from both the film and general Ferguson lore. Originally rolled (as issued) this displays to excellent effect with the day glo, neon coloured inks adding a real kinetic energy to the imagery and represents a truly eye-catching alternative movie poster from one of the most memorable Batman movies.
Trivia: This is the first movie to refer to Batman as “The Dark Knight”.
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“It has a long uninteresting name. I just took to calling it… The Bat, and yes, Mr. Wayne, it does come in black.”
Posters for Christopher Nolan’s Batman franchise have always been of the highest quality and when independent publishers Mondo asked acclaimed alternative artist Olly Moss to design something special he didn’t disappoint…for the first time in Mondos history, a print was made available to anyone and everyone who wants to purchase it. So, in 2012 for 24 hours only, beginning at 12:01am CT on Wednesday, July 18 Olly Moss’ The Dark Knight Rises was available for only 24 hours at MondoTees.com. This Limited Edition Hand Numbered (#2200/9350) original rolled example from that first (and only) release is presented in excellent original condition. Olly Moss, is arguably one of the most popular alternative movie poster artists, whose artwork sees some incredible aftermarket prices and is also some of the best and most innovative to be offered for sale.
Trivia: As with the previous two movies, Bruce Wayne’s main car is a Lamborghini. (Batman Begins (2005): Lamborghini Murciélago Roadster, The Dark Knight (2008): Lamborghini Murciélago LP640, this movie: Lamborghini Aventador LP 700-4. The name “Murciélago” means “bat” in Spanish.
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“It has a long uninteresting name. I just took to calling it… The Bat, and yes, Mr. Wayne, it does come in black.”
Posters for Christopher Nolan’s Batman franchise have always been of the highest quality and when independent publishers Mondo asked acclaimed Batman comic book artist Jock to design something special he didn’t disappoint. Jock’s imagery is stunning as a giant image of The Dark Knight composed of bats is seen looming over Gotham City. The minimal use of colour with just black, white and light grey being used only enhances the overall impact and makes for a nice change with most Batman imagery opting for the more typical dark coloured inks and a shadowy style. Of particular note and although a small detail (and easily overlooked) is the lettering, credits and logos as these are all hand drawn by Jock in a style that mimics the original typography. This Limited Edition, Hand Numbered (#16/375) edition for “The Dark Knight Rises” was only ever made available through Mondo at the 2012 San Diego Comic Con. Original rolled it is presented in excellent original condition. Jock, is arguably one of the most popular and talented comic book and poster artists, whose work sees some incredible aftermarket prices and is also some of the best and most innovative to be offered for sale.
Trivia: As with the previous two movies, Bruce Wayne’s main car is a Lamborghini. (Batman Begins (2005): Lamborghini Murciélago Roadster, The Dark Knight (2008): Lamborghini Murciélago LP640, this movie: Lamborghini Aventador LP 700-4. The name “Murciélago” means “bat” in Spanish.
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