£225.00
Film
Point Break
1991
British One-Sheet – 27″ x 40″ / Single Sided
UK / British
Very Fine plus; originally folded (as issued)
Kathryn Bigelow
Gary Busey, James Le Gros, John C McGinley, John Philbin, Keanu Reeves, Lori Petty, Patrick Swayze
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Any paper for Kathryn Bigelow’s 1991 crime actioner “Point Break” is highly sought after. It is such a super stylish and cool heist movie that is much loved by a huge fanbase. This original British one-sheet is a great looking film poster featuring not just the two male leads – Patrick Swayze and Keanu Reeves but also number of action scenes from the movie. Originally folded (as issued) this looks and displays to excellent effect with minimal handling wear. A scarce, original collectable item of cinematic movie memorabilia for one of the best ‘buddy-movies’ of recent years with some of the greatest extreme action shots ever filmed.
Trivia: The film was originally called “Johnny Utah” when Keanu Reeves was cast in the title role. The studio felt that this title said very little about surfing, and by the time Patrick Swayze was cast, the film had been renamed Riders on the Storm after the famous song by The Doors. However, the lyrics had nothing to do with the film, and so that title was also rejected. It was not until halfway through filming that “Point Break” became the film’s title, because of its relevance to surfing.
…more detailVintage Movie Posters Grading Criteria... read more +
On this face of it, “Point Break” ought to be rubbish… a testosterone-fuelled action story of beautiful people who rob banks to fund their hedonistic lifestyle that largely revolves around anything that causes their adrenalin to rush, but it isn’t rubbish. Kathryn Bigelow keeps the pace end-to-end, and both Keanu Reeves (“Johnny Utah”) and Patrick Swayze (“Bohdi”) are clearly having fun as the FBI agent pursuing the gang of rubber mask clad “ex-president” beach-bum robbers. Reeves is easy on the eye, but pretty wooden and sure, the plot has more holes than a string vest but the story isn’t meant to be deep and meaningful. This is just a fun adventure escapade that sees our hero go surfing, sky-diving and the cinematographer is clearly in his element, too. The ending, though cluttered up with some lovey-dovey nonsense, is actually quite exhilarating as the pair seem to develop just a little bit of a bromance… It’s an updated variation on the traditional cops ‘n robbers affair that offers much by way of escapism on a wet, wintry evening and ought to be judged accordingly.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.