Showing 25–36 of 51 results
My personal favourite Indiana Jones movie with this modern, alternative movie poster re-imagining by Alistair Little, arguably superior to some of the official movie posters that accompanied the 1984 release of “Indiana Jones and the Temple of Doom”. This hand-numbered artist proof, #7 from a very limited print run of only 10 has also been signed by the artist. Printed on 300 gsm art paper this giclee art print gives the impression of being original painted artwork. The colour palette and print quality is superb; it needs to be seen to fully appreciate just how stunning it really is. Taking centre stage is Harrison Ford as the titular Indiana Jones offset by the menacing Thuggee god Kali. Originally rolled (as issued) this superb example displays to excellent effect. Genuinely scarce it represents a fantastic example of modern cinematic movie memorabilia for an incredibly popular and well loved character.
Trivia: George Lucas, Steven Spielberg, Gloria Katz and Willard Huyck were concerned how to keep the audience interested during the exposition on the Thugee cult. Huyck and Katz proposed a tiger hunt, but Spielberg said “There’s no way I’m going to stay in India long enough to shoot a tiger hunt.” They eventually decided on a dinner scene involving eating bugs, monkey brains, and the like. “Steve and George both still react like children, so their idea was to make it as gross as possible,” says Katz.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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A superb and eye-catching alternative movie poster by Enzo Sciotti for the cult dark horror adaptation of the best selling Anne Rice novel “Interview with the Vampire”. Each vampire Lestat (Cruise), Louis (Pitt), Armand (Banderas) and the young Claudia (Kirsten Dunst) is beautifully portrayed by Sciotti on this 2020 Hand-Numbered (# 16/45) Private Commission Screen Print. Printed using eighteen (18) coloured inks onto Neenah Stardream Eris Metallic Paper, the colours truly pop from the paper (the photo doesn’t do this justice) it almost appears to be painted. Presented in rolled (as issued) condition it represents an outstanding, piece of cinematic memorabilia and artwork.
Trivia: Upon learning that Tom Cruise had been cast as Lestat, Rice was livid and stated Cruise could not carry the part, calling the casting “so bizarre; it’s almost impossible to imagine how it’s going to work”. Rice recused herself from the production and did not view the film until a producer sent her a VHS copy. Rice was so impressed by Cruise’s performance that she wrote him a letter of apology and recorded a two-minute video endorsing the film that was included as a pre-feature on mid-1990s VHS releases.
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A magnificent private commission alternative movie poster for John Glen’s 1989 James Bond extravaganza…“Licence to Kill”. The action-packed artwork (the second in his Bond series) by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, Dalton – sans tuxedo, emphasising this Bond is independent and his own man, exotic location, action, psychotic villains – Robert Davi and Benicio Del Toro and beautiful, glamorous women – Carey Lowell and Talisa Soto. This fourteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #22/75. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, this one-sheet style (portrait) hand-numbered (#81/145) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, with a much lower print run than the portrait version, this UK quad style (landscape) hand-numbered (#52/65) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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“Far Up…Far Out…Far More..”
An outstanding limited edition alternative movie poster for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A magnificent, James Bond poster with bold vibrant colours and a combination of intricate and detailed all-action artwork from one of the best illustrators currently working – Paul Mann. Truly impressive and immediately recognisable as a Bond film. This alternative movie poster printed in 2022 is particularly scarce selling out immediately on release. Presented unrestored in original unfolded (as issued), rolled condition this hand-numbered (#004/165) example displays to impressive effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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A magnificent alternative movie poster for Lewis Gilbert’s 1977 James Bond extravaganza…“The Spy Who Loved Me”…Cubby Broccoli wanted this to be “BIGGEST Bond of All” and it certainly lived up to the billing, utilising the massive purpose built 007 soundstage at Pinewood Studios, still very much in use today. The action-packed artwork by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, 007 (Roger Moore) dressed in a tuxedo, exotic location, gadgets, psychotic villains and beautiful, glamorous women – Barbara Bach who played the Russian super spy Anya Amasova (Agent XXX) and Caroline Munro (the helicopter pilot Naomi). This thirteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #52/85. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: The closing credits say, “James Bond will return in For Your Eyes Only (1981)” but, because of the successes of Star Wars: Episode IV – A New Hope (1977) and Close Encounters of the Third Kind (1977), the space set Moonraker (1979) was chosen.
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Probably the most important film of ‘modern’ cinema, launching a movie trend that is now commonly referred to as the ‘Summer Blockbuster’. It also happens to be one of the best and most memorable movie poster images ever ! So why reimagine it ? Well, this is a perfect example of why. When it comes to amazing alternative movie posters, this limited edition art print by Laurent Durieux is a real eye-catcher and more along the lines of a travel poster as ‘Martha’s Vineyard Welcomes You’. There are a lot of alternative ‘Jaws’ posters on the market with this 2020 offering considered one of the best and most desirable with beautiful imagery. This wonderful design, featuring the second on screen victim – Alex Kitner is very clever as Alex is seen running on the Amity beach, the sea in the background and if you look closely the black Labrador Pippin about to run into the sea and meet his grisly fate. Look closer and you see an additional easter egg as one of the kites flying high above the beach resembles a black shark’s fin; a nod to Durieux’s earlier 2013 Jaws poster where the same fin is shown on a sunshade. This originally rolled, unfolded (as issued) example displays to exceptional effect. Durieux’s style is unmistakable with perfect, colours and composition. A truly outstanding and extremely rare art print that represents an impressive item of highly sought after modern movie memorabilia.
