Film
The Living Dead at the Manchester Morgue
UK Quad (30" x 40") Single Sided
UK / British
Very Good / Originally Folded (as issued)
Jorge Grau
Aldo Massasso, Arthur Kennedy, Cristina Galbó, Ray Lovelock
1974
There’s cult horror films & there’s CULT horror films… “The Living Dead At Manchester Morgue” is possibly the most underrated zombie movie ever made. It’s certainly one of the most interesting as it’s an Italian/Spanish co-production, but curiously set in England, and it predates both ‘Dawn Of The Dead’ and the subsequent Eurozombie boom led by Lucio Fulci et al. Featuring country unique British design this original UK quad movie poster is an understated gem using just three colour ways; Black background, Red lettering & White zombies. It’s simplistic but very effective. From first year of release 1974 this folded (as issued) original, unrestored UK quad movie poster displays to very good effect; it does have age wear but if anything this adds to the overall ‘horror’ effect. It is the only example of this cult classic zombie horror poster I have ever offered for sale and is one of the scarcest posters from the genre. Hugely collectible it represents a genuinely rare item of original horror movie memorabilia…one of the key CULT zombie movie posters.
Trivia: The cemetery scenes in the film were shot at the historical English graveyard where Robin Hood’s Little John is said to have been laid to rest. The production experienced trouble though when tourists arrived to see the crew (and their garbage) hanging around the cemetery. Complaints were made and the film crew was forced to wrap shots in the cemetery in 24 hours.
…more detail
Vintage Movie Posters Grading Criteria... read more +
Corpses who seem to have risen from their graves infest an isolated piece of countryside and walk among the living again . Shortsighted and prejudiced critics might easily refer to this as another gem that tries to pick in on the success of George A. Romero‘s classic “Night of the Living Dead“. On top of that, “The Living Dead at the Manchester Morgue“ is an early 70’s Spanish/Italian co-production and those movies automatically get categorized as meaningless garbage. But, if you decide to ignore this movie due to these reasons, it’s your loss. You’ll miss out on one of the most imaginative and clever zombie films ever made. Jorge Grau‘s modest horror masterpiece is stuffed with ingenious findings, strong plot-twists and adorable black humor. And surprisingly great acting too, as Ray Lovelock and Cristina Galbó form a lovely horror couple. They’re stuck with each other after a silly accident and continue their trip together. Ending up in a quiet little village, they discover that experiments with ultrasonic agriculture methods have disastrous effects on the nerve systems of primitive life forms, causing babies to act homicidal and the dead to live again. The dumb cops, however, have no ears for the warnings and the Inspector considers the couple to be Bonnie and Clyde-like Satanists. “The Living Dead at the Manchester Morgue“ is an excellent horror film with a lot of style and substance. The film contains a lot less nauseating butchering than you might expect but the few sequences in which zombies are devouring their victims are pretty damn gory. The photography is beautiful and you should be prepared for a few impressive shocks that’ll hit you like a ten-ton hammer. Highly recommended to all zombie horror fans.
Trade Address:
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Old Amersham
HP7 0HL
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
