Film
The Jungle Book
1967 (1975 RR)
UK Quad / (30″ x 40″) / Single Sided / Printed in England by W.E.Berry Ltd. Bradford
UK / British
Very Fine Plus / Originally Folded (as issued)
Wolfgang Reitherman
George Sanders, Louis Prima, Phil Harris, Sebastian Cabot, Sterling Holloway
“Meet Mowgli, the man cub. Baloo thinks he’ll make a darn good bear. Shere Khan thinks he’ll make a darn good meal”
Walt Disney’s animated take on the “Mowgli Stories” of Rudyard Kipling “The Jungle Book”. Re-released many times after its 1967 premiere but it is the artwork from the posters produced during the 1970’s that were probably the best from any period. Offered here is an original UK quad movie poster from the 1975 British re-release. A magnificent, visual masterpiece of a poster as all the key and most of the supporting characters make the perfect transfer from screen to paper. Beautiful design and artwork, bright bold colours and stunning animated action imagery featuring Mowgli, Baloo, Bagheera, King Louie, Shere Khan, Kaa, plus Colonel Hathi and the laid back Liverpudlian Beatlesque vultures. An impressive poster on every level; originally folded (as issued) this unrestored film poster presents superbly and is a fine example of rare and collectable original movie memorabilia for a much loved Disney classic. Undoubtedly one the best looking poster produced for a movie that is a part of cinema history.
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The Jungle Book Movie Poster
“Meet KIPLING’S famous characters…the V.I.P.s of the Jungle!”
The Jungle Book, one of Disney’s ultimate classics, it has great characters, an awesome story and terrific animation. I’ll admit it, I adore Disney movies, I could never choose just one Disney movie as my favorite, I love them all for so many different reasons. I think this movie is so wonderful because of the characters, they just brought so much life to the story and really made this into a wonderful Disney classic.
Mowgli (Bruce Reitherman)is found in a basket as a baby in the deep jungles. Bagheera,(Sebastian Cabot) the panther who discovers the boy, promptly takes him to a wolf who has just had cubs. She raises him along with her own cubs and Mowgli soon becomes well acquainted to jungle life. Mowgli is shown ten years later, visiting the wolves and getting his face licked eagerly when he arrives. That night, when the wolf tribe learns that Shere Khan (George Sanders), a man-eating tiger, has returned to the jungle, they realize that Mowgli must be taken to the man village, to protect him and those around him. Bagheera volunteers to escort him back. They leave that very night, but Mowgli is determined to stay in the jungle and loses Bagheera. Kaa (Sterling Holloway), the hungry python, hypnotizes Mowgli into a deep and peaceful sleep, traps him tightly in his coils, and tries to devour him, but comically fails. The next morning, Mowgli tries to join the elephant patrol. Bagheera finds Mowgli and they argue; Mowgli runs away from Bagheera. The boy soon meets up with the fun-loving bear Baloo (Phil Harris), who shows Mowgli the fun of having a care-free life and promises not to take him to the man village. Mowgli now wants to stay in the jungle more than ever. Shere Khan is after Mowgli though and won’t rest ’till he kills him.
Seriously, these are some of the most memorable characters in Disney history, we have Baloo, the care free party bear that just wants to have fun and only needs the “bear” necessities of life. Bagheera, a panther, that we’ve all known this kind of person, the one that just wants to get down to business and get as much done as quickly as possible, the party pooper, but deep down still has that heart. And one of Disney’s most memorable villains of all time, Shere Khan, voiced by George Sanders, classy, sassy, menacing and vicious, I wouldn’t be surprised if he was Scar’s inspiration(the lion villain in The Lion King). If you haven’t seen The Jungle Book you need to. It’s a classic fun loveable film that is possibly the greatest animated film of all time.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