Trivia: Several decades after the film’s release, Lee Fierro walked into a seafood restaurant and noticed an “Alex Kintner Sandwich” on the menu. She commented that she had played his mother many years ago. Jeffrey Voorhees, manager of the restaurant, ran out to meet her. He had played her son, and they hadn’t seen each other since the original movie shoot.
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“Act like you own the place…”
Through films like Okja and Snowpiercer, director Bong Joon Ho has dazzled audiences with his unique knack for blending genres to tell layered, one-of-a-kind stories and now in the South Korean black comedy thriller “Parasite” he is receiving the critical and commercial acclaim he so richly deserves. To complement the Oscar success the hugely respected alternative movie poster printer Mondo commissioned Rory Kurtz to design a poster to complement the success. Winning four (4) Oscars at the 2020 ceremony, including Best Picture, Directing, International Feature Film and Writing (Original Screenplay). Kurtz’ artwork captures the seemingly picture-perfect moment between the happily rich Parks completely oblivious to what’s unfolding around them, and the Kim family relegated to the shadows struggling with their own complex feelings toward such wealth and privilege. This is a limited edition timed released, hand-numbered #616/2120. The example offered here presents and displays to excellent effect being originally rolled (as issued) with incredibly strong colours. An outstanding and extremely scarce ‘modern’ art/film poster that represents a fantastic piece of movie memorabilia.
Trivia: The film makes several nods to Alfred Hitchcock throughout. Stairs are used as a motif, voyeurism is used as characters watch scenes through windows 14 times, and (most obviously) there is a brief glimpse of an out of place Alfred Hitchcock collection in the Park’s home.
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One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare alternative movie poster offered here is from the 2025 release and was created as a private commission piece by the talented Thai artist, Wiwat. With a very limited print run of only 40 this has been hand-numbered #32. Showcasing a unique and visually striking design and produced using the screen print technique, the imagery captures the essence of the Predator in a bold and dynamic style. Perfect for fans of the franchise or collectors of art inspired by the Predator. Originally rolled (as issued) this beautiful example displays and presents to excellent effect and represents a fine piece of collectable cinematic movie memorabilia.
Trivia: The Predator costume weighed over two hundred pounds, and even though 7’2″ Kevin Peter Hall was a large and powerful man, he had to be connected to a “bungie” rig, to enable him to move more believably.
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The success of “Predator” when released in 1987 meant a sequel was always inevitable, however the action hero of the first movie wasn’t available – move over Arnie and welcome Danny Glover. Not only was there a new direction for the hero but the jungles of South America were swapped for a crime ridden Los Angeles. A clever follow up in many ways as it really does continue where the first movie finished as the Government, now fully aware of an other worldly being try to turn the tables and trap a predator – bad move. This 2021 Private Commission by Juan Carlos Ruiz Burgos features spectacular artwork, and is actually the first time a licensed print for “Predator 2” has been issued, and frankly it would be a hard to find a better one as Burgos really has created something special. Titled ‘The Concrete Jungle‘ it is printed on Cougar White paper using fifteen (15) coloured inks which includes a glitter varnish used to mimic the wet skin of the Predator and a bright luminous green glow in the dark ink for the title. Hand-numbered #45 from a print run 110 this beautiful example displays and presents to excellent effect and represents an incredible looking piece of modern cinematic memorabilia.
Trivia: Keyes (Gary Busey) is the first character to ever use the word “predator” to refer to the creature on-screen when he says “we’ve prepared a trap for this predator”. The word “predators” is also used by Isabelle in Predators (2010), but she uses it to refer to the human characters in the film, not the Predator creatures. It wasn’t until The Predator (2018) that the creature itself is referred to as ‘predator’ again, with someone adding that the term ‘hunter’ would be more appropriate.
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There is no doubting the influence and impact of Quentin Tarantino’s 1994 masterpiece “Pulp Fiction” and like so many of the Tarantino films the paper from each has become hugely collectable. The impressive alternative movie poster offered here is no exception. This eye-catching, colourful design featuring one of the coolest cinema pairings in recent memory – Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) is by Dave Merrell was issued as a Bottleneck Gallery exclusive in 2023 in support of Brooklyn Animal. Originally rolled (as issued) this super rare example is an Private Proof (PP #15/15) presents and displays to excellent effect and represents a hugely collectable item of movie memorabilia from a truly iconic movie…“I’m sorry, did I break your concentration? I didn’t mean to do that. Please, continue, you were saying something about best intentions. What’s the matter? Oh, you were finished! Well, allow me to retort. What does Marsellus Wallace look like?”
Trivia: Uma Thurman originally turned down the role of Mia Wallace. Quentin Tarantino was so desperate to have her as Mia, he ended up reading her the script over the phone, finally convincing her to take on the role.
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