Film
Rocky II
1979
UK Quad (30" x 40") Single Sided
UK / British
Near Mint minus; originally folded
Sylvester Stallone
Burgess Meredith, Burt Young, Carl Weathers, Sylvester Stallone, Talia Shire
A very Striking, simple poster design with great use of strong colour. The colours (yellow and black) actually match the colours of the boxing shorts Rocky wears in the film’s finale rematch with Apollo. The original 1979 UK quad for “Rocky II” offered here is the rarely seen “The story continues…” traditional “Rocky” trademark lettered version and is presented in exceptional investment grade condition. Originally folded (as issued) with strong unfaded colours it looks and presents to excellent effect and represents a very collectable and desirable example of original movie poster memorabilia.
…more detailVintage Movie Posters Grading Criteria... read more +
“Rocky” is one of the greatest films ever made. So a sequel to this film would have a tough time following it. “Rocky II“ does a great job following up “Rocky” and is truly a great film.
The story starts up right where “Rocky” left off. Rocky (Sylvester Stallone) goes to the hospital and has surgery and it is revealed that further fighting could damage his eye badly and make him go blind possibly. So Rocky settles down, marries Adrian (Talia Shire) and starts making commercials. Soon Adrian gets pregnant. However soon his ability to not read well costs him his job making commercials and Rocky struggles to find another job. Elsewhere Apollo Creed (Carl Weathers) is furious that so many people are criticizing him for going 15 rounds with a guy who came off that street. So Apollo wants a rematch. Rocky decides that he must fight again, which upsets Adrian due to the health risks he may face.
This film succeeds mainly due to the fact that it does a great job continuing the Rocky saga. It starts right up after “Rocky” and further continues the story. It is an awesome follow up. All of the characters are further developed. Apollo Creed is shown more and his character is expanded the most and you get to see what he is like more. Carl Weathers does a great job with Creed in this episode and really plays the upset athlete at the media well. Paulie takes a back seat in this film for the most part but Adrian is very significant in this film as she is the main reason why Rocky is so reluctant to get back in the ring.
“Rocky II” is really funny, more so than the first one. Love how Rocky goes around trying to get a job despite the fact that he has basically no education. Also humorous is how bad Rocky is at reading cue cards and what he chooses to talk about at his press conference with Apollo. For the most part “Rocky” and “Rocky 2” are more funny than the next films mainly because of how Rocky becomes “civilized” in “Rocky III“ and loses his sense of humor in some ways.
The training that Rocky does in this film is epic. Love the training that he goes through in this film, slamming metal, chasing chickens, and hopping around with lumber on his shoulders. Rocky really works hard training in this film, my personal favorite of his films in how he trains.
No film is perfect though. The “Gonna Fly Now” song is not the same as it is in the first film. It is not sung by the same people who sang it is the first film so it is not nearly as good. However this song is only used when Rocky is running, not when he is doing his other training. They use the “Going the Distance” song when he is doing his training outside of his running which is fine.
Also the fight at the end of the film is not nearly as good as the fight in the first film. It is mainly just Rocky getting pounded relentlessly and having to overcome a superior athlete. Not like in the first film where it is an even fight for the most part.
A great sequel that is funny, further expands the story and characters, and has some really great and memorable moments.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
